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The two musicians are a study in contrast onstage: Medley remains rooted in place -- a solid, steady anchor for Armstrong's almost unhinged performance style. A skilled vocal stylist who can handle blues, soul, and folk-rock with equal aplomb, Armstrong can unleash a guttural howl one minute and trill as pretty as a songbird the next. (When asked by the Wall Street Journal recently which female rock singers she admired, legendary Jefferson Airplane singer Grace Slick namechecked Armstrong, citing her "strong, urgent sound.")
Dead Sara, which also includes bassist Chris Null and drummer Sean Friday, has attracted major buzz for the ferocious spectacle of its high-octane live performances. Of a January show at The Troubadour, L.A.'s indie-rock tastemaker website Picksysticks.com raved: "You almost forgot you were watching a rock show in the 450-capacity Troubadour and not in a venue like Staples Center that holds thousands when Dead Sara launched into their soon-to-be mega hit `Weatherman.'" OC Weekly has praised the band for its "blazing, impassioned classic rock, punk/indie jams, catchy guitar melodies, and songs about not backing down," while Buzzbands.la noted that Dead Sara's "strain of primal rock is loud enough to awaken the ghosts in both the indie and metal underworlds, and maybe even get them to dance a bit."
Having spent much of last year in the studio, Dead Sara are gearing up to unleash the fruits of their labors with a three-song digital release, due February 7th and featuring the explosive first single "Weatherman," emotionally resonant ballad "Sorry For It All," and an exclusive acoustic version of "Test My Patience." Their highly anticipated self-titled debut album is slated to be released on April 10th via the band's own label, Pocket Kid Records through Fontana/Universal.