Dead Letter Office

R.E.M. | Format: Audio CD

Product Details

• Audio CD (October 25, 1990)
• Original Release Date: January 1, 1987
• Number of Discs: 1
• Label: A&M
• ASIN: B000001I0I
• In-Print Editions: MP3 Download
• Average Customer Review: 4.2 out of 5 stars  See all reviews (52 customer reviews)
• Amazon Best Sellers Rank: #50,782 in Music (See Top 100 in Music)
  • #81 in Music > Indie Music > Alternative Rock > Rock

Editorial Reviews

No Description Available.
Genre: Popular Music
Media Format: Compact Disk
Rating:
Release Date: 20-APR-1987

Customer Reviews

Most Helpful Customer Reviews

32 of 33 people found the following review helpful:

5.0 out of 5 stars You kind of had to be there...., November 13, 2004

By 

Clare Quilty (a little pad in hawaii) - See all my reviews

This review is from: Dead Letter Office (Audio CD)

... which is not to say I was hitting the Athens club scene in the mid-late-80s, I was a disgruntled high schooler in a hick town with a few cool-nerdy friends and we spent a lot of time trying to figure out ways to obtain beer and places to sit around and drink it. That's when we began to stain our pink lungs with cigarettes and sit on the hoods of cars in fields, playing music on a one-speaker boom box: Elvis Costello's "Trust" and "Armed Forces," Warren Zevon, They Might Be Giants, "Nebraska," the Violent Femmes and, especially, REM's "Dead Letter Office."

I completely respect a band's right to make the music they want to make, but at the same time I'm firmly a fan of REM's pre-"Losing My Religion" stuff (so fans of latter albums should take my 5-star rave with several grains of salt). And I love "Reckoning" and "Fables" and "Murmur" and most of all "Life's Rich Pageant." They're great, hand-tooled classics.

But "Dead Letter" is loose, banged-out, sloppy music by a surly young band for surly young people growing up in the waning days of the Reagan era.

"Ages of You" and "Voice of Harold" and "Rotary Ten" and "King of the Road" just kind of sum up winter, 87, for me and I can't listen to them without thinking about warm cans of Milwaukee's Best, Lucky Strikes and cottonmouth. And the covers of "There She Goes Again" and "Femme Fatale" led me directly to the Velvet Underground. Let me say that again: This Album Led Me to The Velvet Underground. Can an album, or anything, do more for a listener than that? I don't think so.

13 of 15 people found the following review helpful:

4.0 out of 5 stars Best of the Rest, July 12, 2002

By 

Brian D. Rubendall (Oakton, VA) - See all my reviews
(HALL OF FAME REVIEWER)    (REAL NAME)   

This review is from: Dead Letter Office (Audio CD)

"Dead Letter Office" is a housecleaning effort from R.E.M.'s days on IRS records (1981-1987). As such it provides an interesting alternative view of the band. Several of the tracks reveal a goofy sense of humor that doesn't show itself on their "proper" albums. Two examples are "Voice of Harold," which features the backing track from "7 Chinese Brothers" as singer Michael Stipe reads a studio promotional flyer, and a cover of the Roger Miller country staple "King of the Road." The band acknowledges its considerable debt to the Velvet Underground by covering no less than three songs ("There She Goes Again," "Pale Blue Eyes" and "Femme Fatle") that are among the best performances here. Aerosmith's "Toys in the Attic" even gets a workout. The CD includes the contents of the band's 1981 EP "Chronic Town" as a (very considerable) bonus.

Overall, rarities albums don't get much better than "Dead Letter Office."

3 of 3 people found the following review helpful:

5.0 out of 5 stars Great REM, a great listen and a great buy, October 20, 1998

By A Customer

This review is from: Dead Letter Office (Audio CD)

This is, quite simply, my favorite REM CD for repeat listening. The only track I feel is even remotely substandard is the mangled rendition of "King of the Road", and even that track is pretty good listening compared to the filler most bands use to fill out an album. The inclusion of the Chronic Town EP as the last five tracks on the disc are an added listening bonus, as this album provides one of the longest-playing REM CD's I own, and I'm just as happy to start over again at the beginning immediately after listening to it.