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Product Details
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DAY AFTER DAY includes two of Badfinger's greatest hits, "Day After Day," and "Baby Blue," along with many highlights of the Apple albums. Recorded in 1974 at the Cleveland Agora, the album captures Badfinger's last tour featuring all four original members: guitarists Joey Molland and Pete Ham, bassist Mike Gibbins, and drummer Tom Evans.
At the time, the concert heard on DAY AFTER DAY was indeed intended for a live album. Because of the myriad legal and personal hassles that Badfinger experienced, the recording ended up in limbo. It wasn't until 1990 that Joey Molland, who had retained possession of the original multi-track tapes, decided to put out an album of songs from the Agora perfomance. DAY AFTER DAY, produced by Molland and Mark Healey, is the first Badfinger album released with the involvement and approval of an original band member in 10 years.
In spite of the bad luck and tragedy that would befall the band in later years, Badfinger was an undeniable force in pop music. Their music met with widespread radio airplay and great consumer demand, and yet most of their classic songs had been unavailable for nearly fifteen years at the time of this release. DAY AFTER DAY showcases this much loved group at their peak, and gave this material its long-overdue digital debut.
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Most Helpful Customer Reviews
13 of 13 people found the following review helpful:
4.0 out of 5 stars
Another Molland scam...,
By The Man On The Flaming Pie (The Foothills of the Headlands) - See all my reviews
This review is from: Day After Day: Live (Audio CD)
I used to like this CD (hence my original 4-star rating, which I cannot change). I defended the overdubs by saying that overdubbing is common practice on live albums. However, that was before I read Dan Matovina's book Without You: The Tragic Story Of Badfinger (a must-have, by the way!), which spills the beans about exactly how MUCH was re-recorded: "virtually all of Joey's original vocals, most of his guitar solos, many of the rhythm guitars, and all of Tom's bass tracks. Re-sequencing was also done, [so that] all of Pete Ham's songs were shifted to the end." I always wondered why Joey's voice sounds so clear while Pete sounds as if he's singing from the back of the room...
However, this disc is STILL a rare representation of Badfinger live (partly, anyway). At least most of the best songs (PETE's) remain the least-molested.
8 of 8 people found the following review helpful:
3.0 out of 5 stars
A nice snapshot, but...,
By GBS "showbiz27" (Chicago, IL USA) - See all my reviews
This review is from: Day After Day: Live (Audio CD)
First off, Badfinger was a terrific and noisy little group, far hotter live than their Apple records would have you think. It's long forgotten how striking and dramatic a guitarist Pete Ham was, how rugged and tough singers that Joey and Tommy were, how solid and pounding a drummer that Mike was. To a fair degree, you'll discover that on this short snapshot of a disc. To a degree...The problem with this disc is that, for various reasons logical or not, Joey has put overdubs on the original tapes for this CD. These include a nasty sounding snare drum sample where Mike would be, and various electric guitar and bass overdubs. How much is actually "live" is really hard to tell. Nonetheless, you can get something of a feel for what Badfinger were like in front of a happy crowd, at a time when all was well and lively with this ill-fated group. It's loud, dumb and fun, and worth your time. Ah...but for the REAL live Badfinger, hit your "back" button and check out Live at the BBC...raw, unadorned and all Badfinger.
9 of 10 people found the following review helpful:
2.0 out of 5 stars
A Remix Gone Wrong,
By VAT "Blackguard" (Pleasant Valley, NY United States) - See all my reviews
This review is from: Day After Day: Live (Audio CD)
Joey Molland released this CD in the 1990's after remixing and overdubbing the tapes. The fault here is he tried to modernize the sound too much. Live Badfinger would have sounded much better left in the context of the 1970's. The biggest problem to me is the drum sound; it's far too loud, too echoey and reeks of drum samples grafted on in places. Joey also overdubbed his lead vocals and guitar parts, a common fix on live albums. Though out the disc I was drawn to listen to the remixing rather than the original Badfinger performance. Hence my two star rating.
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