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For the next forty years, because of my own curiosity and because the event was continually thrust upon me by the media, I studied the sad event from every possible angle. I considered the views of those propounding the prospect of the lone shooter, the single bullet. I listened to the views of those sure that a conspiracy of monumental proportions had taken the President. In short, I have heard every possible explanation and still the evidence--in my view--leads backs to the beginning.
In "The Death of a President," William Manchester, one of the greatest authors of our time and one renowned for his concise, almost obsessive, research was called upon by Jacqueline Kennedy to attempt to set the record straight. The work was published in 1967, four years after the assassination. His research was characteristically pointed, considering every detail, every venue, every person involved. The result: the only book needed to understand the "crime of the century."
In 1988 the book was reprinted and Manchester wrote a new forward to his masterpiece. He mentions how individuals came to him wondering whether he would update and modify his original work due to "new developments" in chronicling the story. He observed at the time that, in his view, "the cruel fact" was that there were no new developments.
Having studied, as I said, the event in considerable detail, I echo Manchester's profound sentiment. There simply is nothing that holds up under severe scrutiny.
Conspiracy theorists claim that it is just impossible that someone like Oswald, a crazy loner, could kill someone like Kennedy as the result of the shallowest of motives. They want to believe that something weightier, darker and more sinister than simple hatred and ego had to be at the root of things. Why?
I would ask them to step back just a few years to when Reagan was President. Consider a lone gunman, John Hinckley, who squeezes off at least three shots before being subdued, wounding Reagan, Brady and a secret service agent in the process. His motive? He wanted to get the attention of a girl, of the actress, Jodie Foster. The shallowest of motives, nothing more. So why is it that we can accept Hinckley's dementia without crying conspiracy but have such difficulty when it comes to Oswald? Quite simply Reagan survived. I believe that, had Reagan died, the nation would have erupted into the same conspiracy craze that has gripped our minds since 1963.
"The Death of a President," so well researched, so well written, is and should be the first and last word. It's been nearly forty years since Manchester completed his study and, despite all of the other books, all of the other theories, this is really the only work that any serious student of that sad day in Dallas need consider.
Douglas McAllister
Equal to the book's admiration of John Kennedy is its utter contempt for Lee Harvey Oswald. Great effort is made to disparage Oswald as the most contemptible of losers. Oswald is portrayed as arguably history's greatest mediocrity. A nonentity who forced his way into the history books by a despicable and cowardly act. The book openly regrets that Oswald's memory will be forever enmeshed with JFK's.
William Manchester takes the reader through the bleak events of that long November weekend in 1963. The trip to Dallas, the motorcade, the assassination, the hospital, the plane trip back to Washington, the funeral, the inside details of the friction between the Kennedy and Johnson factions, the worldwide reaction, and Oswald's unplanned televised execution by Jack Ruby are all discussed in meticulous detail. This book is a grim portrait of a turning point in American history. Regardless of one's politics, this single event marked the death of innocence and naivete that was typical of much of post WWII America, even as late as 1963. After President Kennedy's murder, the country was caught in an escalation of violence and death for much of the rest of the 1960s, typified in that dreadful year, 1968.
This is an exhaustive book on a grim topic. The adoring treatment of JFK and the Kennedy family is quaint. In some ways, the book is an antique, illustrating the temper of a bygone era. Reading this book is not an uplifitng experience, but it is a very effective memoir of this major event in American history. The book can be especially recommended for those too young to remember. Just a warning to other readers: reading this book can add to one's reflective midlife melancholy as one considers where we have been, and also the road left before us. The cadence of the muffled drums that escorted the funeral procession to Arlington remains in the mind for days after finishing this book.