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The Dead Republic [Import] [Hardcover]

Roddy Doyle (Author)
3.8 out of 5 stars  See all reviews (8 customer reviews)


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Book Description

May 4, 2010
After spending thirty years in America, Henry Smart returns to Ireland in this moving finale to his story.

At the end of Oh, Play That Thing, the second volume of Roddy Doyle's trilogy about Henry Smart, Henry, his leg severed in an accident with a railway boxcar, crawls into the Utah desert to die — only to be discovered by John Ford, who's there shooting his latest Western. Ford recognizes a fellow Irish rebel and determines to turn Henry's story — a boy volunteer at the GPO in 1916, a hitman for Michael Collins, a republican legend — into a film. He appoints him "IRA consultant" on his new film, The Quiet Man.

The Dead Republic opens in 1951 with Henry returning to Ireland for the first time since his escape in 1922. With him are the stars of Ford's film, John Wayne and Maureen O'Hara, and the famous director himself, "Pappy," who, in a series of intense, highly charged meetings tries to suck the soul out of Henry and turn it into Hollywood gold-dust.

Ten years later Henry is in Dublin, working in Ratheen as a school caretaker, loved by the boys, who call him "Hoppy Henry" on account of his wooden leg. When Henry is caught in a bomb blast, that wooden leg gets left behind. He soon finds himself a hero: the old IRA veteran who's lost his leg to a UVF bomb. Wheeled out by the Provos at funerals and rallies, Henry is to find he will have other uses too, when the peace process begins in deadly secrecy...

In three brilliant novels, A Star Called Henry, Oh, Play That Thing and The Dead Republic, Roddy Doyle has told the whole history of Ireland in the twentieth century. And in the person of his hero, he has created one of the great characters of modern fiction.


Editorial Reviews

From Publishers Weekly

Starred Review. Doyle digs into the modern history of Ireland in the concluding volume to the life story of Henry Smart, a teenage Sinn Fein triggerman first encountered in A Star Called Henry. Here, an aging Henry must preserve his own legend, which is taken away from him first for a film, and then by the IRA. In the mid-1940s, film director John Ford plans to make a movie based on Henry's life, but Henry eventually realizes the film that Ford has planned will reduce his story to sentimental pap. Upon returning to Ireland with Ford, Henry plans on killing the director, but his callousness has faded, and he drifts into the Dublin suburbs, where he meets a respectable widow who may be his long-disappeared wife. Henry ages in obscurity until the '70s, when the IRA uses a distorted version of Henry's story as a PR ploy; as the IRA man who runs Henry explains, we hold the copyright to the Irish story. Doyle is a stellar storyteller, though not a faultless one—characters tend to editorialize at the drop of a hat; yet Doyle exhibits a peerless ear for cynicism as he grapples with the violence and farce of Irish history. (May)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an alternate Hardcover edition.

From Bookmarks Magazine

When it comes to books in a series, readers often differ as to which one is their favorite, and The Dead Republic is no exception. Several critics found the byzantine Irish politics and the slower pace (Henry is no longer a spry young assassin, after all) a bit of a letdown. But others greatly enjoyed Doyle's final entry, which, although less action-packed than the first two entries, offers a thought-provoking account of the mythology surrounding modern Irish history. To sum it up: Doyle's latest is best suited for those interested in Ireland's recent past, as well as for those who just want to know what happened to their favorite reformed Irish hit man. --This text refers to an alternate Hardcover edition.

Product Details

  • Hardcover: 336 pages
  • Publisher: Knopf Canada (May 4, 2010)
  • Language: English
  • ISBN-10: 0307398978
  • ISBN-13: 978-0307398970
  • Product Dimensions: 8 x 6.6 x 1.2 inches
  • Shipping Weight: 1.2 pounds
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (8 customer reviews)

More About the Author

Roddy Doyle is the author of eight novels, a collection of stories, and Rory & Ita, a memoir of his parents. He won the Booker Prize in 1993 for Paddy Clarke Ha Ha Ha. He lives and works in Dublin.

 

Customer Reviews

8 Reviews
5 star:
 (2)
4 star:
 (2)
3 star:
 (4)
2 star:    (0)
1 star:    (0)
 
 
 
 
 
Average Customer Review
3.8 out of 5 stars (8 customer reviews)
 
 
 
 
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8 of 9 people found the following review helpful:
4.0 out of 5 stars The last half of Henry's life, May 10, 2010
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I was initially disappointed with "The Dead Republic" after I finished it because it didn't have the grab of "A Star Called Henry". Henry has always been a hard character to like, and this is more so in Doyle's new novel. But, I've let the book settle a bit. There are overtones throughout that render "The Dead Republic" unique and a fitting end point to the trilogy.

By the mid to late 20th century, Henry Smart has now become a much-admired and sentimental reminder of the Easter Rising of 1916. The director, John Ford, uses Henry as an IRA consultant to develop "The Quiet Man" (yes, the film with John Wayne and Maureen O'Hara) in part, because Ford has the emerald-isle view of the Ireland he never lived and Smart represents. Then, in the 1970's and 1980's, the IRA keeps Smart in their midst for their purposes, despite the fact that some of the things Smart is credited for during the Irish Civil War, he never did. (No spoilers here). It's all become mired in history.

I quite liked "The Dead Republic" for these reasons. Roddy Doyle hits the reader hard with the false and delusional sentiments of the Ireland-that-never-was and reminds us what it was to be Irish, and living in poverty, particularly during the Troubles.

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2 of 2 people found the following review helpful:
3.0 out of 5 stars Too Much, October 4, 2010
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Roddy Doyle was at his best in his previous books. I loved the first book of the trilogy: "A Star Called Henry;" the second book was Ok but it kept going downhill. The end of the book was better but all the John Wayne and Hollywood stuff left me cold. Doyle's earlier books, especially "Paddy Clark, Ha Ha" were memorable reads for me, but this last book left me flat.
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3 of 4 people found the following review helpful:
3.0 out of 5 stars "I knew where I was going and I knew what I was going to do. I was going to kill John Ford.", May 12, 2010
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Thirty-five years after Henry Smart became one of the heroes of the Easter Rising in Dublin in 1916, Henry is in Hollywood, where he is an "IRA consultant" to director John Ford, who plans to make a film about Henry's life. The making of this film and its aftermath become a major focus of this final novel in the "The Last Round-Up" trilogy which author Roddy Doyle had intended to reflect Ireland's history from its independence to the present day. A STAR CALLED HENRY, the first of the series, establishes Henry's background as a poverty-stricken child and the reasons for his willingness to put his life on the line in the General Post Office takeover in 1916, when he was only fourteen, and follows him through the War for Independence from 1919 - 1922. The second book of the trilogy, OH, PLAY THAT THING, takes Henry, on the lam from mobsters in Ireland in 1922, to Chicago and eventually Hollywood.

At the outset of this third novel, Henry meets director John Ford, who begins talks with him about a film he plans to make about Henry's life--"The Quiet Man." Ford wants to celebrate Ireland's beauty (and sell more tickets) by removing all references to the War for Independence and the IRA. "No one gets shot in the back. No one gets shot at all," Ford declares, though this is not the Ireland that Henry has seen up close and personal as an IRA assassin. When Henry abandons the project, Ford goes on to make "The Quiet Man" with John Wayne and Maureen O'Hara--a sentimental romance celebrating the Ireland that Ford and many other Irish-Americans want to remember. In Part II, Henry, now fifty, is in Ireland, working as a caretaker at a school for underprivileged boys and living a quiet life, until he is eventually "called" again by the IRA. For Henry, "[Ireland] was [now] worse than it had been when [he] was young...The country was already dead."

Though the dialogue is, as always, bright and lively, the novel and the trilogy itself are structurally confused, the emotional triumph of the Easter Rising from the first novel lost in a Hollywoodized version of reality in the second novel and in much of the third. Doyle does attempt to bring the novel back to its revolutionary roots by reconnecting Henry Smart with the Provos and the disastrous bombings of Dublin by the Ulster Defense Force in 1974, then bringing it further up to date with the elections held in 1980, as imprisoned republicans, like Bobby Sands, imprisoned in Long Kesh, go on a hunger strike. This concluding section is the most vibrant part of the novel.

Those who are unfamiliar with the preceding two novels will have a difficult time understanding who the characters are, and as the action cuts back and forth in time without warning, even someone familiar with the trilogy will sometimes be hard pressed to figure out what is happening. Henry's return to Ireland does not result in much greater enlightenment regarding the purpose of the trilogy and the reasons for its many changes of direction. The lives of the Irish revolutionaries become lost in the scenery, as Henry Smart and his legacy go out, not with a bang but a whimper. Mary Whipple

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