Customer Reviews

The Dead Girl

5 star:		(22)
4 star:		(21)
3 star:		(3)
2 star:		(3)
1 star:		(3)

 

 

An amazing all star cast show off serious acting chops in a dark drama/thriller told in segments and concentrating on different points of view and experiences revolving around the death of a young woman. Harrowing, moving, and suspenseful, the films draws a sudden and suprising conclusion that is both realistic and shocking. A great character piece that paints complicated portraits of its character both both good, bad, and neurotic. I would describe the film as being very dark but told with such conviction and lack of heavy handiness that it's also very entertaining. Toni Collete as always gives an incredible performance alongside quasi walking legend Piper Laurie, Mary Steenburgen, Giovanni Ribisi, Kerry Washington, and many others including stand out performances by an amazing Mary Beth Hurt and a right on target Brittany Murphy (nobody does almost-insane and/or drugged out better than her). A good film elevated by an amazing cast and inspired performances.

Karen Moncrief has written and directed this terrifying, searching, agonizing, and exceptionally fine story of the responses of five different people to the discovery of a dead girl. By dividing her story into chapters named after The Stranger, The Daughter, The Mother, The Wife, The Sister, and The Dead Girl she offers us fully realized characters, each of whom is affected by the opening discovery of a mutilated young dead girl's body. The technique of non-linear film is not new, but Moncrief raises it to a new, powerful level, a fact that makes this film one of the more sophisticated and successful of the past few years.

Arden (Toni Collette) is a homely frail girl who accidentally discovers the dead girl, taking a necklace from the corpse before reporting the discovery to the police. She is a caretaker for an invalid, foul-mouthed cruel mother (Piper Laurie) who berates Arden for being so ugly and for involving them in a murder case. Arden flees, meets The Stranger Rudy (Giovanni Ribisi), a tattooed, scary appearing guy who is attracted to Arden because she appears so innocent. He courts her with tales of serial killer manners and yet eventually gains Arden's fractured self-perception trust with physical contact. The next chapter introduces Leah (Rose Byrne) who works with Derek (James Franco) in the mortuary where the dead girl's body has been deposited for autopsy. Leah discovers markings on the dead girl that convince her this is the sister who has been missing for 15 years, a fact that her parents (Mary Steenburgen and Bruce Davison) refuse to accept. Leah's tenuous hold on reality is altered by Derek's consolation and physical attention.

The Wife episode offers a view of Mary (Mary Beth Hurt) and Carl (Nick Searcy), a married couple with mutual distrust: Mary knows Carl has flings with prostitutes while Carl feels Mary is too controlling. Mary discovers a chest of torn bloody underwear in one of their business Storage Containers, connects the items with Carl in a suspicion that Carl may be related to the death of the dead girl, and burns them. In The Mother we finally meet the true mother Melora (Marcia Gay Harden) of the dead girl Kritsta (Britanny Murphy) as she traces the clues from the body to a seedy motel where she meets Rosetta (Kerry Washington), Krista's roommate and lover, only to discover that the dead Krista ran away from home to become a prostitute and drug addict in response to a childhood abuse problem with her father. Melora is informed that Krista has an illegitimate three-year-old daughter Ashley whom Krista loved and Melora seeks to care for the only remains of the dead girl - her granddaughter and her lover.

This film beams with brilliant performances: Collette, Harden, Byrne, Laurie, Hurt, Searcy, Washington, Steenburgen, Franco and Ribisi are poignant in their depiction of damaged people whose lives are altered by the Dead Girl. This is ensemble acting of the finest category. The production values are strong and the director's control of what could have been a meandering saga is firm and keeps the story from becoming sensationalized. This is yet another brilliant little film that deserves a very wide audience. Grady Harp, May 07

Absolutely the most remarkable piece of cinema I've seen all year, and one of those rare gems that gives us reason for hope - there actually are brilliant directors and cinematographers out there even though they toil in the fields of low pay and unrecognition. As other reviewers have mentioned it seems unbelievable that I'd never heard a word about this film... but of course I know much more than I need to know about Spiderman 12 and Pirates of the Caribbean 9, all of it drilled into my skull every hour of every day for weeks.

There's not a note of music, a sound, a line, an expression or a bit of body language in this deeply moving film that doesn't ring true. Welcome to the real Los Angeles.

Karen Moncrieff deserved or deserves an Oscar for Best Director, and I doubt there's any film that can match this one for such unfailing brilliant performances by an obviously dedicated cast.

If you're serious about films, don't miss The Dead Girl. It's a hard one to shake off.

After reading the little explanation of this movie I decided to give it a go. Very glad I did.
This movie is reminiscent of 'Wicker Park'. It tells a story from a number of vantage points without ever losing the base plot. Very difficult deed! And very well executed.
Other reviewers have gone over the plot, so I won't do that. I will say that every actor is in prime form, I honestly couldn't pick one from the other as far as contributing their skills to this movie. The photography, sets, music/sound.... it all comes together here!
The story is absolutly intriguing and gripping. I was taken in with the first vignette, with Toni Colette who is one of my favorites. The story never loses pace and branches out in a decided and careful manner as to complete the telling and bring everything full circle.
I highly recommend this movie above most others I have seen lately. Top notch performances really take this a step above the rest.

A "small" movie filled with big names and small and many outstanding performances. Perhaps the most noteworthy performance - Mary Beth Hurt as the wife of a serial killer. Highly recommended.

My husband couldn't handle this movie - he left the room and had nightmares all night. The next day, neither of us could get this film out of our heads. The acting is incredible; it is a dark, foreboding film that you know will have no happy ending. Brittany Murphy - who plays the drug-addicted prostitute found dead - should get an Oscar for this film. If the studio doesn't fight for her nomination it is a crime against art.
This film is riveting, and yet, I have to warn anyone who is extra sensitive to be prepared: it's not a pleasant ride.

Several seemingly unrelated individual vignettes culminate to form THE DEAD GIRL, including a piece on the victim herself.

The first story surrounds the mundane and abusive life of Arden (Toni Collette, Little Miss Sunshine). Mrs. Collette gives a stunningly fine dramatic performance, moving fully away from her recent comedic roles. She is the discoverer of the dead girl's body, but she doesn't report it right away. Found not far from her shabby home where she lives with her scornful mother, Arden takes a few mementoes away from the dead girl's final resting place before notifying the police. Her mother is livid about Arden's find and just wished that she'd left the dead girl alone without telling anyone about her. There is an unseen tie between Arden and her mother (played by Piper Laurie), but the death of an infant (probably Arden's) is quickly surmised. This "other death" eats at Arden and her mother's relationship, feeding guilt to one and anger to the other. Arden's celebrity status ("That's the one who found the dead girl") also peaks the love interest of Rudy (Giovanni Ribisi, 10th and Wolf), a town local who soon learns how mentally damaged Arden really is.

The effect of the dead girl is then transferred to the medical examiner's office where we meet Leah (Rose Byrne, 28 Weeks Later). Leah (an M.E. herself), along with her mother and father, have yet to come to grips with the disappearance of Leah's sister some 15 years earlier. Leah believes the dead girl to be her long, lost sibling while her mother and father (especially her mother) refuse to believe it. The family tension is palpable here and much credit must go to director Karen Moncrieff for "keeping it real."

We then run into Carl (a distant husband played by Nick Searcy) and his wife Ruth (Mary Beth Hurt, Lady in the Water). Ruth is terribly embittered because of Carl's absences, and she believes her strong religious philosophies are being tested when she finds some disturbing clues as to Carl's activities while he's away. It is Carl whom you want to keep a close eye on throughout the film.

The discovery as to the dead girl's true identity is finally meted out and her mother, Melora (Marcia Gay Harden) comes to I.D. the body and discover why her daughter ran away from home. Guilt, shame, fear, and redemption await those who stick it out and finish watching what happens to Melora as she learns the truth behind her daughter's roughshod life and what lay beyond her final resting place.

And then we get to meet Krista (Brittany Murphy, Happy Feet), The Dead Girl herself. Interlocking all the other storylines with Krista is a pretty phenomenal piece of cinematic work, and it is done effortlessly. The connections are made in whiplash quick fashion so watching the final segment may take a few viewings before all watchers actually "get it." Krista's prostitute life is not relegated to "the hooker with a heart of gold" cliche. She is not the best person to hang around with, but she is a "real" human being who makes poor decisions, good ones, and one, final, fatal choice.

The Dead Girl is not a thriller. It doesn't show the murder nor have men with chainsaws jumping out from behind trees to cut-up our nearly naked victim. It is a slow immersion into the terrible lives of these messed up folks. Don't get me wrong: this film isn't without tension. It has PLENTY. It's just not the type your sixteen-year-old will be used to and will probably fall asleep watching.

The ensemble cast, I think, speaks to how motivated the actors were to do this project and make it an effective piece of cinema. All of the cast were spot-on in their character portrayals and it is these characters that drive the entire production.

This film, divided into 5 separate stories about a murder, begins with the discovery of a mangled woman in a field. The lonely woman who finds the body is abruptly liberated from her drab existence. The forensic examiner too is liberated from her own demons after her examination of the body. The toughest story to take, for this reviewer, is the tale of the murderer's wife who cannot bring herself to report the crimes she knows her husband committed despite her unpleasant life with him - she will enable him to continue his miserable activities - a baffling & disturbing enigma. The mother of the victim fearlessly seeks the truth about her troubled, lost daughter's life including the shocking discovery of why the girl left home in the first place. Above all the best segment is the last... the actual experiences of the victim during her last days alive.

A well acted, dark & mysterious movie... a bit depressing yet there are small rays of hope. The story's ending is not quite "wrapped up"... nothing's finalized, but rather what happens next is left for the viewer to imagine.

Not good to view if you're looking for something uplifting - it shows too much of the seamy side of life. A good movie if you want a unique murder mystery.

This was a very depressing movie just in the subject matter: the cruel murder of a young tortured soul. The movie itself is in five parts which is told from the point of view of the different characters in the movie. "The Stranger" revolves around Toni Collette who plays Arden, a homebody & plain woman who is caring for her emotionally abusive aging mom, played to great effect by Piper Laurie. Arden finds the 'dead girl' and takes the necklace on the corpse as her own treasure. She also engages in some creepy conversation & sex with a guy she met at a grocery store, played by Giovanni Ribisi.
"The Sister" is about Rosie Byrne who plays a sibling who is tortured by her parents' continuous grieving for a sister abducted 15 years ago. She also works in the pathology lab, and thinks the "dead girl" could be her long-lost sister.She plays someone who is desperately seeking closure and an end to the endless hope of her parents [her mom is played by Mary Steenburgen].
"The Wife" was the most chilling part in the movie...it centers around a woman who is loud and abrasive and whose husband goes on mysterious trips out of town and they both manage a storage place. She takes over for him on one of his trips, and makes a startling discovery in one of the storage spaces, which in turn leads to an interesting if morally questionable decision on her part.
"The Mother" focusses on Marcia Gay Harden who plays the mother of the "dead girl" and her grief is very palpable and touching to watch. She takes the initiative to trace her daughter's last residence and meets Kerry Washington, who plays a hooker and drug addict who was also her daughter's best friend/lover.
"The Dead Girl" takes a look at the last hours in the life of the victim, played convincingly by Brittany Murphy [one of her best performances so far]...the last frame was truly chilling to watch.
Overall, I found this to be a compelling movie with a tightly-woven plot. The excellent casting added to the emotional depth of the movie and each character was convincingly fleshed out.A worthwhile addition to the thriller genre.

THE DEAD GIRL is an interesting new take on an exhausted genre. Since THE SILENCE OF THE LAMBS nearly 20 years ago, we have been bombarded with the serial killer in film over and over. Sometimes something good like SEVEN comes along, but most of the time its by-the-book blood and mayhem that only gives a lame story a convenient excuse. Oh, it's a serial killer.

In this movie, we travel back and forth in time to see how one really messed-up girl's murder affects friends, family and total strangers.

If two of the stories had better conclusions (not easier, just better), I would've given this movie 5 stars. The first one, THE STRANGER, is interesting and definitely well-acted...but it just stops, it doesn't end. I wanted to know more. I was hoping for something better for her. Same for THE WIFE. Mary Beth Hurt plays a middle-aged house frau who watches her sinister husband go out night after night, leaving her to keep their miserable, loveless lives going. She thinks he's just frequenting prostitutes...until she finds a dresser filled with bloody trophies like slashed underwear. (I didn't even know it was Ms. Hurt until the end titles! I remember lusting after her as the girlfriend/wife from THE WORLD ACCORDING TO GARP back in '82! She really becomes this sad character in this movie.)

I guess the complaint I have is that these two stories didn't give me enough of these characters. And I wanted more.

The other stories are filled with authentic performances and gritty details. Unfortunately, I knew a girl just like The Dead Girl. Fortunately, she pulled it together...and survived the streets. But she could've ended up like the girl in this movie.

You never see The Dead Girl's murder. Or see Ashley Judd or Morgan Freeman heading up the investigation to bring the killer in, or any investigation, for that matter. But you do see how far reaching a senseless murder can go and the damage it does beyond its sad victim.