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Day of the Bees [Hardcover]

Thomas Sanchez (Author)
2.9 out of 5 stars  See all reviews (16 customer reviews)


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Book Description

May 9, 2000
In this story of an astonishing love, Thomas Sanchez portrays the violence, hope, and grandeur of lives transformed by war and exile. At the heart of the novel are Zermano, a world-famous Spanish painter, and his beautiful French muse, Louise Collard -- whose lives are torn apart by the German invasion of France in World War II. Leaving Louise in Vichy-controlled Provence, Zermano returns to occupied Paris. But while he eventually goes on to celebrity and fortune, Louise disappears into obscurity.

Fifty years later, after Louise's death, an American scholar arrives in the south of France seeking the truth about the lovers' tempestuous romance and sudden separation. Why did the painter abandon the young beauty? What was the cause of her lifelong reclusiveness? What dark mysteries were being concealed by the ill-fated couple? By chance, the professor finds a cache of correspondence -- Zermano's letters to Louise in her remote mountain village, and her intentionally unmailed letters to him in Paris. In their vivid, wrenching contents he uncovers secrets that Louise kept even from Zermano about her wartime experience: the dangers of her participation in the Resistance, and her complicity with one of its leaders, the Fly; her struggles to elude a sadistic officer who hunts her for political and personal reasons; her lyrical intimacy with a mystical beekeeper. Louise is forced to make a fateful decision between the love for her man, and the ultimate sacrifice for her country.

In a powerful climax, the scholar is compelled to journey to Mallorca, where Zermano is rumored to be living in self-imposed exile. Determined to reveal Louise's fate to the painter, our narrator does not suspect that he, too, will be forced to confront the enigma of his own desire.

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Editorial Reviews

Amazon.com Review

The narrator of Thomas Sanchez's fourth novel teaches art history in America, but he dreams of Europe--or more specifically, of Spain. The Professor (as he identifies himself) specializes in a Spanish painter of the 1940s, Francisco Zermano, to whom he has devoted a spate of scholarly articles. He also spends hours staring at the man's paintings, trying to imagine the stories behind them. This iconographic detective is particularly curious about one bit of recurrent imagery: the body of a beautiful woman, which is rumored to belong to Louise Collard, the painter's muse.

As Day of the Bees opens, in fact, Louise has just died alone in a small provincial village, and the Professor rushes to France to learn more about her role in Zermano's life. There he finds a pile of correspondence--and a revelation. According to legend, the artist treated Louise cruelly and abandoned her. Yet the letters reveal a deep and doomed love, one which is forever shattered when Louise is raped by a platoon of enemy soldiers (whom she later describes in her letters as "bees," a wonderfully eerie motif). Zermano, already beaten with a tire iron, is forced to watch the entire event. Here Louise recalls how the rape ruined her life, and its paradoxical resemblance to the redemption of true erotic love:

I have discovered something unnerving--that a woman in sexual ecstasy with her man forgets all detail; when it's over she wants to return and explore this abyss that still makes her tremble. The same thing can happen when she is raped, but for a different reason. Where joy once deleted memory, horror now destroys it. In two acts in her life can a woman lose all consciousness: in the act of lovemaking, and in rape, its cruel parody.
After discovering Louise's letters, many of them never sent, the Professor embarks on a search for the aging Zermano, hoping to help set the record straight. In these chapters, the violent and tragic love story at the heart of Day of the Bees is nicely counterbalanced by an obsessive academic's comedy of errors. Like most of his kind, the narrator is late for trains, professorial to the bitter end, and devoted to (in every sense of the word) ghosts. --Emily White

From Publishers Weekly

Sanchez has done notable work (Rabbit Boss and Mile High), but this novel about a world-famous painter and his love blighted by war is not quite thought through. For a start, much of it is told in epistolary form, which is always tricky to manage, since a novelist's gifts of narration, here employed at full stretch, are profoundly different from what anyone would be likely to write in a letter. Then, too, the machinery of having an art history professor unearth the letters and tell the story through them is overly familiar, so that although there are moments of genuine power in Sanchez's tale, it feels for much of its course labored and manufactured. Francisco Zermano, a dynamic Spanish-born painter (rather obviously modeled on Picasso, even down to his colossal American car), has a French lover, Louise. When the Nazis invade France, the pair are separated, Louise burying herself in Vichy France and eventually becoming deeply involved in the Resistance, Zermano in uneasy exile from her in occupied Paris. Most of the story is told in a series of Louise's (unposted) letters to him, describing their early days together, a horrific encounter with a German officer who raped her after shattering Zermano's knees, and then her pregnancy, her wartime sufferings and heroism, the loss of her baby and her eternal, death-transcending love for the painter. Finally, the narrator who found her letters takes them to the great man's solitary exile in Mallorca and has his daughter read them to him. After one more revelation, the story ends on a wistful note. Sanchez evokes the immemorial Proven?al landscape exquisitely, and some of the mutual passion of Louise and Zermano comes across powerfully, but the Resistance scenes and the mysterious beekeeper who gives the book part of its title are melodramatic in concept and execution.
Copyright 2000 Reed Business Information, Inc.

Product Details

  • Hardcover: 320 pages
  • Publisher: Knopf; 1st edition (May 9, 2000)
  • Language: English
  • ISBN-10: 0375401628
  • ISBN-13: 978-0375401626
  • Product Dimensions: 9.3 x 6.3 x 1.4 inches
  • Shipping Weight: 1.8 pounds
  • Average Customer Review: 2.9 out of 5 stars  See all reviews (16 customer reviews)
  • Amazon Best Sellers Rank: #3,497,146 in Books (See Top 100 in Books)

More About the Author

Thomas Sanchez is a descendant of Spanish immigrants and Portuguese cattlemen dating back five generations to the 1800s California Gold Rush. Sanchez was born in Oakland Naval Hospital in 1944, days after his father was killed in the World War II Battle of Tawara. He was raised on a rural farm in California's Santa Clara Valley.

Sanchez' first novel, RABBIT BOSS, the hundred year saga of a California Indian Tribe, was begun at the age of 20 when he worked on cattle ranches in the Sierra Nevada Mountains. RABBIT BOSS was published when Sanchez was 27 and was cited by the San Francisco Chronicle as, "one of the most important books of the 20th century," by the New York Times as "A novel of epic dimensions," by Vanity Fair as "a landmark of our literature."

Throughout the 1960s in California, Sanchez witnessed and participated in many of the eras major social and political events, the strikes of the farm workers in the Central Valley, the tumultuous U.C. Berkeley Free Speech Movement, the clashes in San Francisco between anti-Vietnam War protesters and police, the counter-culture explosion of the infamous Haight-Ashbury District.

In the 1970s Sanchez was involved in the siege of Wounded Knee in the Black Hills of South Dakota, site of the infamous massacre of Sioux Indians, where Sanchez ran strategic supplies and food to Indians trapped inside the town of Wounded Knee, which had been surrounded by armed Federal forces with shoot-to-kill orders. A partial account of this event was published by Sanchez as, THE REAL COWBOYS AND INDIANS, in a commemorative American Bi-Centennial book collection with Henry Miller, whom Sanchez knew.

Sanchez next published, ZOOTSUIT MURDERS. The novel, set in the Los Angeles barrio of World War II, explored a chaotic world of anti-Communist hysteria, bizarre religious cults, tough gangs and undercover government agents. ZOOT-SUIT MURDERS was cited by the Chicago Tribune as, "a vivid tale of political intrigue by a master of pictorial detail." Following ZOOTSUIT MURDERS Sanchez was honored with a Guggenheim Award for his writings.

In the 1980s Sanchez lived in Key West and traveled from there throughout the American tropics. He was in harm's way during the Civil Wars of Guatemala and El Salvador, where he traversed both political and physical jungle landscapes with a real life cast of characters, from guerilla fighters to defrocked renegade priests, to bible toting CIA spooks and hardbitten war journalists. Much of this made its way into Sanchez's novel, MILE ZERO, about which the Los Angeles Times stated, "Sanchez forges a new world vision rich in the cultural intertextuality of Steinbeck and Cervantes, Joyce and Shakespeare."

Throughout the 1990s Sanchez lived in Paris, Provence and Mallorca, the settings for his novel, DAY OF THE BEES, about the hidden lives of a famous Spanish painter and his French mistress, a woman transformed from an artist's muse into a heroic Resistance fighter. The esteemed newspaper Le Monde declared DAY OF THE BEES, "A literary landmark, a novel of unforgettable power about love and war, art and freedom." The French Government knighted Sanchez with the Chevalier des Arts et des Lettres for his body of work.

At the beginning of the 21st century Sanchez returned to the tropics for his novel, KING BONGO, set against the glamor and intrigue of pre-revolutionary 1950s Havana, where Cuban and American cultures collided with geo-political consequence. The Washington Post proclaimed the novel to be, "An exotic portrait of sex, violence, corruption and conspiracy in Cuba."

Sanchez recently wrote and directed a short dramatic film in Paris, KEEP CALM AND CARRY ON. In 2011 Sanchez is directing a film from his script, LOVE ME LIKE A ROCK.
A documentary film based on the life of Thomas Sanchez, A FIRE OF WORDS, is being shot by Wordfire Productions in Havana, Key West, Miami, Mallorca, Paris and the Sierra Mountains of California. Sanchez' sixth novel will be published worldwide in 2011.

Book and Film Contact:
Esther Newberg
International Creative Management
825 Eighth Avenue, 26th Floor
New York, NY 10019


 

Customer Reviews

16 Reviews
5 star:
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4 star:
 (1)
3 star:
 (3)
2 star:
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1 star:
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Average Customer Review
2.9 out of 5 stars (16 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

21 of 24 people found the following review helpful:
5.0 out of 5 stars In Praise of Passion, May 25, 2000
This review is from: Day of the Bees (Hardcover)
I am a university English professor so I have spent a great part of my life reading works of literature. Day of the Bees is one of the most astonishingly complex and beautiful works I've read. The declaration of this book is: all praise to sovereign passion--no novel since Wuthering Heights has done it better. Thomas Sanchez has dared to change his style and cross literary genres. He creates a mythic tale of an artist and his muse, involved in a devouring eroticism. This book transcends all expectations and demolishes the notion that romance can't thrive in the modern literary novel. I read that it took the author ten years to write this book and I give him all of my praise for a difficult job well done. This book is both literary and entertaining and I recommend it highly.
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8 of 9 people found the following review helpful:
5.0 out of 5 stars Glorious tale of passionate love, February 25, 2002
By 
"capricornlady" (Johannesburg, South Africa) - See all my reviews
This review is from: Day of the Bees (Hardcover)
A sweeping tale of passionate love set during the turbulent events of WW2 and spanning 50 years.

Zermano world renowned Spanish painter and his beautiful French lover Louise Collard were separated during the Nazi occupation of France. The world thought Zermano had tired of Louise, she who had once fired his inspiration for his paintings and his lust. In the end it was Louise who left the legacy and Louise who led the way. After her death intimate letters written by her to Zermano, but never posted were accidentally found. They recount the period during the war when she and Zermano were separated, when unspeakable horrors and cruelties abounded in war torn Europe.

Passionate, beautifully written letters describe the love between Zermano and Louise and recount Louise's life during their enforced separation.

This is not a soppy love story, but a powerfully, deeply moving and well written historical tale of two tragic lovers, touched with passion, politics and art. A wonderful book I didn't want it to end and which I highly recommend.

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5 of 5 people found the following review helpful:
3.0 out of 5 stars slow, erotic, dramatic, September 20, 2001
By 
If you are not a 100% true romantic in heart, skip this book. If you have longed for someone, for something that is greater than yourself once in your life, you will probably enjoy this highly dramatic and erotic book. I am a big fan about letters and romance, and I think the writing is exquisitely beautiful. Though, at times I find this book too slow and too outrageous for readers like me to accept. However, I greatly appreciate the writer's effort of offering a magical, somewhat out-of-ordinary love story to our almost too ordinary lives.
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Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
ville rouge, cat surgeon, bee eyes
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Day of the Bees, Bee Keeper, Madame Happy, Mont Ventoux, Madame Royer, Joan of Arc, Stutz Bearcat, Bastille Day, Francisco Zermano, World War, Monsieur Royer, New York, Think Francisco
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