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Day Of The Dead (Harvest Book)
 
 
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Day Of The Dead (Harvest Book) [Paperback]

F. Gonzalez-Crussi (Author)
4.0 out of 5 stars  See all reviews (2 customer reviews)


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Book Description

Harvest Book October 14, 1994
Collected essays by a noted pathologist that lead the reader into an animated world of cadavers, coroners, graveyards, and death rituals. With keen insight and wicked wit, the author explores the culture of death from the perspective of one who routinely confronts mortality head-on.

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Editorial Reviews

From Publishers Weekly

A leading pathologist ponders the cultural implications of death and mortality in this well-crafted collection of essays.
Copyright 1994 Reed Business Information, Inc.

From Library Journal

These are a moving series of meditative essays occasioned by pathologist Gonzalez-Crussi's collaboration with a BBC documentary film crew in "a stark visual record of mortality." They probe behind the scenes to explore such things as the author's own misgivings in permitting the filming of an autopsy, reflect on death as it is depicted in various forms of art, and reveal Mexico's "Day of the Dead" celebrations and religious syncretism. These beautiful, poetic essays will speak to people of various religious traditions and beliefs. Highly recommended. First serial rights to The New Yorker.
Copyright 1993 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Paperback: 208 pages
  • Publisher: Mariner Books (October 14, 1994)
  • Language: English
  • ISBN-10: 015600142X
  • ISBN-13: 978-0156001427
  • Product Dimensions: 7 x 4.4 x 0.4 inches
  • Shipping Weight: 4 ounces
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #2,872,175 in Books (See Top 100 in Books)

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1 of 4 people found the following review helpful:
3.0 out of 5 stars Interesting stories, banal reflections, February 16, 2011
There are some interesting stories in "The Day of the Dead," but I almost didn't get to them. The writing is so affectedly literary and clunky that at page 15 I was debating whether to continue. I am moderately glad to have pressed on.

The framework concerns a BBC documentary about dead people in which Frank Gonzalez-Crussi, a Chicago pathologist born in Mexico, was a participant. Each essay was set off by an episode in the filming, but the book is not about the documentary.

A Mexican was a natural subject, since that country's attitude toward the dead is distinctive. The Day of the Dead (All Soul's Day) has a long European heritage, but nowhere today is it marked with such vigor as in Mexico.

Each essay is marked by Gonzalez-Crussi's ruminations about the mystery and permanence of death, and these are banal.

The stories, though, are baroque and fascinating. And true.

In the first, a president of Argentina is tortured to death to make him reveal the whereabouts of the embalmed corpse of Eva Peron.

The second explains how Aztecs ripped out hearts from living victims.

The third reviews the history of anatomical specimens.

The fourth, and most interesting, sends 9-year-old Gonzalez-Crussi on a school field trip to view the rotting body of a small child.

The fifth recounts the autopsy of a child who died of AIDS, and the nervousness of the participants. This one resonated deeply with me, since the week I read it our esteemed county medical examiner died of Creutzfeldt-Jakob Disease (which in our obituary we delicately did not call mad cow disease), which he possibly got while doing an autopsy. Despite agitation to the contrary, AIDS is not the trivial infection some would have, and concerns about inadvertent transmission have not been misplaced. On the other hand, the courage of medical professionals should not be scouted, and Gonzalez-Crussi gives a good discussion of the moral, as well as mortal, reflections of encounters with implacable diseases.

Regrettably, he follows with a last essay about death and the visual arts that is not merely banal but misinformed.

He contends that "works of art never instantiate the aesthetics of death. Works of art are rather the exclusion of death. For art truly to represent death, it would have to include death's reality as part and parcel of the work."

I don't understand what that means, but death as reality in art was demonstrated at a Berlin gallery a few years ago.

A woman jumped off the building and landed at the entrance. Art aficionados stepped nonchalantly around her corpse, under the impression that it was part of the "installation," although one wonders if they were not surprised by the attention to detail, so unusual in modern art.
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2 of 6 people found the following review helpful:
5.0 out of 5 stars I thankyou deeply Valerie, January 21, 2000
By 
Tricia Tomasini-Axelsen (Santa Rosa, California) - See all my reviews
When I was Sixteen, Valerie was my counselor. She ended up taking me into her home and giving me the support I needed to regain my life. Iam thirty years old now and have a wonderful life,because someone showed me I matter. Valeries books are enjoyable to read and have useful insight. I highly recommend this book. Love, Tricia
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Inside This Book (learn more)
First Sentence:
A letter informs me that the prestigious British Broadcasting Corporation (BBC) is interested in producing a documentary film for television, based largely upon my writings. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
anatomical specimens, blessed souls
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Mexico City, Juan Domingo, Buenos Aires, John Dillinger, Two Unrecorded Scenes
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Front Cover | Table of Contents | First Pages | Back Cover | Surprise Me!
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