David's Lamentation Over Saul & Jonathan

William Boyce (Artist), Graham Lea-Cox Conductor (Artist), Hanover Band (Artist), William Purefoy (Artist), Richard Edgar-Wilson (Artist), Andrew Watts (Artist), Michael George (Artist) | Format: Audio CD

Product Details

• Audio CD (November 28, 2000)
• SPARS Code: DDD
• Number of Discs: 1
• Label: Gaudeamus
• ASIN: B00004YYQC
• Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
• Amazon Best Sellers Rank: #554,712 in Music (See Top 100 in Music)

Track Listings

1. David's Lamentation Over Saul And Jonathan: No.1 Ov I. Largo - Presto Allegro - Largo - The Hanover Band/Pavlo Beznosiuk

2. David's Lamentation Over Saul And Jonathan: No.1 Ov II. Affettuoso - The Hanover Band/Pavlo Beznosiuk

3. David's Lamentation Over Saul And Jonathan: No.2 Chor: Sing Sacred Prophet - New College Chor

4. David's Lamentation Over Saul And Jonathan: No.3 Recitative: Now Saul Was By The Proud Philistines.. - Andrew Watts

5. David's Lamentation Over Saul And Jonathan: No.4 Aria: Israel Is Fall'n, Is Undone - Andrew Watts

6. David's Lamentation Over Saul And Jonathan: No.5 Recitative: David Resum'd, His Soul Afflicted - William Purefoy

7. David's Lamentation Over Saul And Jonathan: No.6 Aria: Swift Indulge Thy Cruel Aid - William Purefoy

8. David's Lamentation Over Saul And Jonathan: No.7 Recitative: Seeing The King Thus Tortur'd - William Purefoy

9. David's Lamentation Over Saul And Jonathan: No.8 Aria: Take This Bracelet, Deck Thine Arm - William Purefoy

10. David's Lamentation Over Saul And Jonathan: No.9 Recitative: Struck As With Thunder, David Rends... - Richard Edgar-Wilson

11. David's Lamentation Over Saul And Jonathan: No.10 Chor: For Saul, For Johathan, They Fast, They Weep - New College Chor

12. David's Lamentation Over Saul And Jonathan: No.11 Recitative: David Again, 'Whence Art Thou' - Richard Edgar-Wilson

13. David's Lamentation Over Saul And Jonathan: No.12 Aria: How Cou'd Conscience Hush Her Stings - Richard Edgar-Wilson

14. David's Lamentation Over Saul And Jonathan: No.13 Recitative: Then David The Amalekite Survey'd - Richard Edgar-Wilson

15. David's Lamentation Over Saul And Jonathan: No.14 Duet: Sad Israel! Thy Beauty's Pride - William Purefoy/Richard Edgar-Wilson

16. David's Lamentation Over Saul And Jonathan: No.15 Recitative: Never, O Never! Let This Guilt - Andrew Watts

17. David's Lamentation Over Saul And Jonathan: No.16 Aria: On Thee, Mount Gilboa - Andrew Watts

18. David's Lamentation Over Saul And Jonathan: No.17 Chor: Daughters Of Israel, Weep - New College Chor

19. David's Lamentation Over Saul And Jonathan: No.18 Recitative: How Are The Mighty Fallen! O How Slain - Andrew Watts

20. David's Lamentation Over Saul And Jonathan: No.19 Chor: How Are The Mighty Fallen - New College Chor

See all 30 tracks on this disc

Customer Reviews

Most Helpful Customer Reviews

1 of 1 people found the following review helpful:

5.0 out of 5 stars a voice teacher and early music fan, April 11, 2009

By 

George Peabody "Ariel" (U.S.A.) - See all my reviews
(VINE VOICE)    (TOP 1000 REVIEWER)   

Amazon Verified Purchase

This review is from: David's Lamentation Over Saul & Jonathan (Audio CD)

A WORLD PREMIERE RECORDING YOU DON'T WANT TO MISS!
This disc includes: "David's Lamentation over Saul and Jonathan" and a small-scale 'St. Cecelia's Day' ode as well as two arias and a recitative from the earlier London version of the 'Lamentation'.

William Boyce(1711-1779) wrote this work in 1736 at the age of twenty-four years. It is a beautifully crafted piece introduced by a deeply affecting two-movement Overture in G minor whose initial gesture momentarily recalls one of Bach's great laments.

John Lockman, a poet, was the librettist for this work having written a poem 'David's Lamentation over Saul and Johnathan'. Lockman's biblical source for his libretto was in Samuel, Chapter one, and it tells the story of the death of Saul slain by the Amalekite, and of David's reaction.

One notable feature of this work is that there is no 'dramatic personae'. The Chorus acts throughout as in Greek Tragedy, commenting on events and providing spiritual and moral reflections, as well as pacing the drama by suspending it at certain moments. In the recitatives Boyce requires the soloist to cope single-handedly with both narration and dialogue between the characters as the story unfolds. The soloists, therefore, by turns take their roles as narrator or protagonist as the drama progresses towards the musical and emotional heart of the work- a duet of sublime beauty, 'Sad Israel, thy beauty's pride'. Solo violin and voices here begin David's 'lament'.

Boyce sustains the melancholy, sometimes broodingly intense character of this dramatic scene (not really an Oratorio) wonderfully well, punctuating the sections of an overly 'lament' character with some vigorous passages of 'accompagnato', in which the mighty shadow of Handel is present.

The "Ode on St. Cecelia's Day is found in one version only and was written at about the same time as the 'Lamentation'. It is short for this genre, but covers, in abridged from, the elements of the English St. Cecelia ode of the 17th and early 18th centuries. Their purpose was to survey the influence of the power of music in the affairs of man, allowing the composer opportunities to explore various emotions such as love, war and peace before bringing in St. Cecelia at the end.

Although I enjoyed "David's Lamentation" very much, this small ode of St. Cecelia charmed me and mesmorized me from beginning to end. It is well crafted and is really enhanced by the presence of Michael George, bass, who sings one of the most fabulous and exciting arias I have ever heard (shades of Handel!) I was captivated from beginning to end, and of course his voice is so powerful and resonant, his diction crystal-clear and his emotional investment great, that I can't thing of anyone who is into this genre, that would not be excited upon hearing it. The trio with boy soprano,Patrick Burrowes, William Purefoy and Michael George was truly memorable as were the choruses, so beautifully rendered by the New College Choir.

An outstanding performance herein by the:Hanover Band, the Choir of New College, Oxford and the following skilled soloists: Timothy Roberts,Harpsichord- Richard Edgar-Wilson,Tenor- Michael George, bass baritone- William Purefoy, alto- Andrew Watts, countertenor- and Patrick Burrowes, boy soprano. The singing of the soloists is superb, with flawless diction, exquisite tone quality and dramatic intensity. The same can be said of the New College Choir, who is always nigh unto perfection and the Hanover Band as always solid and secure in their playing.

For the Early Music Lover especially this is GREAT ENTERAINMENT!!!!

In short, this is a WORLD PREMIERE RECORDING and if the overture alone does not tempt you, surely the poignant chorus "For Saul, for Jonathan, they fast, they weep" should do the 'trick'!

Just a closing comment that may help you to mentally place this in a musical category. It is described by some musical historians as a Cantata for Soloists, Chorus and Orchestra.