David Copperfield (Modern Library Classics) [Paperback]

Charles Dickens (Author), David Gates (Introduction)

Book Description

Release date: November 28, 2000 | Series: Modern Library Classics

Hugely admired by Tolstoy, David Copperfield is the novel that draws most closely from Charles Dickens's own life. Its eponymous hero, orphaned as a boy, grows up to discover love and happiness, heartbreak and sorrow amid a cast of eccentrics, innocents, and villains. Praising Dickens's power of invention, Somerset Maugham wrote: "There were never such people as the Micawbers, Peggotty and Barkis, Traddles, Betsey Trotwood and Mr. Dick, Uriah Heep and his mother. They are fantastic inventions of Dickens's exultant imagination...you can never quite forget them."

This Modern Library Paperback Classics edition includes a new Introduction by Pulitzer Prize finalist David Gates, in addition to new explanatory notes.

Editorial Reviews

From School Library Journal

Grade 7 Up-Dickens' novel narrated by Flo Gibson.
Copyright 1999 Reed Business Information, Inc. --This text refers to the Audio Cassette edition.

Review

"The most perfect of all the Dickens novels."
--Virginia Woolf

See all Editorial Reviews

Product Details

• Paperback: 896 pages
• Publisher: Modern Library; 2000 Modern Library pbk. ed edition (November 28, 2000)
• Language: English
• ISBN-10: 0679783415
• ISBN-13: 978-0679783411
• Product Dimensions: 5 x 1.3 x 8.3 inches
• Shipping Weight: 1.2 pounds (View shipping rates and policies)
• Average Customer Review: 4.5 out of 5 stars  See all reviews (349 customer reviews)
• Amazon Best Sellers Rank: #133,422 in Books (See Top 100 in Books)

Most Helpful Customer Reviews

173 of 176 people found the following review helpful

5.0 out of 5 stars Why it still matters September 24, 2006

By E. Kutinsky

Format:Paperback

Somehow, I'd graduated from college - with a degree in English, no less - and had never had to read a single thing ever written by Charles Dickens. I read quite a bit on my own, but still found David Copperfield to be the height of ambition - my copy was 1001 pages long, and I hadn't ventured into a book over a thousand pages since I'd read The Stand at age 12. I cannot imagine that I am alone in completing my education and sidestepping Dickens altogether, so I think it's important I share my experience. In truth, the only reason I chose David Copperfield over, say, Great Expectations or Hard Times was the passing comment made by Jeff Daniels in The Squid And The Whale - dismissing a Tale of Two Cities as "minor Dickens," saying David Copperfield was "much richer."

It is rich. I tend towards modern fiction nowadays, fiction that, unexpectedly, takes you deep inside the heart of its characters sometimes bewildering behavior and humanity. What strikes me about the complex nature of the characters in Copperfield is the way it seems that no effort at all has been used to distinguish each of them, yet there is no doubt as to how vivid they are. Each character speaks in a tone that is a perfect elucidation of who they are - you can hear, just in the dialogue, the calm wisdom of Agnes, the parasitic obsequiousness of Uriah Heep, the punctilious rambling of Micawber, the pleasantries that barely mask the aggression of Miss Dartle, the rigid boredom of the Murdstones, the spoiled impishness when Dora speaks (so precise I heard her voice in cloying and nasal babytalk in my head). It's a delicate balancing act to keep this level of detail so hidden in his work, and it makes the plot machinations speedy and exciting. The varied heights in this book astound - moments of drama, whimsy, intrigue, romance abound, and the book is even prone to its bit of slapstick - midgets falling over into umbrellas, or extreme umbrage taken when donkeys appear on lawns.

What I mean is that it's easy to know you "should" read David Copperfield, but as anyone who's ever had a reading assignment knows, that doesn't necessarily make it something you'd want to do. I know, in a way, that David Copperfield is considered a standard - a book Tolstoy and Virginia Woolf, for example, hold as the pinnacle of English fiction - but then again, I slogged my way through supposed classics in school that, over time, have turned out to appear dull and unsurprising. David Copperfield is so underread these days that I had no idea what to expect, no notion of the amazing surprises within, the sublimely addictive cadence of Dickens' prose, the dazzle of his language. Reading it for no particular reason, then, was a triumph all around - a book that doesn't require a degree to "understand," that moves breezily through its pages, and that teaches a thing or two (or twenty) about the rich heights capable in fiction. It's as rich and winning as you've heard and then some.

86 of 88 people found the following review helpful

5.0 out of 5 stars The Consummate Dickens October 30, 2003

By Jennifer B. Barton

Format:Paperback

David Copperfield uses the story of Copperfield's life from birth through middle life to introduce and explore some wonderful personalities. Look more for deep and penetrating character studies than a fast moving plot line. It is not character study alone, however. Again and again, through many characters and many instances, he seems to really explore "the first mistaken impulse of an undisciplined heart", and that "there can be no disparity in marriage like unsuitability of mind and purpose". Look for these themes to come in from the very beginning and continue until they are actually spelled out by one character and contemplated by another.

When David is born, his father is already buried in the churchyard nearby. He, his mother, and their servant Pegotty live happily enough as a family until his mother remarries. The new husband does not like frivolity or friendly association with servants but more than that, he does not like David. David is sent off to boarding school and then sent out to work. Barred from his mother's affections by his stepfather, Pegotty becomes a full mother figure and his ties to her and her family only deepen with time. Through her, he meets her brother, Mr. Pegotty; her nephew?, Ham, the widow Mrs. Gummidge and Mr. Pegotty's niece, Emily. At school, he makes fast friends with many boys but most especially with the privileged James Steerforth and the not so privileged Tommy Traddles, both of whom show up again in David's adulthood. In the bottling warehouse where he is sent to work as a child, he lodges with Mr. And Mrs. Micawber who are always in debt. They also show up again in his adulthood. When the station of life that he is being forced into at his tender age becomes too much for him, he escapes to seek out his eccentric great aunt Betsey Trotwood who takes him in and provides for him. Through her, he meets her lawyer, Mr. Wickfield, his daughter Agnes, Dr. Strong and his youthful bride, Annie and we mustn't forget Uriah Heep. He marries, works hard and becomes successful. These are the majority of the characters and it encompasses more than half of the novel to get to this point. (In my copy, that was just over four hundred and forty pages).

The only slow part is after David finishes school and before he meets his wife. That part did seem to move slowly but, apart from that, the story moves very, very well and -after all the characters are set up and well developed - it takes off like a rocket and is difficult to put down without worrying about the various characters predicaments and wondering how he is going to pull all of these strings together. This IS Dickens after all. I won't spoil the meat of the plot line for you. Again, look for those themes - "the first mistaken impulse of an undisciplined heart", and "there can be no disparity in marriage like unsuitability of mind and purpose".

David Copperfield is, if such things are possible, like a "Best Of" Dickens. It is one very substantial novel and stands alone as an exquisite masterpiece. Yet so many characters from his other novels seem to return here to be rounded out and more deeply developed. David Copperfield (himself) reminds me of Pip of Great Expectations, Betsey Trotwood of Miss Havisham, Mr. Micawber of Magwitch, and Agnes of Biddy. Mr. Murdstone seems to be of the Gradgrind line from Hard Times. One character reminded me not of another character in Dicken's work but of the vile character from Les Miserables (Victor Hugo) who repeatedly attempted to extort or do harm to Jean Valjean and Marius. It would be fun to have read all of Dicken's work before reading David Copperfield just to see Dicken's feelings of the various character types and what time has done to them in his mind. Of course, like any "Best Of", you could read only this one work and have a deep and abiding appreciation of Dickens without having read any of his others.

34 of 36 people found the following review helpful

5.0 out of 5 stars The theme of David Copperfield September 25, 2005

By Stephen Balbach

Format:Paperback

This is a first-person life-story of David Copperfield ("DC") that draws large on Dickens ("CD") own life. It was his "favorite child" and hailed as his best work by Tolstoy and Virginia Woolf. It includes a cast of over 50 characters. For its time it was one of the greatest works, and still is.

To enjoy Dickens you have to let go, sit back, and enjoy the ride and not worry about the destination. Because although you can see the destination early on, like a mountain far off in the distance, the road to get there is entirely unpredictable and the distances traveled are deceiving to the minds eye. The trick is to enjoy the here and now, wherever the story happens to be, because Dickens will never follow the predictable path, and can leave one exasperated waiting for a plot closure. Consider a Dickens journey never-ending and you can just relax and enjoy the ride.

The primary theme of the novel is how Copperfield learns to have a disciplined heart and morals. In other words, he grows up and becomes a man. This is seen throughout all the relationships in the book: love, business, friendship -- the mistakes of an "undisciplined heart". He learns self control to do the right thing even if his initial impulse is something else (Dora versus Agnus). He learns confidence in his dealings with the world (his innocent days of being ripped off all the time such as by waiters and cab drivers "my first fall"). He learns respect through the mistakes of others such as Steerforth. Self control, Confidence and Respect are all hallmarks of a grown man and we see Copperfield develop a sense of these, and the misfortunes that happen otherwise, to himself and those around him.