Most Helpful Customer Reviews
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4 of 4 people found the following review helpful:
4.0 out of 5 stars
Green skies and green lakes, November 18, 2006
Dead Meadow is one of those rock bands that feels classic -- they love vintage hard-rock and psychedelica, as well as fantasy and horror.
All those elements come into play in their self-titled "Dead Meadow," which has fortunately been rereleased after the success of last year's "Feathers." And this particular nugget of hard rock still has it blurry appeal -- a slow-burning, intense stoner-rock sound, with a psychedelic edge and eerie lyrics.
It opens with a staticky, crackly buzzing noise -- then a foghorn-like bass barges in and starts playing ponderously. The one instrument is so overpowering that I had to turn down the volume -- and the drums came in, breaking up the bludgeoning basslines. There are some murmured lyrics, but they're submerged under the heavy stoner riffs.
Having weeded out the casual, the album careens into the faster, drum-driven "Indian Bones," and the eerie, slightly awkward "Dragonfly," with its slow guitar riffs. Then it's back into dense psych-stoner-rock, which is distorted slightly to give it a surreal edge, and swirling electric guitar solos that blossom out.
There's a brief acoustic interlude -- "At the Edge of the Wood" -- which is just a folky, meandering little melody that lacks the heavy, intense feeling of the other songs. It feels a bit out of place, but is followed up by the tightly-wound, aggressive rhythms of the grand finale, "Rocky Mountain High."
"Dead Meadow" is not the best album that this band has put out -- they were all young at the time, and sometimes the music shows their inexperience. But this is also an album that most bands would be proud to produce. Their knack is in taking what seems like simple stoner rock, and twisting it into an swirling mass of "wah-wah" effects and sprawling proggy noises.
It has a pretty simple instrumental lineup -- Steven Kille plays the blunt, raw basslines, while Mark Laughlin (now no longer with the band) produces drums hard and sharp enough to blast through the foggy music. Jason Simon both plays a nimble guitar, and offers the rather drowned-out vocals that you have to strain to hear.
And their songs are beautifully written, full of nature-lovin' wise men, owls, trees and Native American imagery, like a more scattered Jim Morrison. Their knack for lyrical writing is absolutely exquisite at times ("If the lady of the morning light/Lets her hair flow down/She'd warm the frost covered ground...").
And they even homage pre-Tolkien writer Lord Dunsany, set to the driving rock tune "Beyond the Fields That We Know." It's a pretty eerie song. "Winter winds reach icy hands/into my room/carried away under gleaming/eyes of glowing moon..."
While you can hear Dead Meadow's inexperience in this album, you can also hear their raw talent and blossoming skills. It's solid and thoroughly enjoyable, and only promised better things to come.
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4 of 4 people found the following review helpful:
4.0 out of 5 stars
Reverant new stoner rock...., November 17, 2006
I've been into what's now called "stoner rock" all the way from the original days of the genre in the 1970's,and this album is so reverant to Black Sabbath's guitar thruuuum,and a slew of higher ranged singers of that by-gone era that this could stand right along side of the best bands of those times!
There's no "in jokes" in Dead Meadow's lyrics ,like Monster Magnet's lyrics, and the band have all the right "grooves" and changes....and this is where Dead Meadow kicks the butt of most of first run of "Stoner Rock" bands that hit in the 1980's(remember TROUBLE?).
All the songs here are quality stuff to put in your pipe and smoke.
Both this and "Feathers" are like "yin and Yang"....This one's dark,and (of course) FEATHERS is light. BOTH are well worth exploring,....and if you're into the DARK of things don't forget to check out the band WITCHCRAFT ,they are another band that does this genre VERY proud in a darker vein!
Too bad these don't come in 8-Track format for your old muscle-car's tape deck....Haw,haw! Put this on and kick that accellerator down ,MAN!
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3 of 3 people found the following review helpful:
5.0 out of 5 stars
connecting the dots between Black Sabbath and Blue Cheer, Bardo Pond and Kyuss, October 3, 2006
This band's most recent album, Feathers, was one of our favorites of last year so it's nice to get this opportunity to revisit their first record which has been out of print for quite a while, the label (Joe Lally's Tolatta) that released it originally went out of business and the record was sort of lost in limbo. Their stoner-psych-rock prowess can be found here in its full glory connecting the dots between Black Sabbath and Blue Cheer, Bardo Pond and Kyuss. One of Dead Meadow's best attributes is their ability to make records that totally grow on you and seep into your skin listen after listen. This has been hitting the spot for us so much as of late that literally not a day has gone by that this hasn't been blasting out of our speakers here in the store! Such a welcome reissue, and for sure a must-have if you missed it the first time around in 2001, when we said the following about it:
Dead Meadow are a retro stoner psych rock power trio playing fuzzed out space-jams in a heavy and rollicking yet still kinda mellow mode. For fans of Blue Cheer and their fellow Tolatta act Spirit Caravan. They're also reminiscent of a more jammed-out, psychedelic Sleep, but with some gentle touches -- there's even interludes of acoustic guitar indie-pop. This one grew on us! [See!] It's definitely more "out-of-time" than most other stoner rock efforts, harking back not to the arenas of the '70s but to the garages and hippie pads of the late '60s. As such it stands apart from the current legions of Kyuss / Fu Manchu clones. The one weak point, the slightly whiny vocals, hardly matter amid the instrumental majesty of the electric fuzz guitar and bass action that dominates this album!
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by Dead Meadow 
