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David Jones: The Maker Unmade
 
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David Jones: The Maker Unmade [Hardcover]

Jonathan Miles (Author), Derek Shiel (Author)
3.0 out of 5 stars  See all reviews (2 customer reviews)

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Book Description

1854111345 978-1854111340 September 1, 2003
This massive and lavishly illustrated book is amajor critical study of David Jones, the great painter and poet. It introduces Jones's better known visual achievements and combines them with a vast amount of previously unpublished material--sketches, watercolors, carvings, engravings, inscriptions, and ephemera. The accompanying text places Jones not only in the context of 20th century British art but also in relation to continental movements. This comprehensive study covers all aspects of his visual work in the light of his experience as a soldier in the Great War, his conversion to Catholicism, and his Classical and Celtic researches, and places these against his growing cultural disaffection and the submerged drama of his life.

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Editorial Reviews

From Publishers Weekly

A convert to Catholicism in 1921, English poet and artist David Jones (1895-1974) anchored his art in a religious worldview, yet his fitful embrace of modernism, Celtic mysticism and neo-Romantic symbolism made him unpredictable and difficult to classify. A soldier in the trenches in WWI, he became obsessed with death and destruction, suffered repeated mental breakdowns and agoraphobia. His acceptance of poverty and chastity, after breaking off his engagement to the daughter of his mentor, Eric Gill, in 1927, added a testing blend of medieval Christianity to his often pessimistic vision. During WWII, Jones's darkly wild symbolist paintings mirrored his sense of the crack-up of Western civilization. His output includes piercing portraits, enchanted seascapes, sensual drawings of trees, elegant inscriptions in Latin, expressionist room interiors, small yet powerful stone or wood carvings and sensitive animal drawings. British art historian Miles and Shiel, an art history instructor in London, have unearthed a trove of Jones's watercolors, sketches, carvings and engravings for this comprehensive study, which will surprise even those familiar with Jones's writing and art.
Copyright 1996 Reed Business Information, Inc.

From Kirkus Reviews

Much previously unknown material by British poet-artist David Jones is revealed in this large and attractive volume. Art scholars Miles and Shiel call him the ``odd man out''--a man of many styles in an era of abstraction, a religious artist in a century of increasing secularism, But they make a case for his importance, illustrated by works on range of themes, including dreamy landscapes painted in a time of coming war; sexuality depicted in dense oil painting as well as in the ligihter but more complex illustrations of the tale of Lancelot and Guinevere. -- Copyright ©1996, Kirkus Associates, LP. All rights reserved.

Product Details

  • Hardcover: 328 pages
  • Publisher: Seren (September 1, 2003)
  • Language: English
  • ISBN-10: 1854111345
  • ISBN-13: 978-1854111340
  • Product Dimensions: 12 x 9.4 x 1.5 inches
  • Shipping Weight: 4.6 pounds (View shipping rates and policies)
  • Average Customer Review: 3.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #1,621,471 in Books (See Top 100 in Books)

More About the Author

After a nomadic childhood in America, Canada and the UK, Jonathan Miles took a first class degree from University College, London and his doctorate from Jesus College, University of Oxford. He has written, lectured and broadcast on cultural history all over the world. Reviews of Miles's 'The Wreck of the Medusa' include 'thrilling' (The Guardian - UK), 'enthralling ... virtuoso' (The Telegraph - UK), 'compelling' (Independent on Sunday - UK), 'an incredibly gripping book - Miles's masterful work is a powerful read' (Irish Times), 'compulsive, page-turning stuff' (Bloomberg News) 'Jonathan Miles, the author of this excellent account, tells the story quickly and well. ... Miles has taken a shipwreck and placed it into its political and historical and artistic context. We can only hope he writes more books as fine and compelling as The Wreck of the Medusa.'(Anthony Brandt - The American Scholar) 'grippingly recounted - the narrative is brilliantly meted out' (New York Times).

The Sunday Times (UK) says of his latest book, The Dangerous Otto Katz, 'This irresistible biography exposes a man by turns showy and shadowy ... Miles conjures the spy-game atmospherics of the era wonderfully. Using recently opened MI5 files, he tracks the intelligence service's struggle to comprehend the man.' The Canada Post calls the book 'a fascinating, fast-moving and frequently witty portrait of a man of such charisma and cunning'. The Mail on Sunday (UK) calls it 'Jonathan Miles's riveting new biography' and comments that 'a film ought to be made of Katz's life but who could possibly play such an outlandish character.' In Metro UK, Alan Chadwick, calls the book 'Enthralling ... This portrait has all the hallmarks of a thrilling detective story as Katz sets about coordinating his hydra-headed fronts for Soviet propaganda and profit.' American reviews include 'unique' (Los Angeles Times), 'a heart-pounding account.' (Cleveland Plain Dealer) 'Miles's 'portrait of Katz is masterful' (Chicago Sun Times), 'Here we have biography at its readable best ... Jonathan Miles deserves five cloaks and five daggers for the new information he brings to light.' (The Washington Times) and 'an engrossing, endearingly gossipy biography ... fans of thriller writer Alan Furst will relish this book' ( Wall Street Journal)
His website is jonathanmiles.net

 

Customer Reviews

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Average Customer Review
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3 of 4 people found the following review helpful:
5.0 out of 5 stars press reviews, April 9, 2000
By A Customer
This review is from: David Jones: The Maker Unmade (Hardcover)
'...will do much to re-establish the reputation of this English painter-poet. Through the exploration of his visual work in relation to his life it exposes the lineaments and patterns of an intensely original mind ... It teases out the strands ... as differing influences weave and interweave' The Times

'a major scholarly work ... placing Jones in a modern and even a post-modern context ... a biography as well as an illuminating critical study ... beautifully designed ... it defines Jones's achievement in altogether contemporary terms, but with an entirely unmodish intellectual and argumentative rigour' New Welsh Review

'ambitious and substantial ... here at last is the full record of the visual work, generously illustrated and essential on chronology' Fiona MacCarthy in The Observer

'A finely detailed study or the drawings and paintings.' Andrew Motion in The Guardian

'A large and illuminating conspectus of Jones's career. The large format suggests an art book, the abundant text a scholarly monograph...mixing analysis with biography and source material' The Independent on Sunday

'This comprehensive.. and finely illustrated book' - The Oldie

'A compelling picture of the brilliant painter-poet' - Western Mail

'with intelligent, sensitive insight ... refreshing and incisive' - The Tablet

'Succeeds in being readily comprehensible while also being scholarly. Exceptionally well produced, beautifully illustrated' The Literary Review

'Major new study...authoratitve, massively researched...a sophisticated aquaintance with thecultural context and many vivid details of biography' The Times Literary Supplement

'this comprehensive study will surprise even those familiar with Jones's writing and art' U.S. Publishers Weekly

'readable, stimulating and highly informative book' Agenda

'admirably illuminating' The Chesterton Review

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2 of 4 people found the following review helpful:
1.0 out of 5 stars Misleading, March 11, 2011
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Amazon Verified Purchase(What's this?)
This review is from: David Jones: The Maker Unmade (Hardcover)
The size, format, and price of this volume would suggest that it is primarily dedicated to reproductions of Jones's art. Not so. It is in fact a scholarly essay in which the reproductions are incidental to the text. Some, to be fair, are full page, but many others are postage stamp sized. In other words, it's a $60 book of criticism printed on fancy paper. This begs the question why the publishers chose this format--the book is meant to be read, not looked at, but few will want to carry it around with them, and it does not sit comfortably on the lap.

I have not yet read the book, so I can't speak to its quality. This one star review is a warning to anyone who, like me, may be mislead into buying it. It can also serve as a counter to the other (five star) review here, which was presumably added by the publisher.
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