Customer Reviews

Days of Blood and Fire (Deverry)

5 star:		(5)
4 star:		(2)
3 star:		(0)
2 star:		(0)
1 star:		(0)

 

 

This is the best fantasy book that I have ever read, and possibly one of the best books overall. Anyone who is a fantasy reader should definately pick this one up. It kept me on the edge of my seat right up until the end, where I immediately ran out to pick up "Days of Air and Darkness" to find out how this chapter in the Deverry saga ended. Full of action, intrige, and emotion, this book is sure to give anyone a good read. I am about to order the rest of the series to see what else has gone on.

Whether or not you started with Daggerspell or if you have just recently started reading the works of Katharine Kerr, you should definately read this. I found the book entertaining with all the old characters mixed with the new and their wonderful skill at getting wound up in problems that seem to large to remedy. You get to see parts of her world that you do not see in the other books which is always exciting with this author. She transends into the world "high fantasy" well and the ending is rather different from most of her others because it is sudden and leads into the next book.

Similar to "The Dragon Revenant" Kerr again returns to a linear plot previously set up in "Time of Omens," again abandoning her usual interaction of stories set within differing time periods. Obviously by now I am an enthusiast of the tale and world begun in "Daggerspell" and would recommend fans of better fantasy fiction take a look. Despite the positive response of the previous reviewer, however, Kerr's books are not written as stand-alones, and without the information provided by the earlier works, one's enjoyment of this book will be greatly limited. Despite the fact that it was the weakest book in the series, start with "Daggerspell": By the time you reach "Days of Blood and Fire" I'm sure you'll conclude that the considerable time invested was enjoyably well spent.

I do however have one reservation regarding this book: The introduction of a dragon. It may be a personal quirk on my part, but rarely have I found the active appearance of dragons in a tale either satisfying or credible. Often anthropomorphised in manner either typecast or silly - McCaffrey's romanticized and laughable wyrms are but the most notable examples - their inclusion as characters almost invariably fails to be convincing (At the risk of sacrilege I would include Tolkein's Smaug). Though the dragon here is present for only a few pages, it is apparant that it will play a large role in the next book, and it talks, which may not bode well for the conclusion of the series. Those of you who delight in clever wyrms, carry on. I will reserve final comment for completion of the next book.

I was happy to find this book on Amazon. It is part of a series and without it I would have missed a lot of information to keep up with the story in the other books in the series. I love Katharine Kerr's incredible stories that are somewhat historical but also great fantasy making one understand our European background much better as well as the "magical" in our world. Very entertaining and mind expanding.

Others before me have reviewed this book excellently and like them I would agree that Katherine Kerr is a rewarding novelist to read. This review is really focused on the kindle edition and the problems therein. This is the second title I have bought that is riddled with errors to do with the conversion process to a digital format. About halfway through the book I started to put in highlights and footnotes whenever I discovered these and there were over 60 of them. They ranged from the banal - a common one being an added hyphen or "die" instead of "the". But in some cases were highly distracting from the flow of the book. I really had to stop and think what the word should have been.
This really distracts from the enjoyment of the story. A great shame.
The other factor to bear in mind with this kindle edition is that the chapters are very long. If you accidently move to the next chapter you have to spend a long time pushing the page turn button to get back to your place. A real pain. Breaking this down into smaller sections would be helpful indeed.

In the peaceful land of the Riddaer, Jahdo the ratcatcher's son stumbles upon a meeting between a city councilman and a dangerous, mysterious woman. Suddenly the boy is tangled in a web of intrigue and black magic that drags him far from his beloved home. In the company of Meer, a blind bard of the Horsekin, Jahdo must travel to Deverry to unravel the evil that binds him. Gut there the boy is caught up in dangers far greater than any he has ever known. Two powerful sorcerers--the human Jill and the elven Dallandra--are battling to save the country from a goddess gone mad. Their strongest ally is the mercenary soldier Rhodry Maelwaedd, a berserker bound to both women by fate and magic...and to the dragon upon whom all their lives may depend. For fantasy lovers who have never read the novels of Deverry before, Days of Blood and Fire is the place to begin.

Katherine Kerr's writing takes a bit of getting used to, but it's worth the effort. She approaches her stories with a Celtic storytelling mindset, which means she conveys events according to their significance to the story, as opposed to chronologically. Consequently, while the stories begin in the "present" (which is an elastic concept, anyway, in a fantasy setting), the events unfold, chapter wise, both in the "present" and in the distant past. This can be frustrating, at first, but Kerr's writing is heavily steeped in Pagan and Western Mystery tradition, and the Celtic setting (and mindset) of her characters means that time, or chronological time, is not essentially relevant. To be honest, I found the first book infuriating, as I spent a lot of time trying to adjust to the writing style. However, I found the story engrossing enough that I persevered, and by the second book was so hooked I've read all ten in her three series.

Kerr's story evolves around the concept of reincarnation, and unfinished business, and "karma", and fate. The same souls recur again and again, just in new bodies, over the course of the centuries over which the story unfolds.

Kerr's world is one of High Fantasy, populated by Elves, Men, and Dwarves, as well as faeries/elementals, which she terms the "Wildfolk". However, hers is a slightly more dark, dangerous and less clear cut world than the works of other High Fantasy authors, not the least due to the fact that someone who was your friend in a former life can re-emerge in the story centuries later as a foe, and vice versa. There is a tremendous amount of magic, but it's the magic of the Western Mystery tradition (quite a bit of Golden Dawn and even Enochiana), and that of R.J. Stewarts Faery tradition. There are dragons, and giant beast men.

The Elves are a fallen race, driven out of their magnificent and palatial cities centuries before by invaders, and who now roam the plains as primitives. They possess the potential to be superlative magicians, but the knowledge was lost in the fall of their civilization. Humans, though warlike and shorter lived, have preserved this knowledge, but guard it jealously. The Wildfolk, basically magic incarnate, are unhinged from the effects of "karma", but lack permanence of personality, and cannot grow or develop, cursed to stagnation. The Dwarves are a secretive mystery, entrenched within the earth. Each has something to offer the other, and the story that unfolds is the story of this "technology" exchange, of sorts, between them.

Fans of Marion Zimmer Bradley, who clearly influenced Kerr, will be enraptured by this series, as will fans of Kate Eliott, who Kerr, herself, clearly influenced. It's phenomenal! Devotees of the New Age, Esoteric or Occult will find themselves nodding and smiling as they read, and sincerely hoping Kerr's writing will do for the Western Mystery and Faery traditions what Bradley's has done for Wicca.

I found this book to be quite enjoyable, though I think that I would have liked it more if I had read the other books in the series. It stood on it's own rather well, but there were a few things that I didn't understand as well as I think I could have if I'd read the other books.

The only thing that really bothered me about this book was the name of the Sorceress. Jill just didn't fit in with the other names in the book, and the excuse that was given wasn't a very good one, or at least it wasn't to someone who had only read that book. It was alluded that there might have been a better explanation in another book, something to do with who her father was, but it was not satisfactory to me.

I did, however, find the characters to be vibrant and the plot to be engaging, so that little complaint really isn't much of a complaint at all. This was, I thought, a rather decent fantasy novel and if I stumble across more of her work, I will likely pick it up.