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Dead Space Paperback – December 30, 2010


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Product Details

  • Paperback: 270 pages
  • Publisher: CreateSpace Independent Publishing Platform (December 30, 2010)
  • Language: English
  • ISBN-10: 1456501682
  • ISBN-13: 978-1456501686
  • Product Dimensions: 0.6 x 8.4 x 5.4 inches
  • Shipping Weight: 11.2 ounces (View shipping rates and policies)
  • Average Customer Review: 3.9 out of 5 stars  See all reviews (28 customer reviews)
  • Amazon Best Sellers Rank: #3,021,624 in Books (See Top 100 in Books)

Editorial Reviews

From Kirkus Reviews

When a Hollywood studio, as part of its ambition to launch a new TV network, decides to remake a science-fiction series that became a cult hit after cancellation 25 years ago, all hell breaks loose. This time out, ex-cop Charlie Willis (My Gun Has Bullets, 1995, TV writer-producer Goldberg's debut audit of filmdom's ranking grotesques) has what could prove a mission impossible. As security head at Pinnacle Pictures, he's responsible for protecting a considerable corporate investment in the revival of Beyond the Beyond. But, unfortunately, the actors and production talent associated with the futuristic fantasy's renaissance soon find themselves under intense, often deadly, pressures. Initially, Charlie suspects Clive Odett, head of a rapacious agency known only as The Company, which will stop at nothing to control hit programs. While Odett and his murderous minions are indeed making key players offers they can't refuse, the down-and-dirty work is being done by a band of maniacally devoted fans who view any changes in the cast or format of Beyond the Beyond as sacrilege. Abetting their homicidal efforts to maintain the status quo ante is Guy Goddard (a deranged has-been who starred as Captain Pierce, heroic helmsman of the starship Endeavor on its abortive treks through the dark side of a vividly imagined cosmos). As the death toll mounts, an increasingly desperate Charlie makes himself a target by purporting to replace a slain teen idol in the role of Captain Pierce. In costume (if not character), the down-to-earth house dick, in a fashion befitting the La La Land setting, tempts a host of hostile fates to save the studio's prize property. Black comedy from the Left Coast--and an outrageously entertaining take on the loathsome folkways of contemporary showbiz. -- Copyright ©1997, Kirkus Associates, LP. All rights reserved. --This text refers to an out of print or unavailable edition of this title.

Review

"The novel's satiric slant is strong enough to have an effigy of Goldberg beamed into outer space at the next Star Trek convention."
--Los Angeles Times

"A stingingly funny novel."
--Entertainment Weekly

"Goldberg uses just about everything he can think of to send up the studio system, fandom, Star Trek, Trekkies, agents, actors... you name it, he'll make you laugh about it." 
--Analog

"Mr. Goldberg has an observant eye and a wicked pen!" 
--Washington Times

 "[It] reads like a modern-day Alice in Wonderland set against the venal world of the TV industry. It's wonderfully revealing and uncannily accurate."
--Vancouver Sun (Canada)

More About the Author

Lee Goldberg is an ex-Navy SEAL, freelance Sexual Surrogate and a professional Pierce Brosnan impersonator.

Okay, that's not true. But he wants this biography to be really exciting, so pay attention. If things bog down, I've been instructed to add a car chase or some explicit sex.

Here's the real story. Lee Goldberg writes books and television shows.

His mother wanted him to be a doctor, and his grandfather wanted him to go into the family furniture business. Instead, he put himself through UCLA as a freelance journalist, writing for such publications as American Film, Starlog, Newsweek, The Los Angeles Times Syndicate, The Washington Post and The San Francisco Chronicle (He also wrote erotic letters to the editor for Playgirl at $25-a-letter, but he doesn't tell people about that, he just likes to boast about those "tiffany" credits).

He published his first book ".357 Vigilante" (as "Ian Ludlow," so he'd be on the shelf next to Robert Ludlum) while he was still a UCLA student. The West Coast Review of Books called his debut "as stunning as the report of a .357 Magnum, a dynamic premiere effort," singling the book out as "The Best New Paperback Series" of the year. Naturally, the publisher promptly went bankrupt and he never saw a dime in royalties. (But the books are available on the Kindle as "The Jury Series")

Welcome to publishing, Lee.

His subsequent books include the non-fiction books "Successful Television Writing" and "Unsold Television Pilots" ("The Best Bathroom Reading Ever!" San Francisco Chronicle) as well as the novels "My Gun Has Bullets" ("It will make you cackle like a sitcom laugh track," Entertainment Weekly), "Dead Space" ("Outrageously entertaining," Kirkus Reviews), "Watch Me Die" ("as dark and twisted as anything Hammet or Chandler ever dreamed up," Kirkus Reviews).

"Take me now," she moaned, "you hot writer stud."

She tore off her clothes and tackled him onto the floor, unable to control her raging lust. Nothing excited her more than being around a writer with a big list of books.

Got your attention again? Good. I don't know about you, but I was starting to nod off. Where was I? Oh yes...

Goldberg broke into television with a freelance script sale to "Spenser: For Hire." Since then, his TV writing & producing credits have covered a wide variety of genres, including sci-fi (SeaQuest), cop shows (Hunter, The Glades), martial arts (Martial Law), whodunits (Diagnosis Murder, Nero Wolfe), the occult (She-Wolf of London), kid's shows (R.L. Stine's The Nightmare Room), T&A (Baywatch), comedy (Monk) and utter crap (The Highwayman). His TV work has earned him two Edgar Award nominations from the Mystery Writers of America.

His two careers, novelist and TV writer, merged when he began writing the "Diagnosis Murder" series of original novels, based on the hit CBS TV mystery that he also wrote and produced, and later wrote the 15 bestselling novels based on "Monk," another show that he worked on. He's also the co-creator of Amazon's "The Dead Man" series of monthly horror novellas and the author of the crime thriller "King City." Most recently, he teamed up with Janet Evanovich to write the New York Times bestselling books "The Heist" and "Pros & Cons."

But perhaps he's best known for his pioneering work mapping the human genome and negotiating the North American Free Trade Agreement.

Goldberg lives in Los Angeles with his wife and his daughter and still sleeps in "Man From UNCLE" pajamas.

Customer Reviews

Like I said, I loved this one!
Buddy Gott
Beware, Goldberg is like Bentley Little, there is no sexual situation or blood bath too extreme to include, so not for the squeamish.
Ginahmk
Lee Goldberg is merciless on...well, just about everyone Charlie Willis, studio security guy, comes across.
Martha Kuhn (mjkuhn@brightchoice.bright.net)

Most Helpful Customer Reviews

6 of 6 people found the following review helpful By Buddy Gott on February 15, 2011
Format: Paperback
I made the mistake of starting this book late at night when I had to get up very early the next day for work. I told myself I'd only read for a half hour or so. Well, that didn't happen. I loved the book right from the beginning and I ended up reading about a hundred pages that night. I was tired at work the next day, but it was well worth it!

I loved this book. The story is very compelling and the characters are fantastic. Also, what I loved most is that DEAD SPACE is hilarious. I laughed out loud many, many times while reading it.

As I got towards the end of the book, I got a little bummed out knowing that my time with the book was close to ending. To me, that's always the ultimate indicator of a great book.

Like I said, I loved this one!

P.S. - I'd like to also suggest two other of Lee's books that I love: MY GUN HAS BULLETS and THE MAN WITH THE IRON-ON BADGE. If you're looking for great reads, you can't go wrong with them!
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4 of 4 people found the following review helpful By Coral Russell on February 15, 2011
Format: Kindle Edition
Making fun of Hollywood isn't new. There are a lot of TV shows and movies that do it. Heck, Kathy Griffin is making a career out of it. But this is the first time I've seen a book hit the mark. Mr. Goldberg uses his extensive behind-the-scenes knowledge of Hollywood to make fun of movie stars, showbiz, Trekkies, Star Wars fan boys, and all the other movers and shakers. There are two relatively 'sane' people the story revolves around and, well, the rest are pretty much bat poop crazy! I hope you laugh, gasp, and chuckle as much as I did.
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4 of 4 people found the following review helpful By Ginahmk VINE VOICE on January 17, 2011
Format: Kindle Edition Verified Purchase
This is a very, very funny book, but as one other reviewer said...really 3 books in one. The beginning was complicated with so many characters, in such twisted subplots, I was half-way through the book before I had them straight. That said, this bizarre story is on-target with the sci- fi crowd, those die-hard Trekkies (and die hard they do). Snork (Spock), Pierce (Kirk) are ready to annihilate the evil aliens (the Company) who have are replacing the starship crew with the young and beautiful in the new TV remake. You smile, you laugh and you keep turning the pages. The private investigator part, was forced...how long did this guy have to go until he guessed who may be behind all the murders, explosions, etc??? Yet the action never lets up and you are car-jacked into the third weakest subplot, the killer agents of Hollywood. If you think your boss is bad, wait till you meet these. This was the least funny, just lots of blood. Beware, Goldberg is like Bentley Little, there is no sexual situation or blood bath too extreme to include, so not for the squeamish. Overall, great read, written in the 90's but still better than many over the last decade.
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9 of 13 people found the following review helpful By Author Bill Peschel on August 31, 2000
Format: Hardcover
Stop me if you've heard this one before: An old science-fiction television series about the adventures of a starship crew traveling through space -- long canceled but still popular with fans -- is revived to form the backbone of a newly created network.
So far, so good. Sounds like "Star Trek" to me. But television producer and writer Lee Goldberg has taken that story, thrown in seriously twisted agents, actors and sci-fi fans, hit the frappe button, and spun out "Beyond the Beyond," an over-the-top melange of ultra-violence, sick humor and black comedy.
Everyone wears a target in "Beyond the Beyond." Captain Kirk and Mr. Spock are mutated into the Endeavor's Captain Pierce and Mr. Snork, whose fans emulate the latter character's elephant nose. There's a network boss who creates shows like "Siamese Cops" about a police officer with two heads, and a superagent who uses any tactic to keep his talent under contract.
So when "Beyond the Beyond" is revived for The Big Network, it lets loose a tractor-trailer load of nuts and flakes, especially when the actor who played Captain Pierce, Guy Goddard, attempts to reclaim his role, aided by a group of equally demented fans.
As the body count rises into the stratosphere, it is up to studio security agent Charlie Willis to sort out the problems. Willis is more than up to the job, and comes across as sane (he's only one of two characters with any redeeming qualities) and realistic enough about Hollywood to keep his other job as owner/manager of a storage facility.
So whether you would enjoy "Beyond the Beyond" depends entirely on your taste for humor that knows no boundaries for taste. This is a book that should come with an advisory for mature readers.
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1 of 1 people found the following review helpful By philosophymom on March 9, 2011
Format: Kindle Edition
To get a sense of Lee Goldberg's DEAD SPACE, imagine combining the essences of "The Player" (Robert Altman's 1992 satire of Hollywood studios) and "Galaxy Quest" (the 1999 take-off on a Trek-like series and its devotees), then draining off any residual seriousness and replacing it with pure testosterone. Shake (or stir), load into an ink cartridge, hand the pen to someone possessed by the ghost of Raymond Chandler, and let the hijinx ensue...

which is what they do in DEAD SPACE (originally published in 1997 as BEYOND THE BEYOND), a wild ride through the world of Hollywood deals and the egomaniacs who make them. A studio that is not Paramount decides to lauch a TV network that is not the UPN, proposing to anchor its prime-time line-up with a resurrected sci-fi series that is not "Star Trek." Some obsessed fans who are not Trekkies, marshalled by a washed-up actor who is not William Shatner, are prepared to wreak havoc if the new incarnation of their beloved program-- ominously slated to be cast with youthful teen-idol types-- is in any way unfaithful to the original. Meanwhile, a talent agency apparently set on taking over the world seems determined to start with this venture, making big trouble for any associated parties who won't sign onto its roster. Assorted freelance crazies fill out the novel's cast, at the center of which sits the one sane man in Tinseltown, studio security guard and ex-cop Charlie Willis (whom Mr. Goldberg's more devoted fans will have met in a previous novel set in this milieu).
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