8 of 9 people found the following review helpful:
3.0 out of 5 stars
Just Barns, April 15, 2005
This review is from: David Plowden: The American Barn (Hardcover)
When I was a child in the city, we always were told that barns are red. I can't remember how many I drew in kindergarten. In later years when I was an aspiring artist, I loved to do pastels of unpainted barns because of the wide range of colors in individual boards. So it has come as a surprise to me that some photographers have decided that their artistic record of the vanishing American barn should be preserved in monochromatic tones. Perhaps the photographers think that black and white is more artistic than color and that these barns deserve artistry. (Most people familiar with the works of today's color photographers would feel that color can be just as artistic.)
David Plowden's book is a collection of such black and white pictures taken of barns across the Northern United States from New Hampshire to Montana, with a few stops in Canada. The pictures are simple shots of barns, both inside and outside. Neither human nor animal appears in any of them. The photographer states that his purpose is to capture these structures before they vanish from the American scene. The pictures are direct and almost confrontational.
Given Americans' long-standing belief that we are an agrarian society, these pictures should appeal to some ineffable feeling in our souls. Clearly this book tells us that it is meant to be art. It's sized for the coffee table, has plenty of white space in the text and often has a blank page opposite a photograph. And yet this book seems curiously lacking in soul, and static. It seems merely a record.
The reason why is quite simple. The range of light in almost every one of the pictures is strangely constricted, as if the pictures were always taken on a cloudy day. Perhaps we've just been taught that black and white photography should cover the full range of light from the deepest blacks to the clearest whites. This is the tradition of fine arts photography passed down to us from the likes of Ansel Adams. Plowden seems to have taken a different path, and it doesn't contribute to his stated goal.
For someone interested in artistic pictures of America's barns that elicit a feeling of loss for the past, I would instead recommend "Harker's Barns", an unassuming soft cover book by Michael Harker, published by the University of Iowa Press. Unlike Plowden's book, this is an undiscovered treasure. And unlike Plowden's work, the pictures have a strong subtext of love for the subject.
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6 of 8 people found the following review helpful:
5.0 out of 5 stars
A gorgeous coffee table book, December 8, 2003
This review is from: David Plowden: The American Barn (Hardcover)
Photographed, compiled, and presented by David Plowden, The American Barn is a grand, black-and-white photographic survey and showcasing of classic barns across America -- many of which are disappearing in an increasingly urbanized world of agribusiness and suburban sprawl. A brief introduction complements a majority of the photos comprising this visually impressive tribute, which is devoted to nothing but full-page photographic images. A gorgeous coffee table book The American Barn is recommended academic and community library photography collections as well as to rural architecture buffs with a special interest in barns.
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