From Publishers Weekly
All Hallows Eve, to use one of its many aliases, is a night when usual distinctions between fun and fear, children and adults, the living and the dead are magically blurred, argues Skal, author of V Is for Vampire and co-editor of the Norton Critical Edition of Bram Stoker's Dracula. Mixing historical fact ("witch-hunts were aided and abetted by European texts like Malleus Maleficarum, and reinforced the misogynistic, witch-as-crone stereotype for the New World") with folklore and urban legends, Skal makes his study much more treat than trick. He recounts the holiday's evolution from the pagan new year of Samhain to a night that has brought the likes of the Miami child murders of the early 1980s and the "Perfectly Under Control" Halloween of Martha Stewart. Skal interviews people who have a particular affinity for the darker side, like horror maven Clive Barker and the mother-and-son duo who run a Horror Hotel Monster Museum, and ends with Halloween 2001, when "never before had so much genuine human feeling and civic solidarity been expended on a holiday previously notorious for its antisocial aspects."
Copyright 2002 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From Library Journal
An expert in scary culture, Skal (V Is for Vampire; The Monster Show) gleefully explores Halloween in America. His exploration of Halloween's origins is competent and evenhanded, but his real focus is on the present, where a lucrative industry has supplanted a frightening holiday. He reveals the people behind the industry who devote their lives to the dark side of American kitsch, covering the Halloween movies, Halloween among the gay community in San Francisco, and tourism in Salem, MA. He also includes a chapter on the effect of September 11 on Halloween celebrations. His breathless attempt to set the book's tone with the tale of a real-life bogeyman feels forced, but as soon as he digs in and starts debunking Halloween urban myths rather than playing into them the book comes to life. Skal's book draws upon Lesley Pratt Bannatyne's Halloween: An American Holiday, an American History (Pelican, 1998), but Skal's focus is on original research. While less comprehensive than Jack Santino's Halloween and Other Festivals of Death and Life (Univ. of Tennessee, 1994), this is a wonderful choice for larger collections and lends itself to a much wider audience. Audrey Snowden, formerly with Clark Univ., Worcester, MA
Copyright 2002 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.