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Death of a Scriptwriter (Hamish Macbeth Mysteries, No. 14)
 
 
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Death of a Scriptwriter (Hamish Macbeth Mysteries, No. 14) [Large Print] [Hardcover]

M. C. Beaton (Author)
4.7 out of 5 stars  See all reviews (24 customer reviews)


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Book Description

July 2007
HOLLYWOOD IN THE HIGHLANDS

With the lovely Priscilla Halburton-Smythe away in London, Lochdubh Constable Hamish Macbeth pines for company during the long Scottish winter. He gets his wish -- and more -- when a troupe of flashy, urbane filmmakers clamors into the nearby town of Drim. Before long bedlam erupts around their make-believe mystery ...and culminates in the sudden appearance of one very real corpse.

The initial suspect in the killing is one Patricia Martyn-Broyd, the aging mystery writer furious that her musty old cozies are getting a risque face-lift in their TV reincarnation. Yet, going behind the scenes, Hamish soon finds a town full of locals bitten by the movie bug and a cast of quarreling show business types, all harboring their own secrets, lies, and hidden agendas. And as the culprit strikes again, Hamish must quickly find the right killer -- or script the wrong finale to a show gone murderously awry.
--This text refers to the Mass Market Paperback edition.


Editorial Reviews

Amazon.com Review

M.C. Beaton's 14th adventure featuring Hamish Macbeth, lovable local bobby of Lochdubh, Scotland, is a similar treat to her previous efforts. Macbeth feels a dismal foreboding when television film crews descend into his neighborhood to film a local author's out-of-print mysteries. Not only are they led by an overbearing and egotistical scriptwriter, but they have completely stood the original manuscript on its head. The producers have determined that a sexy, pot-smoking heroine will bring in more viewers than the genteel and circumspect detective true to the original. The author herself and the local Calvinist minister are not amused. Before too long, the scriptwriter, the shapely actress playing the lead, and her jealous husband all end up dead, confirming Macbeth's suspicions that the gloomy village of Drim and glamorous media types were a dangerously combustible mix.

The mystery itself seems straightforward enough, but Beaton has provided more than the usual number of suspects and subplots. All of these spike the reader's interest while her wicked characterizations of both the locals and the inhabitants of TV-land are hilarious, and very occasionally thought-provoking. The real strength of the book, and indeed Beaton's work in general, is the way in which she evokes the genuine isolation of Macbeth's rural Highlands and blends it with breezy renderings of murder, mayhem, and cozy cups of tea. In some ways it's a bit of an incongruous mix, but Beaton successfully keeps the tone on the lighter side. Death of a Scriptwriter will certainly intrigue mystery fans as well as those who have wondered about the creations of the PBS/BBC series Mystery! --K.A. Crouch --This text refers to an alternate Hardcover edition.

From Publishers Weekly

In his 14th bracing appearance, Scottish Highland police constable Hamish Macbeth (Death of a Dentist, 1997, etc.) investigates crimes visited upon those who tinker too much with a mystery series. Anxious to be back in print, elderly mystery writer Patricia Martyn-Broyd signs an options contract that cavalierly gives a television company all rights to her books. Poor Patricia should have read the small print. Her aristocratic heroine and staid story line are soon transformed into a wild 1960s romp, featuring buxom blonde actress Penelope Gates. Patricia is mad enough to murder the scriptwriter, Jamie Gallagher. She isn't alone. Penelope's jealous, often inebriated husband, Josh, is tired of his wife's clothes coming off in every part she plays. Jamie, Josh and Penelope all die in quick succession during location filming in the weird Scottish village of Drim, which is a mere stone's throw from lanky, laconic Hamish's hometown of Lochdubh. A good man cursed with a blustery, jealous superior and poor judgment in affairs of the heart, Hamish has a motley crew of actors and producers for suspects, in addition to the snooty yet vulnerable Patricia. There's a little less of Hamish himself this time out, and his romantic misfires feel cursory, but the environs are brooding and Beaton's affectionate wit remains dry and delightful. Mystery Guild featured alternate; author tour.
Copyright 1998 Reed Business Information, Inc. --This text refers to an alternate Hardcover edition.

Product Details

  • Hardcover: 311 pages
  • Publisher: Thorndike Press (July 2007)
  • Language: English
  • ISBN-10: 0786295864
  • ISBN-13: 978-0786295869
  • Product Dimensions: 8.5 x 5.6 x 1 inches
  • Shipping Weight: 1 pounds
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (24 customer reviews)
  • Amazon Best Sellers Rank: #1,250,094 in Books (See Top 100 in Books)

More About the Author

M.C. BEATON has won international acclaim for her bestselling Hamish Macbeth and Agatha Raisin mysteries. She is also the author of over 100 romance titles and a series of romantic suspense, The Edwardian Mystery Series. M. C. Beaton lives in a Cotswold cottage with her husband.

Marion is active on Facebook using her most popular pen name, M.C. Beaton. You can find complete book lists, information on events, and sign up for news updates at her website, www.MCBeaton.com.

 

Customer Reviews

24 Reviews
5 star:
 (19)
4 star:
 (3)
3 star:
 (1)
2 star:
 (1)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.7 out of 5 stars (24 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

6 of 6 people found the following review helpful:
5.0 out of 5 stars Beaton's 'Last Writes' a Good One!, March 27, 2000
In "Death of a Scriptwriter," M.C. Beaton brings us the fourteenth installment of the Hamish Macbeth series--and she is in her element!

Set in the Scottish Highlands, in the village of Lochdubh, this series is a nice read--nothing too complicated, full of local Scottish color (with both its characters and its setting), lots of delightful red herrings, and logical solutions.

This series, the titles of which always begin with "Death of a...," is quite a successful one and one which takes little time to read. Macbeth, the local constable, is proud of the fact that he is not an ambitious soul. Despite the fact that he has solved thirteen previous murders, he is still a constable. He refuses to be promoted as he claims he is too happy in Lochdubh to want to advance to a larger city. He is filled with lots of common sense and while often the villagers give him a hard time ("He's too lazy," they claim.), they highly respet him and have come to his rescue more than once.

He's not so lucky with his own love life, however, and seems to fall in love with any woman who shows interest. The real love, Priscilla Smythe-Halliburton, has moved to London, after he had broken off the engagement, and appears intermittently in all the books of the series.

In "Death of a Scriptwriter," a television crew appears in Macbeth's bailiwick to film a novel written by an English spinster who has moved to Lochdubh. Her books were never much of a success, but this one was picked up by the BBC. She is delighted that at long last, fame is coming her way. She is so overjoyed that she fails to retain the complete rights to her book; a screen writer is hired to "modernize" the plot and characters (in other words, to add lots of sex and violence to the rather staid Victorian tale). Disagreements among the TV crew members erupt and, viola, the screenwriter (an impossible sort, unliked and unloved by anybody, and quite impossible to work with) is found dead; shortly thereafter, the star of the film (who is to appear nude in some scenes) is killed when she "falls" off a boulder; her alcoholic husband has also been found dead! (Bodies seem more plentiful than the last act of "Hamlet"!) Everyone seems to be a suspect! Macbeth, in his plodding, but thorough way, of course, leads us to the conclusion, wherein all deaths are solved, and the reader then is set up to await the next installment.

This book is a fun-read. Ms Beaton is in her element--she's writing about what she seems to know a lot about herself--authors, screenwriters, and television crews (this series is being filmed in England and we can only hope that A&E or PBS will bring it to us over here!). Beaton devotees will love this one!

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3 of 3 people found the following review helpful:
5.0 out of 5 stars ENJOYED THIS ONE AS MUCH AS ALL THE OTHERS, January 20, 2008
I like a relaxing read now and then, and these Hamish Macbeth mysteries by M.C. Beaton fill that need perfectly. I must admit to being a big fan of Hamish, a constable in a small village in the Highlands of Scotland, having read most of this series over the years. This story, and the others in the series can be classified as cozy village mysteries. Beaton's ability to describe the people, villages and land make these books quite remarkable. Now, as others have pointed out, the actual "mysteries" are not all that mysterious. The stories are quite laid back, and yes, they are somewhat predictable. This is good though, from my point of view and my needs.

In this particular book, a retired, and not aging mystery novelist, who has retired to Hamish's area, is given a second chance when a T.V. crew moves into a nearby village to film one of her long out of print books. The cast and crew arrive, the village is set on end, and the story begins. Beaton has filled her story with, as usual, two murders, both of people you do not particularly like, and then thrown in plenty of likely suspects. Beaton gives us plenty of leads (yes, you can figure out who done it if you read closely), but does not throw in surprises right at the end to allow her hero to solve the case, while you, the reader, could not simply because you did not have access to all the facts.

This small novel does contain many twists and curves, but none of them are all that sharp and the story is easy to follow and easy to read. The usual village characters are present complicating things for our hero, who, I am glad to say, does not step out of his long established character. He is still quite laid back and simply wants to live a simple life "doing his thing." Per usual, Hamish's love life is a mess, but not even that seems to bother him all that much. Tending a few sheep, feeding his chickens, and solving a murder now and then are quite fulfilling.

You can read this work in one or two settings, depending on how fast you want to read, and I highly recommend them for clearing the mind, escaping, and for just simple reading enjoyment. Hope the author keep them coming.
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3 of 3 people found the following review helpful:
4.0 out of 5 stars Beaton Continues in "Dread Scot" case!, June 10, 2000
In "Death of a Scriptwriter," M.C. Beaton brings us the fourteenth installment of the Hamish Macbeth series--and she is in her element!

Set in the Scottish Highlands, in the village of Lochdubh, this series is a nice read--nothing too complicated, full of local Scottish color (with both its characters and its setting), lots of delightful red herrings, and logical solutions. This series, the titles of which always begin with "Death of a...," is quite a successful one and one which takes little time to read. Macbeth, the local constable, is proud of the fact that he is not an ambitious soul. Despite the fact that he has solved thirteen previous murders, he is still a constable. He refuses to be promoted as he claims he is too happy in Lochdubh to want to advance to a larger city. He is filled with lots of common sense and while often the villagers give him a hard time ("He's too lazy," they claim.), they highly respet him and have come to his rescue more than once.

He's not so lucky with his own love life, however, and seems to fall in love with any woman who shows interest. The real love, Priscilla Smythe-Halliburton, has moved to London, after he had broken off the engagement, and appears intermittently in all the books of the series.

In "Death of a Scriptwriter," a television crew appears in Macbeth's bailiwick to film a novel written by an English spinster who has moved to Lochdubh. Her books were never much of a success, but this one was picked up by the BBC. She is delighted that at long last, fame is coming her way. She is so overjoyed that she fails to retain the complete rights to her book; a screen writer is hired to "modernize" the plot and characters (in other words, to add lots of sex and violence to the rather staid Victorian tale). Disagreements among the TV crew members erupt and, viola, the screenwriter (an impossible sort, unliked and unloved by anybody, and quite impossible to work with) is found dead; shortly thereafter, the star of the film (who is to appear nude in some scenes) is killed when she "falls" off a boulder; her alcoholic husband has also been found dead! (Bodies seem more plentiful than the last act of "Hamlet"!) Everyone seems to be a suspect! Macbeth, in his plodding, but thorough way, of course, leads us to the conclusion, wherein all deaths are solved, and the reader then is set up to await the next installment.

This book is a fun-read. Ms Beaton is in her element--she's writing about what she seems to know a lot about herself--authors, screenwriters, and television crews (this series is being filmed in England and we can only hope that A&E or PBS will bring it to us over here!). Beaton devotees will love this one!

Billyjhobbs@tyler.net

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Inside This Book (learn more)
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First Sentence:
Patricia Martyn-Broyd had not written a detective story in years. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
village policeman, television thing, sea loch
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Hamish Macbeth, Harry Frame, Jamie Gallagher, Penelope Gates, Lady Harriet, Miss Martyn-Broyd, The Case of the Rising Tides, Jimmy Anderson, Patricia Martyn-Broyd, Tommel Castle Hotel, Angus Harris, Football Fever, Strathclyde Television, Drim Castle, Fiona King, Josh Gates, Sheila Burford, Mary Hoyle, Eileen Jessop, Giles Brown, Edie Aubrey, Land Rover, Major Neal, Holly Andrews, Sean Fitz
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