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David Lang: Pierced

Real Quiet , David Lang , Lou Reed , Gil Rose , Boston Modern Orchestra Project , Evan Ziporyn , Andrew Russo , Theo Bleckmann Audio CD
4.2 out of 5 stars  See all reviews (6 customer reviews)

Price: $11.04 & FREE Shipping on orders over $35. Details
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MP3 Music, 5 Songs, 2008 $4.95  
Audio CD, 2008 $11.04  

Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         

Samples
Song TitleArtist Time Price
listen  1. PiercedReal Quiet13:53Album Only
listen  2. Heroin (arr. D. Lang for voice and cello)Theo Bleckmann10:59Album Only
listen  3. Cheating, Lying, StealingEvan Ziporyn10:44Album Only
listen  4. How to PrayReal Quiet 9:57Album Only
listen  5. WedAndrew Russo 5:18$0.89  Buy MP3 


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Product Details

  • Performer: Real Quiet, Evan Ziporyn, Andrew Russo, Theo Bleckmann
  • Orchestra: Boston Modern Orchestra Project
  • Conductor: Gil Rose
  • Composer: David Lang, Lou Reed
  • Audio CD (November 18, 2008)
  • Number of Discs: 1
  • Label: NAXOS AMERICAN
  • ASIN: B001HBX8U0
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Best Sellers Rank: #130,939 in Music (See Top 100 in Music)

Editorial Reviews

Review

Although once a scruffy outsider as a co-founder of Bang on a Can, composer David Lang is part of the establishment now. The 52-year-old teaches at Yale University and won a Pulitzer Prize last year for his 'The Little Match Girl Passion' He still has the outsider attitude, though, saying that what he likes about this new collection of his work is that 'all the pieces try to take classical music someplace it doesn't usually go.'
The disc features the first recording of 'Pierced' a 15-minute triple concerto for piano, cello and percussion with agitated strings hovering over a stuttered rhythm -- the performance both bracing and hypnotic. Also here is Lang's classic 'Cheating, Lying, Stealing' (a piece with rhythmic novelties that Steve Reich said made him envious). The lovely piano piece 'Wed' shows Lang's more reflective side. Then there is his lyrical, Philip Glass-like arrangement of Lou Reed's Velvet Underground song 'Heroin', with Theo Bleckmann's detached vocal inhabiting the macabre soul of the song like a wraith. --Newark Star Ledger, Bradley Bambarger, February 23, 2009

Product Description

"One of the things I like about this disc is that all the pieces try to take classical music someplace it doesn't usually go," declares David Lang, the Pulitzer Prize-winning composer who co-founded the experimental classical music festival Bang on a Can.

Customer Reviews

4.2 out of 5 stars
(6)
4.2 out of 5 stars
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Most Helpful Customer Reviews
11 of 12 people found the following review helpful
4.0 out of 5 stars Good to see Naxos branching out November 19, 2008
Format:Audio CD
It's good to see Naxos moving into a a more experimental repertoire, and David Lang deserves it more than, I think, some of the other living American composers featured by the label. The works receiving their recording debut here ("Pierced" and "Heroin"--yes, an arrangement of the Velvet Underground song) are worth the price of admission in themselves. Which is good, because the other available performances of the other pieces on this CD are, I think, a tad better. "Cheating, Lying, Stealing" doesn't really benefit from the dry acoustic here, though the playing itself is clean and precise. "How to Pray" is a bit flat and the recording lacks the resonant depths of the other available version, but the textual clarity here is appreciated and makes audible some of the piece's structure that's obscured on Elevated. The rendition of "wed" is good and reveals elements of the piece that Lisa Moore's version doesn't, but I nevertheless prefer Moore's because her performance (to my ears) nails the subtle violence under the surface of what just seems like some pretty chords (which this performance threatens to become).

"Pierced" is very much in the composer's recent style and deviates slightly from his nineties pieces (represented by "Cheating, Lying, Stealing" on this recording) in that harmonic and rhythmic structure are less certain--in fact, that uncertainty seems to me to be what the music is about, while his other more stable pieces have other preoccupations (and are more clearly indebted to minimalism).

Speaking of minimalism (read: Philip Glass), "Heroin," a setting of Lou Reed's words, actually succeeds, I think, where Glass's various Bowie symphonies didn't. "Heroin"'s brevity and beauty prevent a sense of kitsch, in which (alas) Glass's two symphonies often seem steeped; Lang, recognizing the importance of lyrics to rock music (which Glass fails to do), has produced a very moving art song that can stand on its own as rewarding music.
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4 of 4 people found the following review helpful
4.0 out of 5 stars Disconcerting Beauty March 3, 2009
By Tym S.
Format:Audio CD
David Lang is a prime mover in the experimental contemporary Classical collective, Bang On A Can. The five pieces on this collection effectively reflect his use of outsider sources and contrary strategies.

The opener "Pierced" contrasts the avant chamber trio Real Quiet with the Boston Modern Orchestra Project. Each plays almost independantly of each other while adding into a contrapunctual whole. The trio's jaunty and jazzy tangents, almost like an abstracted and distracted Lionel Hampton, are surrounded by sheets of nervous strings more akin to Bernard Herrmann. The effect is both exuberant and trepiditious. Midway, a new movement brings in terse percussion underlining slower sad lyricism and skittish dissonance, a disconcerting beauty.

Lang transmutes the viola-ed danger of the Velvet Underground's "Heroin" into a startling new arrangement, with Theo Bleckmann's confessional choral ebbing and flowing over a modal and serpentine cello. It is like a throughline between Phillip Glass and Radiohead, something that Lou Reed and John Cale would wryly appreciate.

"Cheating, Lying, Stealing" is a self-deprecating jibe about unreliability, riffing off of being a rip-off. Modes repeat but shift erratically in a formal dance that's gone tipsy and turnabout. The three movements sych to the title; the first like bold tiptoeing, the second secretive and dark, the third like partial melodies skipping grooves. But it all gells as exciting and engaging instead of being randomly frustrating.

"How To Pray" pairs elegaic cello flows with strong piano chords to synthesize classical swell with rock urgency. "Wed" evokes a bittersweet personal memory by balancing delicacy with decay, where Lang says "hope and despair were in some strange equilibrium". A good summary of the goods herein. Each piece on the disc is strong and nuanced, an excellent introduction to a musical outlaw.
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4.0 out of 5 stars Good compilation April 7, 2013
By hh
Format:Audio CD|Verified Purchase
The opener is stunning with its jazzy contrapuntal work, syncopation on meth. The ensemble is good here, too, working to bring out the specialness of each piece without emphasizing its efforts to do so. Keeper.
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