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Dead Cities: And Other Tales [Paperback]

Mike Davis (Author)
4.3 out of 5 stars  See all reviews (6 customer reviews)


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Book Description

October 1, 2003
A riveting exploration of the tensions between nature and the built environment.

The storm is here, crushed dams no longer hold, the savage seas come inland with a hop.—Jacob van Hoddis

As Mike Davis shows, prophecies of urban doom too often come true. Beginning with a trip to New York's Ground Zero, Davis pairs the horror of lower Manhattan's falling skyscrapers with Las Vegas' delirious delight in blowing up its landmark hotels, where environmental terrorism is practiced in the name of urban development. We stop at "German Village," the Utah wasteland where Allied scientists once perfected their plans to destroy Berlin, then move on to Los Angeles, the frontline of a "Second Civil War" that lies waiting to be ignited in cities across the country. The title essay is an autopsy of the metropolis dead on a slab, with reflections on "bomber ecology" and "ghetto geomorphology." The final chapter, with accounts of Montreal and Auckland brought to their knees by ice storms and heat, warns that our urban infrastructures are as little prepared to deal with climate change as with car bombs and hijacked airliners.



Editorial Reviews

From Publishers Weekly

"Lower Manhattan was soon a furnace of crimson flames, from which there was no escape" is not a lead sentence from the New York Post from last September, but an image from H.G. Wells's 1908 novel, The War in the Air. In this astute, compelling and often shocking tour of U.S. cities over the past decade (many of these pieces date from the early 1990s), Davis (City of Quartz; Ecology of Fear) goes beyond the usual boundaries of urban theory and creates a panorama of images of cities and landscapes in the throes of destruction-one in which September 11 is more norm than exception. Davis argues that "ecocide"-the degradation of the planet via air pollution, water pollution, nuclear waste and other industrial plagues, as well as by war-is integral to urban decay. Davis creates a Bosch-like portrait of America where Cold War waste disrupts genes and has made huge tracts of land into uninhabitable "national sacrifice zones"; Las Vegas is continually demolished and rebuilt; corporate "redevelopment" runs inner-city economies like feudal dynasties; an attempt to build a subway "eats" Los Angeles; and the "bourgeois utopia of a totally calculable and safe environment" is deeply shaken by September 11. Davis finds "an existential Earth shaped by the creative energies of its catastrophes" (like asteroid impacts, to which a chapter is devoted) that only "geomorphology," an emerging science, treats the effects of urban, rural, natural and man made urban disasters as part of the same continuum, might hope to explain. It's a grim reality, but, in the face of torrid summers, calving ice shelves and beaching whales, one that is increasingly difficult to ignore.
Copyright 2002 Reed Business Information, Inc. --This text refers to the Hardcover edition.

From Library Journal

Both human-made and natural disasters threaten Earth's survival, and journalist and author Davis (City of Quartz; Ecology of Fear) here explores many variables that have led, and will continue to lead, to the death of many urban areas and ecosystems. A writer for the Nation, Sierra, and the Los Angeles Times, Davis states that many prophecies of urban doom have already come true (e.g., H.G. Wells in 1907 predicted that New York City would burn as a result of attacking airships). He worries about the future of humankind and urban life in light of terrorism, global warming, globalization, and the effects of changing weather patterns. Early chapters provide a thorough and often insightful account of governmental nuclear testing in the Western United States, documenting the fate of "Downwinders," the unwitting victims of fallout. Most of the rest of the book discusses the urban plight of Los Angeles. Davis provides a wealth of information but relies heavily on newspaper articles for his references. Despite Davis's apocalyptic vision, this may have appeal. Recommended for large public libraries.
Tim Delaney, Canisius Coll., Buffalo, NY
Copyright 2002 Reed Business Information, Inc. --This text refers to the Hardcover edition.

Product Details

  • Paperback: 448 pages
  • Publisher: New Press, The (October 1, 2003)
  • Language: English
  • ISBN-10: 1565848446
  • ISBN-13: 978-1565848443
  • Product Dimensions: 7.8 x 6.1 x 1.2 inches
  • Shipping Weight: 1.5 pounds
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Best Sellers Rank: #805,388 in Books (See Top 100 in Books)

More About the Author

Mike Davis is the author of several books including City of Quartz, Ecology of Fear, Late Victorian Holocausts, Planet of Slums, and Magical Urbanism. He was recently awarded a MacArthur Fellowship. He lives in Papa'aloa, Hawaii.

 

Customer Reviews

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Average Customer Review
4.3 out of 5 stars (6 customer reviews)
 
 
 
 
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22 of 22 people found the following review helpful:
4.0 out of 5 stars Radical Urbanism, March 14, 2004
This review is from: Dead Cities: And Other Tales (Paperback)
"The ground on which you walk is the tongue with which I talk" -Saul Williams

Mike Davis gives voice to just what the hell we've done to our environment, what's transpiring in the gaps in our relationships with each other, and what goes on underneath the deep and wide footprint of our rampant urban development. Dead Cities is a postmortem excavation of our postmodern urbanscape, a conjugation of all the verbs at work in the human condition.

From the chaos of the "Miamization" of Southern California ghettos and the sprawling ennui of suburbia, to the unfathomable waste of natural resources in Las Angeles and Las Vegas and the groaning discontent of the earth itself, Mike Davis follows every vector that juts out of Main Street, USA. And there's bad news around every corner - especially for the next generation of leaders, planners, and plain old citizens. As he told Mark Dery in an interview for 21C magazine, "Increasingly, the only legal youthful activities involve consumption, which just forces whole areas of normal teenage behavior off into the margins... Irvine, which is the last generation's absolute model utopia of a master-planned community, is producing youth pathologies equivalent to those in the ghettos simply because in the planning of Irvine there was no allotted space for the social relationships of teenagers, nowhere for them lawfully to be - the parks are closed at night, they're not allowed to cruise, and so on. So you get these seemingly random acts of violence." The geography of nowhere is cultivating its very own nihilistic culture -- even in the "perfectly planned" gated communities.

The most commendable thing about Mike Davis and his exhaustively researched books is their propensity toward the margins. Not that he meanders around the subjects about which he writes, rather Davis always includes that extra story that makes the core concepts resonate that much stronger. Whether it's the seven deadly sins of Los Angeles, the dynamical behavior of earth as a closed system, or the plight of the immigrant computer-smashers who moved here "to work in your hi-tech economy," Davis always gets to the core of the issues at hand with his feet firmly on the ground -- and Dead Cities is his most all-encompassing work yet. As he writes at the end of the book, "We don't need Derrida to know which way the wind blows or why the pack ice is disappearing."

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32 of 35 people found the following review helpful:
4.0 out of 5 stars Slouching towards Bethlehem: the greatest hits, November 13, 2002
By 
pnotley@hotmail.com (Edmonton, Alberta Canada) - See all my reviews
Collections of the work of journalists or intellectuals can be a mixed bag, especially when the author is better known for a major work. Such is the case here for Mike Davis, author of the invaluable Prisoners of the American Dream, City of Quartz, Ecology of Fear, and Late Victorian Holocausts. This is a collection of essays and articles that he has written over the past decade or so. There is a certain lack of unity as Davis discusses three major themes: disaster, ecological crisis, and gross injustice in the world the Sunbelt Republicans made.

Notwithstanding that, there is much that the reader will find informative and valuable. Carrying on from his chapter in The Ecology of Fear about Los Angeles' dystopias, the book starts with a chapter on the imagined literary destruction of New York. Davis quotes H.G. Wells' almost forgotten classic The War in the Air about the first aerial destruction of NYC: "They [New Yorkers] saw war as they saw history, through an irridescent mist, deodorized, scented indeed, with all its essential cruelties tactfully hidden away." While this is not entirely fair about New York, it is all too true of the Republican Party. Davis goes on to discuss the poisoning of much of Nevada and Utah by the military, as well as making model cities to practice bombing Axis civilians in world war two. (Davis reminds us that a third of the 600,000 civilians killed this way in Germany were prisoners of war and slave labor). There are essays on Los Angeles' Pentecostals, as well as how one Hawaian island remembers several devastating tsunamis. There is also an essay which discusses several fictional attempts to describe what would happen if most humans became extinct. The longest chapter is an article where Davis summarizes the revolution in earth sciences as geology and evolutionary theory has to come to terms with the prospect of asteroids hitting the earth on a devastating, if irregular basis.

But the book is most impressive in discussing the greed, selfishness and waste of the "conservatives" who have done so much to make the American west what it is today. A chapter on Las Vegas discusses how the city has no responsible water ethic, cuts down public space to the lowest in the country, disperses land over an enormous and wasterful area, while public transit is dictated by the car. 60% of water use goes to irrigate lawns and golf courses, while water use is double or triple that of other Western cities. But being in the middle of a desert Las Vegas' water requirements cannot be sustained by local sources so it greedily seeks water elsewhere. Meanwhile local government is deliberately fragmented and gerrymandered so that the most valuable areas are separated from the electorate that needs public services.

Los Angeles, as Davis shows, shares many of the same vices. It has only a third of NYC's public park area per capita. It has the same distorted local government. The worst incorporated city must be Vernon, which has 48,000 workers, mostly Latinos in sweatshops, and an actual resident electorate of 90 people, who do not use their tax revenues to help their workers but the property developers who run the city almost as a private fief. Other areas show white electorates ignoring hispanic minorites. Meanwhile Davis discusses Los Angeles' would-be subway system, where the relatively affluent 6% of the ridership who use the proposed subway get 70% of public transit funds, while the poorer, darker majority who use the bus face fare increases and reduced service. Davis also goes to the "city" of Compton, where before it achieved a black majority the white city council spitefully ran it down and sowed the streets with salt. Compton's attempt to get a tax base by annexing industrial areas was thwarted and attempts to attract investment with tax breaks only attracted those who took the money and run. Now the black council selfishly protects its own privileges over those of the increasing Hispanic population. Best of all is the chapter "Who Killed L.A." which discusses the systematic redistribution of income from the poorest inner cities to the wealthy suburbs. (The federal contribution to Los Angeles' budget fell from 18% to 2% from 1977 to 1985, while George Bush stuffed the 1992 riots aid package with a cut on luxury taxes on yachts, but vetoed it when it tried to remove the tax deduction on club dues.)

The final chapter discusses ecological crisis as global warning leads to increasingly erratic weather, while the spread of the market and corporate pressures leads to deforestation in Vietnam, ecological degradation in China and the extinction of the Grand Bank fisheries. The book could use more updates, and there are a number of annoying printing errors and misprints (most obvious, Alexandra Richie's name is mispelled as Alexander). But Dead Cities is a valuable work that produces an acerbic outlook in an intellectual world that is complacent beyond belief.

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5 of 5 people found the following review helpful:
5.0 out of 5 stars Awesome sucker punch in the gut!, August 11, 2006
By 
This a new favorite book of mine. Up there with "1984" or "One With Nineveh". Even scarier than "1984" which amazed me.
Powerful futurism and presentism about evil social engineering, urban ills and urban planning, environmental catastrophy and warfare's effects on modern cites and their total vulnerablity. All TRUE and well researched if a bit scattered. This book even makes efforts to predict what organisms will survive and what the cities will look like in 2500 AD when the catastophies have long come and gone and the people are long gone. Ballsy urban futurism for tough minded readers.
Here's a bit of unflinching text from this book.
"Even if the West Lawn turned into a sand dune or monkeys jabbered in the galleries of Congress, every energy lobbyist -would still decry global warming as science fiction....
Although it may be theoretoiocally possible to imagine `Green' capitalism without rampant fossil fuel dependancy, the actual outcome is dirty environmental counterrevolution. ...Although the academy may still favor the esoteric relativity of postmodern textualism, vulgar economic determinism--which begins and ends with superprofits in the energy sector -currently holds the real seats of power. We don't need Derrida to know which way the wind blows or why the pack ice is melting."
Page415
Only real critism is that it skips around a lot and doesn't finish all its thoughts. The author sometimes rushes past outragous assertions that could be books unto themselves, but here are a half a paragraph or less. However, this almost works in favor of the book making it a peice of modern or post-POST modern art than just a book.

An awesome book that hits like a Drum and Bass song and punches harder than Hemingway
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