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Dead I Well May Be (Dead Trilogy, Book 1)
 
 
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Dead I Well May Be (Dead Trilogy, Book 1) [Audio CD]

Adrian McKinty (Author)
4.5 out of 5 stars  See all reviews (40 customer reviews)

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Book Description

March 1, 2006
*Winner of the AudioFile Earphones Award

This Irish bad-boy thriller, set in the hardest streets of New York City, introduces us to Michael Forsythe, an illegal immigrant escaping from the Troubles in Belfast, Northern Ireland. Clever, fearless, and handy with a pistol, young Michael is just the fellow to be tapped by Darkey, a New York crime boss, to join his gang of thugs fighting for their turf. But just as Michael is being anointed Darkey's rising star, he inadvisably seduces Darkey's girl. Suddenly the tables are turned, and Darkey plans a very hard fall for young Michael. But Darkey fails to account for Michael's toughness--or his determination to wreak vengeance upon those who betray him.

A natural storyteller with a gift for dialogue, McKinty delivers us a stunning new noir voice, dark and stylish, mythic and violent--complete with an Irish lilt.

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Dead I Well May Be (Dead Trilogy, Book 1) + The Dead Yard: A Novel (Dead Trilogy, Book 2) + The Bloomsday Dead (Dead Trilogy, Book 3)
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Editorial Reviews

From Publishers Weekly

McKinty's second novel is a brutal tale of revenge starring a young illegal immigrant from Ireland who chooses a criminal career in New York over unemployment in Belfast. Arriving in the city in the early 1990s, the antihero Michael Forsythe lands a spot as an enforcer for Irish mobster Darkey White. Though Forsythe at first keeps his hands relatively clean, he soon racks up a significant number of kills in skirmishes with rival crews as well as with Dominican gangs warring for control of the streets. An affair with his boss's girlfriend leads to a setup: he and his mates are trapped in a drug sting in Mexico and abandoned in a remote prison. "If someone grows up in the civil war of Belfast in the seventies and eighties, perhaps violence is his only form of meaningful expression," McKinty writes early in the novel, and the bulk of the story recounts Forsythe's grisly efforts to escape and avenge himself, including a stint with a Dominican group seeking to oust Darkey White. The pace is brisk and energetic, but Forsythe remains a cipher-a self-educated intellectual who listens to Tolstoy on tape during a stakeout but exhibits puzzlingly little interest in finding an alternative to the gun and the knife. The dark, brooding tone is reminiscent of Dennis Lehane, but McKinty has yet to achieve Lehane's depth and complexity.
Copyright 2003 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From Booklist

Michael Forsythe, another mick who can't get no satisfaction, leaves depressed Northern Ireland for New York City at 19, set to work construction for an Irish mobster until he earns back plane fare. Instead, he's assigned to the shady side of the business as low-rent muscle. It's 1992, a dangerous time in Harlem, with Dominican gangs testing Irish turf. It's even dicier for Michael, a book-smart dreamer who's fallen for the boss' girl. Standard stuff, yes, but explosive in McKinty's expert hands. A literate, funny, wise old soul in the body of a dangerously naive teen, his Michael draws us close and relates a fantastic tale of murder and revenge in low, wry tones, as if from the next barstool. He's doing the voices as he goes--no quotation marks necessary, mate--and keeps dropping big, bloody hints about future twists. The dark revelations only get listeners leaning in closer, desperate to hear what happens next even while longing for the story to go on forever. As Michael and his crew muddle through horrifying mishaps--maiming the wrong guy here, getting lost in a Mexican prison there--he drops out of conversational mode to throw in a few breathtaking fever-dream sequences for flavor. And then he springs an ending so right and satisfying it leaves us numb with delight and ready to pop for another round. Start the cliche machine: This is a profoundly satisfying book from a major new talent--and one of the best crime fiction debuts of the year. Frank Sennett
Copyright © American Library Association. All rights reserved --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Audio CD
  • Publisher: Blackstone Audio, Inc.; Unabridged edition (March 1, 2006)
  • Language: English
  • ISBN-10: 0786173904
  • ISBN-13: 978-0786173907
  • Product Dimensions: 5.8 x 5.2 x 1.4 inches
  • Shipping Weight: 14.4 ounces (View shipping rates and policies)
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (40 customer reviews)
  • Amazon Best Sellers Rank: #3,067,170 in Books (See Top 100 in Books)

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Customer Reviews

40 Reviews
5 star:
 (27)
4 star:
 (7)
3 star:
 (4)
2 star:
 (1)
1 star:
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Average Customer Review
4.5 out of 5 stars (40 customer reviews)
 
 
 
 
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12 of 12 people found the following review helpful:
5.0 out of 5 stars A Remarkable Thriller, February 24, 2005
By 
Untouchable (Sydney, NSW Australia) - See all my reviews
Dead I Well May Be is Adrian McKinty's superb debut thriller that is sharply tough, wonderfully descriptive and filled with a story that takes one unexpected turn after the other. From the turmoil of Belfast to the chaos of Harlem and a living hell in Mexico, every location is brought to vivid life thanks to McKinty's prose. Here is a gritty hardboiled story complete with violent gangsters and a desperate struggle for survival. It's a story of vengeance that is tough, uncompromising and grabs you demanding that you pay close attention.

When Michael Forsythe leaves his home in Belfast, he is only 19 but is already a hard man, exposed to the gang violence that dominates his city. He arrives in New York where he is employed by crime boss Darkey White for whom he works as muscle to enforce his protection and loan shark rackets. While working for Darkey, Michael proves himself to be a dependable man to have around, earning the respect of all the other men in Darkey's crew. He's a violent man displaying an almost sociopathic lack of emotion after severely crippling another man in a cold-blooded revenge attack.

The story is narrated by Michael and even while everything appears to be going well for him, he warns us of the events that are soon to follow. He points out the men he will kill and the way they will die, men he will later work for and the fact that his life is about to be drastically altered. These snapshots give us a chance to look forward, whetting our appetite for the major events that are still to take place.

One of the things that is going well for him is a secret affair he is having with Bridget, Darkey's girlfriend. He is well aware that he would pay a high price should Darkey find out about it but he likes to flirt with danger and carries on regardless. Little is he to know that the "simple little job" he is sent to Mexico for is going to be that high price.

This is a consistently fast-paced story concentrating on the cut-throat world of the small-time hoods of New York's Harlem and The Bronx. Smattered amongst the colourful descriptions of the neighborhoods in which Michael lives and works are some intense scenes that graphically demonstrate what a cold-blooded man he is. But for all of his violent tendencies he instills an aura of the underdog, a quality that makes you want to like him.

His fellow Irish thugs are all young men who seem to be playing the part of hard men whereas Michael is the real deal. This is about as in-depth as McKinty allows the characterisation to go for Michael's partners - Scotchie, Fergal and Andy. We never really know much more about them than the fact that they are young hoods who talk big and act big when they're armed. A lot of this is because the story is told from Michael's perspective and is indicative of how little he bothers to get to know them.

Dead I Well May Be is a book of two halves with the first all about survival on the New York streets fighting for territory from rival gangs, urban warfare among the slums and cockroaches with survival dependant not only upon who has the greater firepower, but also on who is prepared to use it. The second is a different kind of survival story as Michael's world completely crumbles in Mexico. He is now dependent on his will to live, mental toughness being the key to whether he will live or die. It's during these hard times through a series of flashbacks and hallucinations that we learn a lot about his background and the hardships that he endured as a boy in Belfast.

A quick note about the violence in the book, even though it was mentioned earlier, it is worth warning again that some of it is quite extreme and is even more shocking by the suddenness in which it is inflicted. I read hardboiled crime stories all the time and I even found myself flinching once or twice at the descriptions of the punishment that was handed out.

This taut thriller has announced Adrian McKinty as a crime writer to look out for, particularly for those who are looking for a wild ride through some of the meanest streets imaginable.

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6 of 6 people found the following review helpful:
5.0 out of 5 stars Dead I Well May Be, October 14, 2003
By 
Stanley S. Lynch Jr. MD (Menlo Park, California United States) - See all my reviews
I thoroughly enjoyed this novel, found it ingrossing, clever, and spellbinding. The novel's anti-hero, Michael Forsythe is both street-smart and an intellectual. His keenly observant eye gives the reader insight into characters, places, and circumstances that escape the average writer or reader. He is both cocky and aware of his and others limitations. McGinty's placement of this Irish immigrant in Harlem circa 1990 creates a tightly wound, explosive plot that intrigues and does not fail to deliver. Michael Forsythe is a character cut from the same mold as Walter Mosley's "Easy Rawlins" and Chester Himes' "Bob Jones". I highly recommend this novel.
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6 of 6 people found the following review helpful:
5.0 out of 5 stars unputdownable, May 2, 2007
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I bought this book primarily because it was a recom either here on Amazon or from someone who had read Declan Hughes' novels. I can't remember any longer. But boy, I am ecstatic that I ordered this book.

McKinty has a gift for both dialogue and plot movement. In this, the first of the Michael Forsythe series (I believe there are two other books in the series, both of them even now waiting for me in an Amazon box at home, if package tracking is to be believed), the reader follows Forsythe on his journey from Ireland to New York to Mexico and then back to New York.

He leaves Ireland because he has no options available to him; he can not afford to stay there and has prospects in New York. Upon arriving in New York, he becomes a very low-level gangster whose life hardly sounds much of an improvement over what he had in Ireland. McKinty does a sterling job of showing us what Forsythe's circumstances are (think mega cockroach heaven and continued poverty) at the same time that he develops Forsythe's character through the descriptions the first-person narrator provides.

This novel is done in Forsythe's voice, and that's a plus. Not only do we get to "hear" him speak to others, thereby getting a sense of how he communicates; we also get all the action filtered through his humor, intelligence (in many things, but not all--the boy simply can not pick a good woman to save his life), and philosophical bent.

I found several parts of this book particularly fascinating. The one that sticks out most in my mind at the moment is the part of the book that takes place in Mexico, after Forsythe has been jailed in a truly horrific Mexican prison. (Don't hurt me! I'm not revealing anything that's not on the book jacket!) I absolutely loved getting into Forsythe's mind here; he created movies with which to occupy his intellect so that he would not die both mentally and physically. He literally reconstructs wars and childhood events, creating "films" that allow him to survive the days when he is chained to the ground for 23 out of 24 hours.

Forsythe is an appealing character even when he is at his ugliest, and he can be ugly indeed. He's no hero, not really. He's capable of doing terrible things because they seem right to him at the time or even because he doesn't see an easy way out of them. But he's also got a conscience (even if it does seem a bit convenient) and a sense of honor that help balance the other side of him. And he's utterly hilarious. You'll find yourself snorting laughter at odd times.

You'll love the view you get of a New York that isn't quite so obvious any longer. This is the New York that existed before different areas got "cleaned up" and the crime rate began to go down. It's a New York you'd be hard-pressed to want to live in. And Forsythe's circle of "friends" is one you'd never want for your own. Hell, you might not want Forsythe anywhere near you or anyone you loved. The man has serious issues.

All in all, this is a wonderful first novel in the series. I can't wait to read the other two.
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New York, Big Bob, Four Provinces, Darkey White, Jesus Christ, Washington Heights, George Washington Bridge, United States, Central Park, Long Island, New Jersey, Saint Helena, Danny the Drunk, Old Country, British Army, Northern Ireland, Boris Karloff, City College, Columbia University, Dermot Finoukin, Mexico City, Triborough Bridge, Action Men, Audrey Martin, Captain Martinez
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