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The Dead And The Innocent: True Crime 1692 (Volume 3)
 
 
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The Dead And The Innocent: True Crime 1692 (Volume 3) [Paperback]

Barbara O'Sullivan (Author)
5.0 out of 5 stars  See all reviews (1 customer review)

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Book Description

March 30, 2008
The story takes place in a one year time span in 1692, and is based on a true story.  Harrison, the accused, maintained that he was playing the card game, 'Penny A Corner', with friends in Chancery Lane, London, on the night of the murder of Doctor Andrew Clenche of Brownlow Street.
 
Henry Harrison a London gentleman, befriended Mistress Vanwicke, who also knew Doctor Andrew Clenche.
 
A maid observed that Harrison carried a handkerchief made of a coarse material which she thought was not fitting for a man of his quality and she became suspicious of him, which formed the basis of the accusation against Harrison.
 
The doctor was murdered and Henry Harrison was accused, thrown into Newgate Prison to await trial, and was then brought before the Old Bailey criminal court in London. (The trial of Henry Harrison appears at the back of the book), courtesy of Old Bailey online.
 
All evidence at the trial pointed to Harrison, but a second man was still at large.  Harrison was tried at the Old Bailey. Evidence used against him was the aforementioned  handkerchief.
 
One of Harrison's crucial witnesses, an apprentice shoemaker, was abducted by three soldiers one evening, after he had given evidence before the trial, to say that he would recognise Harrison by his voice.
 
Another man, Master Miller, confessed on his deathbed, to his wife, that he had committed the murder of Doctor Clenche, and a second man was arrested and tried at the Old Bailey. 
 
Since a dead man is no evidence the second man was set free.  The twist to the story is that two men dressed as soldiers were seen drinking in The Blue Boar tavern, near Chancery Lane, London, on the night of the murder: (one of them was Mr. Miller), who had been absent from the tavern at the time of the murder.
 
Was Henry Harrison convicted of the Murder of Doctor Andrew Clenche, or was he set free by the Judge and Jurors of The Old Bailey, London?


This book is also on sale under the title, The Innocent Master Harrison, 280 pages.
isbn (13) 978-1456413538, and is also available on Kindle, Amazon.com, and Amazon.co.uk

Editorial Reviews

From the Back Cover

Review of the Dead and the Innocent
Melrose Books, Cambridge
Austin Kehoe, Commissioning Editor

"Only a few pages in, the author has accomplished several key tasks. The situation of Mistress Vanwicke, her character, and that of Henry Harrison (both of them somewhat vain, and with irascible, even violent tempers) have been established. The plot premise is likewise well set out and its development got well under way. Similarly, the historical setting has been established, with an economy of description which nevertheless evokes the period very satisfactorily. The interview with the attorney is a startling scene. Horrified that Doctor Clenche expects a mortgage on her house as security on the loan, Mistress Vanwick attacks the attorney, to the savage amusement of Harrison.

In conclusion this is an unusual, indeed quite original approach to fiction. The fictionalisation of true historical stories has been done before, of course, but I have never before come across an example where the source material is included as part of the work. This is valuable on a number of levels. Allowing readers to make up their own minds about the unmediated testimony is a novelty. Likewise, one is able to compare the transcript with the fictionalised story. Finally, it is nice to have the opportunity to read a period transcript featuring characters whom we have grown to know with the intimacy only fiction can offer.

Altogether, this is a very well conceived novel, and the author has carried off her audacious concept with great aplomb. I found it absorbing and utterly fascinating.

Review from Discovered Authors of Mayfair:

I have just been reading the extracts from your novel The Dead and the Innocent, and have found your writing concise yet evocative, the key to good storytelling. The era you have chosen is a particularly interesting one, characterised by change in all spheres, and your story is a great snapshot of the time. You have clearly done your research on this, capturing the atmosphere of late seventeenth century London well. Crime is, of course, one of the most popular genres of literature, and your book's basis on truth adds an extra dimension, sure to appeal to many.

Review by Zoetrope Reviewer

You clearly have command of the tale, Barbara and the particular mannerisms and speech of the time. I love your very stylish writing and your artistic flair for the language; you're clearly a historical writer of some merit.

About the Author

Barbara O'Sullivan was born in Chiswick, London. She has written history books on Sir Walter Raleigh and Elizabethan history, Novels based on true crime, Short stories and sonnets and poems.

Product Details

  • Paperback: 206 pages
  • Publisher: CreateSpace (March 30, 2008)
  • Language: English
  • ISBN-10: 1438216033
  • ISBN-13: 978-1438216034
  • Product Dimensions: 9 x 6 x 0.5 inches
  • Shipping Weight: 13.1 ounces (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)

More About the Author

I hope you will enjoy reading my books, and if you have time, please leave reviews or comments.

My latest Amazon Kindle book is 'John Talbot Scrivener of Lombard Street, 1603'.

Barbara O'Sullivan

 

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Most Helpful Customer Reviews

5.0 out of 5 stars Review by Austin Kehoe, Commissioning Editor, Melrose Books, Cambridge, October 17, 2008
This review is from: The Dead And The Innocent: True Crime 1692 (Volume 3) (Paperback)
Review of the Dead and the Innocent
Melrose Books, Cambridge
Austin Kehoe, Commissioning Editor

"Only a few pages in, the author has accomplished several key tasks. The situation of Mistress Vanwicke, her character, and that of Henry Harrison (both of them somewhat vain, and with irascible, even violent tempers) have been established. The plot premise is likewise well set out and its development got well under way. Similarly, the historical setting has been established, with an economy of description which nevertheless evokes the period very satisfactorily. The interview with the attorney is a startling scene. Horrified that Doctor Clenche expects a mortgage on her house as security on the loan, Mistress Vanwick attacks the attorney, to the savage amusement of Harrison.

In conclusion this is an unusual, indeed quite original approach to fiction. The fictionalisation of true historical stories has been done before, of course, but I have never before come across an example where the source material is included as part of the work. This is valuable on a number of levels. Allowing readers to make up their own minds about the unmediated testimony is a novelty. Likewise, one is able to compare the transcript with the fictionalised story. Finally, it is nice to have the opportunity to read a period transcript featuring characters whom we have grown to know with the intimacy only fiction can offer.

Altogether, this is a very well conceived novel, and the author has carried off her audacious concept with great aplomb. I found it absorbing and utterly fascinating.

Review from Discovered Authors of Mayfair:

I have just been reading the extracts from your novel The Dead and the Innocent, and have found your writing concise yet evocative, the key to good storytelling. The era you have chosen is a particularly interesting one, characterised by change in all spheres, and your story is a great snapshot of the time. You have clearly done your research on this, capturing the atmosphere of late seventeenth century London well. Crime is, of course, one of the most popular genres of literature, and your book's basis on truth adds an extra dimension, sure to appeal to many.

Review by Zoetrope Reviewer

You clearly have command of the tale, Barbara and the particular mannerisms and speech of the time. I love your very stylish writing and your artistic flair for the language; you're clearly a historical writer of some merit.
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