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Most Helpful Customer Reviews
4 of 4 people found the following review helpful:
3.0 out of 5 stars
Don't Kiss This One Off,
By J. Michael Click (Fort Worth, Texas United States) - See all my reviews (TOP 1000 REVIEWER) (VINE VOICE) (REAL NAME)
This review is from: The Death Kiss (DVD)
A clever whodunit, set in a vintage Hollywood movie studio, that reunited three stars from the acclaimed 1931 release, "Dracula". When the star of the fictional production "The Death Kiss" is murdered on the film set during a take, screenwriter David Manners (top-billed here) launches his own investigation into how and why the murder was committed. Among the many suspects are Bela Lugosi as a suspicious production manager and Edward Van Sloan as the film's bombastic director. Manners' detective work involves touring the many different departments at the studio, offering an intriguing look at how early talkies were made. The script includes some subtle satire of early 1930's film personalities (now who could the studio head whose every statement is a malapropism be?!) and there are plenty of red herrings thrown in to complicate the plot. The mystery is solid, and the studio setting is guaranteed to appeal to cinema buffs.The DVD's biggest drawback is the source print from which the video transfer was mastered. "The Death Kiss" has been in the public domain for many years, and is desperately in need of restoration. There are many breaks in the film during which bits of dialogue are lost; these "jumps" are particularly plentiful during the first half of the DVD. Still ... until a better transfer comes along (which is admittedly unlikely), this is definitely one worth adding to your home video collection, particularly for the fine cast and the unusual setting.
2 of 2 people found the following review helpful:
4.0 out of 5 stars
A Fun Mystery With a Very Effective Early Technical Gimmick,
This review is from: The Death Kiss (DVD)
"The Death Kiss" (1933) should be a nice surprise for those who like traditional murder mysteries. It's a movie within a movie and both have the same title, which refers to the on- screen murder of movie star Myles Brent during the filming of the last scene of a film called the "The Death Kiss". He is shot while playing a scene in which he is shot, a development that was about to be written off by the police as a prop man's accident until they discovered that the bullet was a different caliber than the guns being used in the production.
The police then turn their attentions to his co-star and ex-wife Marsha Lane (Andienne Ames) which inspires her boyfriend (David Manners) to do some amateur sleuthing to track down the real murderer. "The Death Kiss" could qualify as the first buddy picture as he is closely assisted by his friend Officer 'Gully' Gulliver (Vince Barnett), a bumbling studio security guard who provides the film's comic relief. The mix of serious murder mystery and comedy is in perfect proportion and Barnett gives a truly exceptional performance. Much of the humor comes from the pair's ability to stay just ahead of the police, much to the irritation of the detectives doing the investigation and to the crowing delight of Gully. There are an array of suspects (Brent would not have won a popularity contest) besides Miss Lane including studio executives Joseph Steiner (Bela Lugosi), Leon Grossman (Alexander Carr) and Tom Avery (Edward Van Sloan). Lugosi's name and likeness headline the DVD package and while his part is substantial, it is still just that of a supporting character. There are enough red herrings to keep the viewer guessing and the pacing is quite fast even with limited action sequences. There are significant advantages associated with setting a screenplay in a movie studio. The cost savings in set design, the appeal of the movie industry to viewers, and the fact that the writer can draw upon occupations with which he is familiar to give the script convincing authenticity. One thing to watch for is the use of color in a few sequences in this otherwise black and white film. When there is a fire in the projection booth and later a chase scene with flashlights, the producers enhanced the effect with an amber tint. This was applied to the prints (at least some of them) by stencils, which masked the majority of the frame so artists could color in the portion that was to be amber. Since there are 24 frames per second it was only necessary to apply this process to every other or every third frame to get the effect, but it was still an extremely labor-intensive process. "The Death Kiss" was not the first time this was done but it was the most effective because the cinematography made excellent use of light and shadow, with the contrast nicely enhancing the effect of the amber frames. Technically this gimmick was a forerunner of stuff like "Smell-o-vision", "Emergo", "Illusion-o", and "Sensurround". The DVD and TMC prints are serviceable but obviously worse for the wear. There are a number of audio and video dropouts but the story seems to be complete. Then again, what do I know? I'm only a child.
4 of 5 people found the following review helpful:
4.0 out of 5 stars
Nifty little thriller,
By
This review is from: The Death Kiss (DVD)
I picked up this DVD even though I had never seen the movie before because I figured, it's inexpensive and it has Bela Lugosi in it, so how can I go wrong. I was pleased to discover that this is a pretty good mystery, with a charming performance from David Manners and a few twists to the plot. I would have liked to see more of Bela as a studio executive.The only thing that keeps me from giving this 5 stars is the fact that, as other reviewers have mentioned, the picture and sound quality is not the best. I don't always mind the scatches, because it can add to the "old movie" atmosphere, but there are too many instances of missed dialogue and skips in the picture.
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