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The Day The Earth Stood Still
 
 

The Day The Earth Stood Still (1951)

Patricia Neal, Hugh Marlowe Michael Rennie , Billy Gray, Francis Bavier, Lock Martin Sam Jaffee , Robert Wise  |  NR |  VHS Tape
4.6 out of 5 stars  See all reviews (464 customer reviews)

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Product Details

  • Actors: Patricia Neal, Hugh Marlowe Michael Rennie, Billy Gray, Francis Bavier, Lock Martin Sam Jaffee
  • Directors: Robert Wise
  • Producers: Julian Blaustein
  • Rated: NR (Not Rated)
  • Number of tapes: 1
  • Studio: Fox Video
  • Run Time: 92 minutes
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (464 customer reviews)
  • ASIN: B0009A30K8
  • Amazon Best Sellers Rank: #326,850 in Movies & TV (See Top 100 in Movies & TV)

Editorial Reviews

Beginning with a documentary style that immediately hooks the viewer, THE DAY THE EARTH STOOD STILL, based on the Harry Bates short story "Farewell to the Master," becomes as much a human interest story as it does a sci-fi B-movie classic. The film soberly depicts the arrival of an alien dignitary, Klaatu (Michael Rennie), who has come to earth with his deadly robot, Gort (Lock Martin), to deliver the message that earthlings must stop warring among themselves--or else. After being shot at by ignorant, panicky military guards, Klaatu is brought to a Washington, D.C., hospital, where he begs a sympathetic but frank Major White (Robert Osterloh) to gather all the world's leaders so he can tell them more specifically what he has come 250 million miles to warn them about. Losing patience, Klaatu slips into the human world, adapting a false identity and living at a boarding house where he meets a smart woman with a conscience, Helen Benson (Patricia Neal), and her inquisitive son, Bobby (Billy Gray). Both mother and son soon find themselves embroiled in the complex mystery of Klaatu, his message, and the government's witch hunt for the alien. Made during the cold war--when Americans were obsessed with the destructive capabilities of the atomic bomb--THE DAY THE EARTH STOOD STILL, thanks to its beautiful pacing, excellent dialogue, and haunting score by Bernard Herrmann, is still a treat for contemporary audiences.

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464 Reviews
5 star:
 (368)
4 star:
 (61)
3 star:
 (11)
2 star:
 (13)
1 star:
 (11)
 
 
 
 
 
Average Customer Review
4.6 out of 5 stars (464 customer reviews)
 
 
 
 
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366 of 379 people found the following review helpful:
5.0 out of 5 stars Remember back when nothing "happened" in movies?, May 29, 2003
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Watching this recently, it amazed me how little action there is in this movie, and yet it remains as captivating and enthralling as ever. There are none of the set pieces we have come to expect in modern genre films: no explosions, no gory deaths, one small chase scene. Tension is developed through character development and the wonderful performances of Patricia Neal and Michael Rennie, with some wonderful supporting work from Sam Jaffe and Frances Bavier (Mayberry's Aunt Bea!)

There are very few special effects: the odd tank disappears in a glow of light, but other than that, this is a film driven by character development. Taut direction by Robert Wise, straightforward writing from Edmund North and impressive cinematography by Leo Tower create an intelligent, literate, adult science fiction film that appeals to all ages.

Special mention must be made of Bernard Herrmann's haunting score. One of the first film scores to use Leon Theremin's eerie and eponymous electronic instrument, which unfortunately became a genre cliché, the music adds immeasurably to the tense and unsettling atmosphere.

Modern audiences may find the film's message heavy handed and obvious, relying on 1950's atomic paranoia and the absolute power it brought. In fact, Klaatu's proffered peaceful solution borders on totalianarianism. But these are minor considerations considering this is a simple story stunningly told.

The DVD contains many interesting extras of interest to film buffs and collectors, including a shooting script, extended discussions on the evolution of the film from idea to release, and an odd look at the people fascinated with collecting 1950's sci-fi film props and paraphernalia.

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196 of 206 people found the following review helpful:
3.0 out of 5 stars A Review Of The New 2-Disc, "Special Edition" DVD of, THE DAY THE EARTH STOOD STILL, December 5, 2008
First and foremost, this is a review for the 1951, black and white, 1.33:1 aspect ratio, 2-disc, special edition DVD and NOT for the remake (Gort! Keanu barada nikto :)

Okay so here's the lowdown; as I now have both this new edition and the original single, flipper disc, version, and having watched all of the bonus features on the new 2-disc set, I can tell you this: keep the old disc!

Why, because the 73 plus minute, making of, on the original disc is gone, replaced with a new 23 minute fluff piece that only skims the surface of the story, of the making of this film.

Gone are the lengthy on camera interviews with the producer, director and female lead, replaced instead with film historian's inane babble, with the odd snippet of voice recordings of the director and producer, taken from the 73 plus minutes, making of, from the original disc (without the on camera picture).

Also gone, is the very interesting, "Collectors", segment, tacked onto the end of the original making of, which had several prominent collectors showing off such treasures as the original flying saucer model and Gort statue, used in the actual film, with anecdotes about the film, and where the props they now owned, had ended up after the filming.

As for the extra stuff added to the 2-disc set, nothing is worth the non-inclusion of the original making of from the first disc (most of the new stuff has nothing to do with the film, but instead conveys the political tensions of the world at that time, which, although slightly of interest, is not worth upgrading for).

And on a new extra note for the new 2-disc set, the reading of, Farewell To The Master, is poorly executed, with a static picture with simple playing instructions, present throughout the entire reading (where as they could of has stills from the film playing throughout the reading, while the soundtrack played quietly in the background) and trying to maneuver through the reading is a nightmare, as there are three chapter stops, which are about 10 plus minutes each, with no way of fast searching through the 10 plus minute segments, so if you stop playing the reading at 9 minutes, you can't start the playback where you left off but instead have to listen to the whole thing from the start of the chapter (I know this because I stopped the playback for a minute, and when I hit the play button on the remote, the film started to play, so I had to go back to the menu and start the reading again, and listen to the stuff I had already heard. I would have preferred that an onscreen text version of the short (45 pages - not so short in my books) story be included instead).

So unless you are a completes, then this 2-disc version isn't worth the money, and even if you are looking to buy this for the first time, I'd HIGHLY recommend that you pick up the original DVD release, as the picture quality is the same, and you get the far superior 73 plus minute, making of, along with the director's commentary, picture galleries and original trailer.
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137 of 149 people found the following review helpful:
5.0 out of 5 stars Gort! Klaatu barada nikto!, August 16, 2002
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In many respects THE DAY THE EARTH STOOD STILL is a very dated film. Obviously a comment on Cold War paranoias, it has little in the way of special effects or high-class production values, Edmund H. North's script is surprisingly talky, and it captures the very clunky look of late-1940s/early-1950s America to an uncomfortable degree. Certainly few involved in the project took it very seriously--even leading lady Patricia Neal admitted that she and Michael Rennie had tremendous difficulty keeping straight faces while spouting "Gort! Klaatu barada nikto!" But strangely, against all the odds, the film continues to speak, capturing the imagination of each new generation that sees it.

The film's enduring power seems to arise from its very simplicity, which lifts the story of a visitor from outer space from mere sci-fi pulp to the level of a parable. As frequently noted, the film contains significant religious symbolism. It is easy to read the visitor as Christ, the woman who befriends him as Mary Magdalene, the man who betrays him as Judas, and the message the visitor brings as both call to repentance and opportunity for redemption--and whatever one's actual religious beliefs, the film taps into these archetypes to create a very effective modern morality tale that works on several levels. At the same time, the film makes a surprisingly acid comment on American and international politics, small minded bigotry, and media hysteria that still rings true today. And the film has surprising visual power. Although the cinematography is very basic, and the design of both the spaceship and the robot Gort are very simple, they combine to create a number of startling images: the first moment that Gort is seen standing on the spaceship's ramp; the spacecraft interior; Gort as he menaces a screaming Patricia Neal--images so simple and yet so powerful that they have become part of our cultural landscape.

The cast plays very unpretentiously and cleanly, and although Rennie and Neal may have snickered on the set none of it shows in their performances. Both are very memorable. Hugh Marlowe is appropriately smarmy as Neal's unpleasant boyfriend, and Sam Jaffe and Billy Gray are enjoyable in their supporting roles; film buffs will also enjoy seeing Frances Bavier (television's "Aunt Bea") in a rare film appearance. Robert Wise's direction is impressively unobtrusive, and any review that did not reference Bernard Herrman's brilliant score--which easily doubles the film's effectiveness--would be incredibly remiss. If you want computer generated special effects, evil aliens, and lots of blood-letting, you should look elsewhere... but if you want something to think about, and something that will hold up under repeated viewings, THE DAY THE EARTH STOOD STILL is strongly recommended.

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