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Deadly Gift (The Flynn Brothers Trilogy) [Mass Market Paperback]

Heather Graham (Author)
3.3 out of 5 stars  See all reviews (18 customer reviews)

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Book Description

The Flynn Brothers Trilogy December 1, 2008
Caer is spending this Christmas among strangers. Brought to Newport, Rhode Island, from her native Ireland to nurse ailing millionaire Sean O'Riley, she's living a life few can imagine. But money can't hide the tension between O'Riley's trophy wife, his paranoid daughter, the eccentric aunt in the attic and the staff members who run the house.

When O'Riley's business partner goes missing, family friend Zach Flynn arrives. Determined to help him solve the case, Caer becomes enmeshed in a mystery that weaves together the sins of the past with one family's destiny…and a spirit that watches the mansion, possessing a deadly gift.


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Editorial Reviews

About the Author

New York Times and USA Today bestselling author Heather Graham has written more than one hundred novels, many of which have been featured by the Doubleday Book Club and the Literary Guild. An avid scuba diver, ballroom dancer and mother of five, she still enjoys her south Florida home, but loves to travel as well, from locations such as Cairo, Egypt, to her own backyard, the Florida Keys. Reading, however, is the pastime she still loves best, and she is a member of many writing groups. She’s currently the vice president of the Horror Writers’ Association, and she’s also an active member of International Thriller Writers. She is very proud to be a Killerette in the Killer Thriller Band, along with many fellow novelists she greatly admires. --This text refers to an out of print or unavailable edition of this title.

Excerpt. © Reprinted by permission. All rights reserved.

Dublin, Ireland

Clear!"

"What's happening? Oh, my God, my husband! Let me get to my husband!"

Caer Cavannaugh was aware of the woman screaming beyond the emergency room curtains, just as she was aware of the triage nurse speaking to the woman in a calming way, trying to keep her from interfering with the doctors who were working desperately over the man.

He had come in with strange symptoms that had apparently appeared within twelve hours of his arrival in Dublin. According to his chart, he was in his seventies, was usually in good health, and he and his wife had checked into their hotel, shortly after which he'd become desperately ill. First he'd complained of terrible pain in his stomach, then of a weakness so overwhelming that it was close to paralysis sweeping over his limbs. And then he'd started having problems with his heart.

By the time he'd reached the emergency room, he'd collapsed. The doctors, not finding a pulse, had started treatment instantly.

"Charge!"

The man on the bed bucked, his back arching, and then a reassuringly regular beeping began. His heartbeat was back. Orders were shouted; Caer obeyed them. She'd been summoned to the emergency room just minutes before the man had arrived. In her work for the Agency, she never knew quite where she would be when, or what she would be expected to do, but she'd been well trained to deal with whatever she faced in any new situation.

This, however, was unusual, even for her.

The pulse on the screen jumped erratically for a few seconds, then steadied. The man blinked and looked at her, then smiled weakly. "Angel," he said, and then his eyes closed again and he slept, attached to an IV, a heart monitor and a blood pressure gauge.

The team in the room congratulated one another. A moment later, Caer heard the man's wife, sobbing and still upset, as a doctor explained to her what had just happened, even though they still didn't know the cause of the problem. He told the wife that she needed to calm down and give them some answers. Caer, waiting as orderlies were summoned to take the patient up to intensive care, watched and listened, putting together the details.

The patient was Sean O'Riley; his wife was Amanda, and she was substantially younger than he was.

She was going on and on about their wonderful day and how happy Sean had been. He'd been born here in Dublin, but been living in the States forever. He was always strong and healthy; since he was a charter captain, he had to keep himself fit. When asked what he had eaten, she said they'd had breakfast on the plane, lunch at the hotel, and dinner at a place on Temple Bar. They'd eaten the same thing, and she felt perfectly fine, but it was soon after dinner that he'd taken ill.

"I have to see my husband!" she insisted then.

Soon, she was promised.

Caer studied the woman through the opening in the curtain. She was petite, with a nice figure and disproportionately large breasts. Caer couldn't help but wonder if they were real. Blond hair, pretty hazel eyes, but a slightly sharp look to her. Gold digger? And if so, was she somehow responsible for her husband's condition? But could anyone, even the best actress, fake such a look of tragic hysteria?

The doctor suggested sedation. Amanda nodded, and a nurse gave her a shot.

A police officer arrived. Interesting, Caer thought.

"Cavannaugh."

Caer started and swung around to face the male charge nurse who'd called her name.

"You're on. He's assigned to ICU for the next few hours, and you're with him."

"Right. Thanks," she murmured.

He looked at her curiously, as if he wasn't sure he recognized her.

No surprise. It was a big hospital. Anyone could wind up working with anyone else on any given day.

He smiled, as if deciding he'd seen her before after all.

"I'm on it," Caer said, greeting the two orderlies who showed up to move her patient, checking lines and his oxygen intake as they made their way down the hall from emergency to the elevators to intensive care.

He was to be kept alive. There seemed to be no reason for his life to be in danger, but it was, and he needed care and protection.

Zach Flynn was sleeping deeply when his cell phone rang. What might have proven to be a tragedy, the case of a missing boy, had been neatly and happily solved in a matter of days. Sam, the ten-year-old, had been angry. His mother had remarried and had a baby, and the baby had been getting all the attention. He hadn't been kidnapped, despite the open window and the mess in the room. He'd staged the event and gone to hide out in his father's old hunting lodge. When Zach had found him— tracking him down through his emails to an Internet buddy in China—he'd been ready to go home. No heat, running out of food—it hadn't been half the fun he had expected. All had worked out well. Sam's mother and stepfather had been so relieved that they'd welcomed him back with tears and enough love to make him believe he was as cherished as the new baby.

And so, with the "real" business—the private investigations firm he ran with his brothers Aidan and Jeremy—in good standing, Zach had planned on spending a chunk of December on his side business, checking out some of the musicians hitting the Boston clubs. Years ago, he'd begun investing in music studios, producing promising acts on his own label and watching with pleasure when they were picked by the major players. It had made a nice break from his job with the Metro police in Miami, and it was still a good way to wind down from his day job.

He was exceptionally good with computers, and had become their three-man firm's tech guy for his ability to hack into all kinds of systems. His street instincts were good, too, though, and he found his life fulfilling, even if not every case ended as well as Sam's had.

Then again, some of their cases would have made a statue smile, like the time Mrs. Mayfield, of the Mayfield Oil Group, had hired them on for a fantastic sum to find Missy.

Missy was a cat.

Easily done. Missy was found with six little puffs of fur, and the Flynn brothers were all offered kittens.

Music was his love, though. Music was something that pulsed in his blood and echoed in his mind, not to mention the way it eased and cleansed his soul. It was something beautiful when he saw so much that was ugly.

So he'd claimed December for himself—a chance to get back into that other world where no one went missing and no one died.

Last night, after arriving in Boston, he'd started relaxing with a vengeance. Not that he got drunk, because he didn't drink to excess, having learned long ago that the temporary high wasn't worth the loss of control. But he'd run into a bunch of old friends at a pub on State Street and downed a few Boston lagers. Still, he was instantly aware at the sound of his ringer, and he answered the phone automatically. "Flynn."

"Zach, oh, Zach, thank God you're there. Eddie has disappeared, and now Dad is in the hospital over in Ireland. I was going to fly over there, only Bridey said I shouldn't, but Dad—"

"Kat?" he asked, cutting across her uncontrolled flow of words.

"Yes, it's Kat. Oh, Zach, it's awful, you have to help. We don't know what's going on, and my father is all alone over there with her. You have to go over and see what's happening, Zach. I need your help, and so does Dad."

"Okay, slow down and start at the beginning. What's wrong with your dad?" Zach asked, coming thoroughly, instantly awake. Sean O'Riley had been one of his father's best friends. Even after his dad had passed away, though Sean had been in Rhode Island and the Flynns had been in Florida, Sean had been there, like an uncle, ready to offer a hand to Zach and his brothers. Then Zach had gotten involved with Kat. Not romantically, but she had the voice of a lark, so he'd given her some help professionally, put a band together for her, and now she was starting to soar. She was like a longdistance little sister, most of the time.

"She did something to him." Kat went on frantically. "She's a monster with a bad dye job and veneers over her fangs." She paused for breath and managed to calm down a bit. "Bridey said you should go over there right away and see what's going on. She's afraid for me to go. You know how she is, worrying that something will happen to me. Probably afraid I'll wind up in jail for killing Amanda. Zach, please. You have to go and bring Dad home safely."

"Whoa, wait a minute. There are excellent hospitals in Ireland, and I'm sure—"

"He needs to be here. So we can all be with him. Please. I'll hire you. Zach, I'm scared. Eddie is missing, and I'm afraid he's dead, and now someone's after Dad, I'm sure of it. It's got to be her. You know I've never trusted her, and now I think she's really done something." She had worked herself into a frenzy again and practically sobbed out the last words.

"Kat, if Sean is in trouble, I don't need to be hired. I would do anything for him. But you've got to calm down. And Bridey is right, you can't start wildly accusing Amanda."

"But I'm right!"

"Then you need proof."

"My father won't believe me."

Zach understood Kat's feelings about her stepmother. Amanda wasn't much older than Kat herself was. But he hadn't seen anything himself to suggest that Amanda meant to do away with Sean. Sure, she enjoyed the fact that he was well off and probably wouldn't have given him a second look otherwise, but that was a far cry from murder.

Frankly, he just didn't think the woman had the brains to be capable of planning a murder.

By the time Kat finished talking, he knew she was right about one thing. She should not go to Ireland— she might well wind up in jail—and he should. Actually, he thought, he should be heading straight to Rhode Island, where Eddie Ray and his boat had gone missing. But Sean was alive in a hospital in Dublin, and he needed to come home. Kat was too emotionally involved, too convinced that her stepmother was evil, to see to that. Sean, for whatever reason, loved his new wife. He also loved his daughter. And a blowup between the two women coul...


Product Details

  • Mass Market Paperback: 400 pages
  • Publisher: Mira (December 1, 2008)
  • Language: English
  • ISBN-10: 077832527X
  • ISBN-13: 978-0778325277
  • Product Dimensions: 6.6 x 4.3 x 1.1 inches
  • Shipping Weight: 7.2 ounces (View shipping rates and policies)
  • Average Customer Review: 3.3 out of 5 stars  See all reviews (18 customer reviews)
  • Amazon Best Sellers Rank: #104,309 in Books (See Top 100 in Books)

More About the Author

New York Times and USA Today best selling author, Heather Graham was born somewhere in Europe and kidnapped by gypsies when she was a small child. She went on to join the Romanian circus as a trapeze artist and lion tamer. When the circus came to South Florida, she stayed, discovering that she preferred to be a shark and gator trainer.

Not really.

Heather is the child of Scottish and Irish immigrants who met and married in Chicago, and moved to South Florida, where she has spent her life. (She has, at least, been to the Russian circus in Moscow, where she wished she was one of the incredibly talented and coordinated trapeze artists.) She majored in theater arts at the University of South Florida. After a stint of several years in dinner theater, back-up vocals, and bartending, she stayed home after the birth of her third child and began to write. Her first book was with Dell, and since then, she has written over one hundred and fifty novels and novellas including category, suspense, historical romance, vampire fiction, time travel, occult, horror, and Christmas family fare.

She is pleased to have been published in approximately twenty-five languages, and has had over seventy-five million books in print. She has been honored with awards from Walden Books, B. Dalton, Georgia Romance Writers, Affaire de Coeur, Romantic Times, the Lifetime Achievement Award from RWA and more. Heather has also become the proud recipient of the Silver Bullet from Thriller Writers. Heather has had books selected for the Doubleday Book Club and the Literary Guild, and has been quoted, interviewed, or featured in such publications as The Nation, Redbook, Mystery Book Club, People and USA Today and appeared on many newscasts including Today, Entertainment Tonight and local television.

Heather loves travel and anything that has to do with the water, and is a certified scuba diver. She also loves ballroom dancing. Each year she hosts the Vampire Ball and Dinner theater at the RT convention raising money for the Pediatric Aids Society and in 2006 she hosted the first Writers for New Orleans Workshop to benefit the stricken Gulf region. She is also the founder of "The Slush Pile Players", presenting something that's almost like entertainment for various conferences and benefits. Married since high school graduation and the mother of five, her greatest love in life remains her family, but she also believes her career has been an incredible gift, and she is grateful every day to be doing something that she loves so very much for a living.

 

Customer Reviews

18 Reviews
5 star:
 (6)
4 star:
 (3)
3 star:
 (2)
2 star:
 (4)
1 star:
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Average Customer Review
3.3 out of 5 stars (18 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

11 of 12 people found the following review helpful:
2.0 out of 5 stars The effect of a rush job - A real shame..., November 29, 2008
Amazon Verified Purchase(What's this?)
This review is from: Deadly Gift (The Flynn Brothers Trilogy) (Mass Market Paperback)
After reading the first two novels in this trilogy, and noticing a distinct quality decline in the second from the first, I really didn't want to believe that the third would dip even further due to the short amount of time between publication dates. But, unfortunately, I was right.

There were a few glaring editorial mistakes in this installment (though, admittedly, there weren't as many as in the second) - the largest of which was the fact that the surname of the main character, Caer, was listed as Donahue on the back cover. But then in the story itself, it was stated to be Cavannaugh (which was also the surname of the main female in the second story of the trilogy).

Most importantly though, the plotline itself suffered in this novel. The mystery wasn't all that suspenseful or interesting. Certain details would have been much better if they were more fully fleshed out for the reader... And the paranormal aspect of this book was so incredibly contrived and far-fetched that it was very difficult to continue on without laughing for the latter half of the book.

Now, I'm very Irish, so I really wanted to enjoy this story more than I did. But Ms. Graham took the stuff of Irish lore and almost made it into a mockery with how she addressed it all.

I really like the Flynn brothers, but I feel like the expedited publication schedule for this trilogy did not do the stories justice in any way, shape or form. I'm sorry that there was such a rapid decline in quality as the series progressed. I wanted to love all three books, but I found that my frustration level was just too high to ignore by the end of the third installment.
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4 of 4 people found the following review helpful:
2.0 out of 5 stars Horrified to admit this one's a bitter disappointment., January 14, 2009
By 
GinRobi (Timmins, ON, Canada) - See all my reviews
This review is from: Deadly Gift (The Flynn Brothers Trilogy) (Mass Market Paperback)
A business partner goes missing before Sean and his trophy wife, Amanda, take a trip to Ireland. Soon after landing, Sean becomes very ill and almost dies. Sean's daughter, Kat, calls Zach Flynn and pleads with him to go to Ireland and bring her father back. She's terrified and paranoid that, with Eddie missing, her father is next.

Caer has been guarding Sean in his hospital room, determined that no more harm comes to him. It's her mission to keep him alive. But there's a mystery to Caer; in all appearances, she's a nurse. However, appearances aren't always what they seem.

Zach knows that something's off, but can't put a finger on what it is. While his instincts tell him to that he can trust Caer, he doesn't understand why those same instincts are telling him that she isn't saying the entire truth of who she is either.

But as things begin to happen (ex: more apparent murder crimes scenes with no bodies), and no clues, Zach is feeling the pressure of catching whoever is after Sean. But will he figure it out before it's too late?

Caer is sticking to Zach like glue, knowing that he'll be able to figure out whoever it is. But she's fallen in love with him. But she can't stay, and knowing she can't stay, especially with Zach, hurts unbelievably. But she's determined to help find who it is that means Sean harm, regardless of her feelings for Zach.

**SPOILER ALERT** IF YOU DON"T WANT TO KNOW, STOP READING THIS REVIEW NOW **

OMG! I don't think I've ever been as disappointed in a Heather Graham novel as I am in this one.

First, there's a typo that sticks in the reader's craw; a typo that should have been seen to immediately. On the cover, the character's name is Caer Donahue. In the story, it was switched to Cavannaugh. Incidentally, Cavanaugh is Rowenna's last name (heroine of Book #2). While I think it could be just a simple mistake, it's still a huge no-no, and I wasn't impressed. I think it wouldn't have been so bad if it had been a different name, but using one that had already been used... Not good.

The mystery plot was unoriginal; it's been used before (very similar to two of her other books - The Vision and Eyes of Fire). Right down to how the plot has actually two perpetrators, not just the one. The animosity felt between the women of the household was typical; dad remarries to a completely shallow idiot who's only five years older than his daughter - daughter believes the new wife to be a gold-digger - they have nothing whatsoever in common - daughter is just your typical spoiled brat and should grow up". While the animosity is typical, it's one that's been overused and I wish that the author went with something else. I was getting to the point where I wanted to shout to the female characters to grow up.

Then there's the hero and heroine. I liked Zach. An ex-cop now private detective with a love for music and helping musicians, he immediately moves to aid his friends, people that he cares about deeply that he's known most of his life. Sean had been a friend of Zach's father's, and that friendship moved on to Zach and his brothers. Strong, self-reliant, you can see that he understands a cop's life and that he respects them, knowing what they go through. And throughout, he refused to accuse anyone of anything until he knew exactly who, what, and the why of it all.

As for the heroine, Caer (pronounced Kyre) could have used more work. The whole paranormal angle used, the folklore of Ireland stating that Banshees, the spirits that help guide souls to cross over, can sometimes take human form, was the wrong one to use. I came across as ... as ... silly! And then you understand why the elderly aunt passes away in the story - only a true-to-heart soul can take the place of a banshee that is in human for so that banshee may stay in human form. Caer is first a nurse in Ireland, watching over Sean, and is sent to Rhode Island with him as a ruse to keeping track of his recovery, when she was there to guard him and keep him alive, to figure out who and why someone would want him dead. And yet, how is she supposed to do any of that when her `credentials' show her only as a nurse? Of course she'd stick to Zach like glue, and we only see her actually investigating only once? What was up with that?

We're made to believe that Caer is attracted to Zach even before she meets him in person; it was his eyes in the picture that Sean had in his hospital room that first attracted her. For Zach, he felt a pull the second he walked into Sean's hospital room to see Caer there. I saw a bigger inner battle with his brothers when it came time to the women that I saw with Zach. And of course he wouldn't believe her when she told him the truth, that she was a banshee in human form whose mission was to keep Sean alive. I wouldn't have believed it either, and even after I finished the book, I thought it was ridiculous. I could understand why she fell in love with Zach. I could understand why Zach fell in love with Caer. But I still didn't feel a true attraction, that pull that makes the reader truly believe in their HEA. It felt like it happened because it was supposed to, that the author just threw them together for the hell of it.

The only thing I actually liked about the book was the fact that there were two perpetrators and not just one, and why. The simple greed of it, but that there was a partnership in it and it wasn't solely one character. Other than that, the entire thing felt rushed. There was never another attempt directly on Sean's life, but there were actions taken against the entire family, purposely to throw attention on someone else. That part was intriguing, but that's about it. I'm really surprised, as I'd never read a Heather Graham novel that felt rushed, that was just pushed out there without another thought. Truly disappointing, especially from one of my fave authors. My heart breaks at the thought of not being able to give this one a higher mark, but I'd be betraying my feelings on this book if I gave it more.
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4 of 4 people found the following review helpful:
1.0 out of 5 stars Not awful, but not much of anything, December 28, 2008
By 
Jeannie "jean" (Salt Lake City, Utah United States) - See all my reviews
This review is from: Deadly Gift (The Flynn Brothers Trilogy) (Mass Market Paperback)
After the first book I was looking forward to reading the second. They both held my interest despite some editorial troubles. The second book, Deadly Harvest, was particularly creepy, and I was interested enough to want to find the answers to the problems in the book. Plus, I just really liked the characters of the first two books. In this last book it seemed like there wasn't a problem at all. Just the regular dysfunctional family stuff and a murder that didn't really seem part of the story. Even as I write this, it all sounds so BLAH. Birds... people snapping at each other, no real clues given to the reader. Still, somehow I knew how it would end. It just seemed like I had read it all before, and it had been better written. When she got this idea maybe she had an off-day. Unfortunately her off-day became our off-book. Maybe more with the brothers, who had better stories in the first two books, would have picked it up a bit or a more believeable love story between the two falling in love. The hero never quite got to the stage that made you think he saw more to her than the fact she was unusually beautiful.
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