Amazon.com Review
As he did so well in his first thriller,
The Poison Tree, British writer Tony Strong again takes us into a closed-off world and exposes its most private secrets in his second novel,
The Death Pit. Even though the Scottish town of Inverness seems a long way from the rarified literary circles of Oxford (where the first story takes place), both are small-town environments that engender gossip and illicit goings-on.
A flourishing modern coven of witches seems a natural feature of the Scottish landscape--especially since nearby Babcock Castle once was the scene of a notorious 17th-century trial and the burning at the stake of Catherine McCulloch, a woman accused of witchcraft. But when the body of one of the coven members is found dismembered in a foul pit where diseased pigs are discarded, some of the residents blame the witches and take violent action against them.
Terry Williams, a Ph.D. candidate, has come to Babcock Castle to study McCullogh's papers and finds herself caught up in the mystery when she discovers a link between the past and the present. Strong is a sly writer who knows how to create sympathetic, believable characters and place them in a tightly-controlled atmosphere in which the air is charged with sex and danger. --Dick Adler
From Publishers Weekly
Discerning and quick-witted, English scholar Terry Williams travels to Inverness, Scotland, in Strong's second novel (after The Poison Tree). In order to research her thesis on Catherine McCulloch, who was sentenced to death in a 17th-century witch trial, the London University student reluctantly takes a train to Babcock Castle, where Catherine's descendent, Magnus McCulloch, accepts her into his residence. While investigating whether Catherine was burned at the stake for witchery or lesbianism, Terry becomes distracted by the death of Donna Fairhead, a member of a local Wiccan coven whose corpse is retrieved from a local farmer's pit. In search of clues in the Wiccan Book of Shadows, stubborn Terry weaves her way into the Wiccan community. Strong offers rich scene-setting descriptions and sharp dialogue, and submerses readers in the fates of numerous distinct characters related to Terry's investigation. When the body count increases and the Wiccans are terrorized by Inverness locals, Terry begins to find links between Donna, Catherine and herself. Strong emphasizes these connections too insistently. Her plot is innovative, however, charged with erotic energy and rife with tight forensic detail. And it cleverly incorporates the vast Scottish countryside all the way to its harrowing conclusion. (Aug.)
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