Amazon.com Review
Dead Men Living marks the return of Charlie Muffin (you've got to love an ex-spy with a name like that) to the minefield of diplomatic negotiations between England and Russia. It's a territory that, even with the end of the cold war, remains tortuously difficult to transverse. The need to step carefully is equally apparent in Charlie's personal life: newly reunited with Natalia, the ex-KGB agent (and mother of their 5-year-old daughter) who years ago managed Charlie's false defection, he's finding it more difficult than ever to draw need-to-know lines between work and family.
It's a decision that gets no easier when the thawing Siberian tundra reveals a World War II grave with an American soldier, a British soldier, and a Russian woman, stripped of all identifying marks. Charlie, Natalia (now in the Interior Ministry), and American agent Miriam Bell step warily into a dance of discovery, only to find that powerful, faceless persons are calling the steps. What were the Allied soldiers doing near Gulag 98, one of Stalin's most infamous prison camps? What decades-old secret could be so important that England, America, and Russia seem to be working overtime to keep it under wraps? Charlie's investigative journey into the past will take him into a world of looted Nazi art, terrified Russian exiles, and diplomatic wrangling.
Brian Freemantle (Little Grey Mice, Comrade Charlie) does a neat job of sketching the interdepartmental turmoil that informs a new era of international cooperation. With the roles of good guy and bad guy--so familiar, so comforting--in constant flux, it's everyone for him- or herself. He's not as adept as le Carré (but who is?) at unraveling the mysteriously tangled threads of espionage--too often, the reader is simply told that Charlie has "figured something out," and the villains in the matter are duller than they have any right to be. But Freemantle's observations are generally adept and well phrased: "Charlie had never liked being a part of diplomatic house-tidying; the dirt always had the habit of bulging the carpet under which it was swept." As Muffins go, Freemantle has served up a pretty tasty text. --Kelly Flynn
--This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
Starring returning hero Charlie Muffin and tackling an international WWII coverup when three perfectly preserved corpses emerge from a thaw in the Siberian tundra, Freemantle's gem of a spy thriller combines old-style espionage with millennial zing. The bodies appear to be those of a British and a U.S. officer and a civilian Russian woman. Master spy Charlie, who's been stationed in Moscow since his old agency in the U.K. morphed into "a quasi British FBI" after the Cold War ended, is called up to investigate. Domestic drama heats up since Charlie lives, in secret, with his long-time lover Natalia NikandrovaAa former KGB agent now in a high but vulnerable post in the Russian "quasi FBI"Aand their daughter, Sasha. The American FBI brings in its own investigator, Miriam Bell, who joins Natalia and Charlie in Freemantle's (No Time for Heroes) brilliantly contorted plot; all three agents have been set up by bosses with much to hide, and much to gain from their sleuths' failures. The corpses are linked to Nazi art thefts, and Charlie unearths the coverup when he finds fake graves for the victims and purged records from the Brit's file. He masterminds the survival strategies for the trio of agents, using the media and old spy tricks to toy with the puppet masters. Miriam outdoes Bond in sexual feats and mental sparring, bringing gender equity to the genre, while Charlie stays one step ahead of his superiors, bosses and enemies. Siberia's harsh climate and Moscow's volatile politics are in clear focus as slippery, upper-class Brits and powerful Americans toss monkey wrenches into Charlie's plans. This engrossing thriller perfectly sets up further Moscow adventures with Charlie and Natalia. (June)
Copyright 2000 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
