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The Sign of the Cross (1932) is quintessential De Mille, now famous for its pre-Code (i.e. pre-censorship) scene of peep-show nudity as Claudette Colbert (playing Poppaea, wife of Charles Laughton's Roman emperor Nero) takes a tantalizing bath in goat's milk, daring DVD viewers to freeze-frame "the naughty bits" while Roman prefect Marcus (Frederic March) struggles to reconcile his loyalty to Rome with his forbidden love for the Christian maiden Mercia (Elissa Landi), who's destined for the lion's den. Full of outrageous spectacle (including dwarves in the Roman arena), this blood-and-guts epic is pure De Mille compared to the more conventionally formulaic adventure of Four Frightened People (1934), also starring Colbert as one of the four titular characters shipwrecked on a remote Malay island (filmed at Mauna Kea and Mauna Loa, in Hawaii) and forced to fend for themselves. It's a stodgy but frequently amusing adventure, with Colbert's uptight schoolmarm growing sexier and less inhibited with each passing scene. Colbert returns (De Mille obviously adored her) in the title role of Cleopatra (1934), easily seducing Marc Antony (played by De Mille favorite Henry Wilcoxon) in a film as lavishly appointed as it is melodramatically extreme. Wilcoxon pairs with Loretta Young in The Crusades (1935) with De Mille once again mixing piety with prurience in a religious epic that promises plenty of sex but, in classic De Mille fashion, remains steadfastly chaste. Union Pacific (from Hollywood's golden year of 1939) is a grandly entertaining Western that mangles history (specifically, events surrounding construction of the transcontinental railroad) while casting gunslingers Joel McCrea and Robert Preston in a contest for Barbara Stanwyck's affections.
Choosing a favorite among these five films is purely a matter of personal taste, but for all of his weaknesses as a director (not the least being a condescending and self-righteous arrogance toward his audience), De Mille was never, ever boring. These films helped to make Paramount the most profitable studio of the 1930s, and they hold up remarkably well. Despite the complete absence of bonus features (Universal once again taking the low-cost option with no-frills packaging), each film is presented in pristine or near-pristine condition, ripe for first-time viewing or nostalgic rediscovery by vintage film buffs everywhere.--Jeff Shannon
I love DeMille! I bought it because I had never seen "Four Frightened People", which is a blast; and because I wanted to see "The Sign of the Cross" again, which... Read morePublished 1 month ago by Javier F. Mulero
Not any of DeMille's best works. Unfortunately, Cecil never let the truth get in the way of his story.Published 2 months ago by S. McInnis
Well I have only watched Cleopatra and Four Frightened people so far, but by those two movies standard which is brilliant, I am looking forward to the other three.Published 3 months ago by Mrs. Gillian E. Marriott
Loved it ... had to be a majestic adventure when they were made. No comparison to today's movies is really fair. Read morePublished 3 months ago by M. G. Maness
|Topic||From this Discussion|
|Jack Palance: TV series "Bronk"||
The full series is now showing on Warner Archive streaming service.
Jan 5, 2014 by C. Steward | See all 7 posts
|No bonuses on Universal DVD boxed sets||
I too am disappointed that MCA did not include any extras, not even trailers. I do wish they included the alternate scenes filmed for the re-edited 1940s reissue of SIGN OF THE CROSS. However, being an MCA release, I am not surprised at these "bare bones" releases.
May 24, 2006 by Joe NY | See all 2 posts
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