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  • David Gilmour [VHS]
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David Gilmour [VHS]

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Product Details

  • Actors: Michael Kamen, Chucho Merchán, Dick Parry, Robert Wyatt, Caroline Dale
  • Directors: David Mallet
  • Format: Closed-captioned, Color, HiFi Sound, NTSC
  • Rated: NR (Not Rated)
  • Number of tapes: 1
  • Studio: 20th Century Fox
  • VHS Release Date: March 21, 1991
  • Run Time: 97 minutes
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (223 customer reviews)
  • ASIN: 630025075X
  • Amazon Best Sellers Rank: #493,663 in Movies & TV (See Top 100 in Movies & TV)

Editorial Reviews


Customer Reviews

A must for fans of Pink Floyd and David Gilmour.
I say buy this video, it may take some time to get use to buy you will love it.
Chris Midgley
The sound and video quality of this dvd is EXELLENT.

Most Helpful Customer Reviews

271 of 284 people found the following review helpful By A Customer on November 15, 2002
Format: DVD
Freed from the shackles of what Pink Floyd has become, David Gilmour sounds positively liberated on his new live DVD, David Gilmour in Concert. The years have snuck up on him, as it inevitably does to all of our heroes, but his voice is even more expressive now than it has ever been. He's actually becoming more like his long-estranged counterpart Roger Waters, and that's a good thing, a great thing in fact.
They are both world-weary veterans having finally arrived at similar crossroads in their lives after drifting apart in their not-so-distant youth. Both men's voices are thinning, sometimes straining to reach notes. While Waters is still the bleeding-heart poet, and Gilmour still the guitar virtuoso, both seem tired of the bloated excesses of the rock n' roll machine that had welcomed them with open arms all those years ago, instead opting to embrace a more deconstructed approach to performing.
Even moreso than Waters' latest hits tour, Gilmour has unearthed rarely performed gems and obscure covers, and has re-invented overplayed classics. The result is breathtaking. His take on Syd Barrett's seminal Terrapin is pure magic, and Dick Parry's sax solo on Shine On is a freeform revelation. It's this sense of experimentation that has been missing from Gilmour's repetoire since he and the Floyd recorded Dark Side. He's even managed to take his latter-day Floyd tunes into exciting new directions. Take High Hopes for example, what once sounded somewhat inflated and bombastic confined to its awkward Floyd-by-numbers construct, has now taken on a more stripped and organic flavor. Even his lyrics play better without the baggage of the brand name. It's also wonderful to see Richard Wright, playing Breakthrough from his own Broken China album, sounding relaxed and beautiful.
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110 of 113 people found the following review helpful By Jeffrey Leach HALL OF FAME on December 28, 2003
Format: DVD
There was a time when I went nowhere without a Pink Floyd album close at hand. "The Wall" and "The Final Cut" formed the crux of my listening habits for nearly two years back in the days when such things mattered more than they do now. Eventually, I picked up every Pink Floyd album I could lay my hands on, along with solo albums from Roger Waters, David Gilmour, Richard Wright, and Syd Barrett. Probably the capper of my Pink Floyd listening days was finally getting to see them live in 1994. I don't listen to this stuff as much as I once did, but anytime I get a chance to check out something new I usually do it. That is why I decided to watch "David Gilmour in Concert," a collection of concert footage shot between 2001 and 2002 in London's Royal Festival Hall. There are no fireworks, no huge video screens, and no massive sound system belting out the hits to tens of thousands of people here. Instead, you just get Dave along with a small group of musicians and a few backup singers. Those used to seeing Gilmour blasting out Pink Floyd hits with the rest of the band--sans Roger Waters, of course--will still enjoy how effortlessly he cranks out the music in a much smaller venue than he is probably used to playing.
Arguably the most notable songs on this DVD are the Syd Barrett tunes Gilmour adds to his play list. Hearing "Terrapin" and "Dominoes" performed live really thrills, even if it isn't Syd Barrett doing them. Gilmour has a perfect right to play these songs, in my opinion, because he helped produce Barrett's solo albums back in the early 1970s. Heck, he even provided back up on more than a few of them as well as performing live with Barrett during a few abortive live shows.
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60 of 66 people found the following review helpful By Keith Levenberg on December 19, 2002
Format: DVD Verified Purchase
If David Gilmour's music had evidenced this kind of vision for the last decade and a half, he might have immunized himself from the scorn of those who thought Pink Floyd suffered a beheading when Roger Waters departed. Gilmour has absolutely reinvigorated many of these songs. Some are performed with substantially new arrangements for the very first time, no longer suffocated by Gilmour's almost military precision during Pink Floyd's last two tours. Gilmour even includes two songs from Syd Barrett's solo repertoire, "Terrapin" and "Dominoes," preserving their surreal playfulness without succumbing to the frustration and anxiety that pervade Barrett's own recordings. Most refreshing of all, Pink Floyd classics such as "Comfortably Numb," which has never sounded quite right without a united Floyd, finally bloom under the stewardship of a band capable of recapturing some elusive but essential qualities of the original recordings. This great song has suffered endless failed makeovers, including execrable vocals by Van Morrison in Berlin and Bruce Hornsby in Seville as well as Gilmour's soulless arrangement from 1984 to 1994 that sounds in retrospect not altogether unlike grunge metal. The versions on this DVD begin at a slow, sedate pace that should transfix listeners of such bands as the Grateful Dead and the Cowboy Junkies. Each features a different vocalist substituting for Roger Waters. I slightly favor Bob Geldof, whose starring role in The Wall film certainly bolsters his credibility here, but both successfully execute the hushed expressiveness that characterizes Waters' vocals.Read more ›
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