Within the slap of a bass and the cry of a vocalist, the CDs became some of Ace's biggest-ever sellers and are now rightfully viewed as major releases.
Invariably, you will come to cherish your own choices, but right now I keep returning to the opening track, Temptation 'Bout To Get Me, by the Knight Brothers. The song's opening: muted trumpets and drum roll create the perfect setting for the boys impassioned plea for help against the demon that dogs us all.
The impeccable grace of Eddie and Ernie's I Believe She Will, follows, an emotional state of affairs sustained by the setting of the great Chuck Edwards' voice to a haunting organ and bassline on his song, I Need You. There's the exuberant musical colors of Just Loving You by Ruby Andrews, as well as the casual accusatory tone the Black Velvet adopt for Is It Me You Really Want, a song which gives way to the majestic classicism of Paul Kelly's The Day After Forever.
The inventive musical touches that mark Jackie Lee's I Love You are not only ear catching, but make a claim for this Deep Soul collection to be the most varied yet, a point later strengthened by the inclusion of singer Tony Owens' uptempo stormer, This Heart Can't Take No More.
Yet, for me the heart of this collection resides in an incredible six-song sequence which begins with Doris Duke's I Don't Care Anymore, her resigned voice capturing the song's radical sentiment with amazing skill. We then move on to the previously unissued You Make Me Feel Good, by Lawrence and Jaibi, a footloose funky workout which nicely sets the stage for the solemn overtones of Barbara Brown's Can't Find No Happiness. The tragedy contained within her statement that, ''these empty arms just bring me great pain'', is then dispelled by the weighty vocal insistence of singer Garnett Mimms on My Baby, brilliantly accompanied by dragging horn lines, swinging drums and a fiery piano. Then there's just about enough time to catch your breath and suddenly the Webs are upon you, a lovely guitar lick mixed with great harmonies but the instrumentation played with an almost slapdash feel, as if both band and singers are on the point of breaking down. Which, when the song is called It's So Hard To Break A Habit, is probably the point.
As with other projects, Godin is not scared to include the more familiar. Thus the Miracles' exquisite Tracks Of My Tears and Irma Thomas' rousing Time Is On My Side are also included, as is the lesser-known but equally as powerful Gladys Knight track Giving Up.
And then comes Jaibi's previously unreleased It Was Like A Nightmare. This is a major new discovery - a great vocal performance that has lain dormant on unearthed tapes, a song that just keeps rolling and rolling and rolling, just like all the best nightmares do.
There's just time to pick out Roy Hamilton's grandiose vocal on the immortal Dark End Of The Street before we hit I Made It Over by Jimmy Robbins, a vocal performance rich with suggestion that the story is not as clear cut as his words claim. Bob and Earl's Don't Ever Leave Me ends the trip, worth it just for the vocal performances alone, complex in their arrangement, so direct in their efficiency.
Want the word on Dave Godin's new Deep Soul CD? Superb.
Paolo Hewitt, Ace Records