| ||||||||||||||||||||||||||||||||||||||||||||||||
Handsome Thaddeus Davenant has just buried his young, wildly generous wife Letitia--a rescuer of stray dogs and a champion of street drunks. In contrast, Thaddeus is a kind of emotional cripple, scarred by a childhood spent lonely and unloved in his ancestral Quincunx House. He married Letitia for her money, as is immediately clear. Yet he would have loved her, if he had been able, and after their child is born he feels for the first time "possessed by an affection he had been unable to feel for anyone since his own infancy." When Letitia dies, victim of a freak accident, and none of the nannies interviewed prove suitable, her mother moves in to care for the baby. Mrs. Iveson has always considered Thaddeus "shoddy goods," and their détente only gradually thaws into something resembling warmth. Meanwhile, Pettie, one of the rejected nannies, has "taken a shine" to Thaddeus--with increasingly ominous results.
Pettie inhabits a world far removed from the genteel decay of Quincunx House. Reared in the nightmarish Morning Star home, where the only affection was the creepy kind dispensed by her "Sunday uncle," Pettie is poor, broken, and pathologically starved for love. Trevor chronicles her obsession with Thaddeus in a way that makes clear both Pettie's humanity and her capacity to do serious harm. Still, this is a hopeful book. Grim as Pettie's story may be, she causes stony-hearted Thaddeus to feel the first stirrings of human sympathy, "as the warmth of blood might miraculously seep into a shadow, or anesthesia be lifted by a jolt...." Throughout William Trevor's long and storied career, his subject has been nothing less than the problem of evil, and in Death in Summer, he makes a convincing case for its origins in the absence of love. --Mary Park --This text refers to an out of print or unavailable edition of this title.
Product Details
Would you like to update product info or give feedback on images?
|
|
Share your thoughts with other customers:
|
||||||||||||||||||||||
|
Most Helpful Customer Reviews
11 of 11 people found the following review helpful:
4.0 out of 5 stars
Trevor's prose is difficult for some to tolerate,,
By A Customer
This review is from: Death in Summer (Hardcover)
but if you are willing to trace the route he uses to arrive at his conclusion, you will be rewarded. Trevor writes impressionistically, describing a slow, backlit reality hung with moody distractions and twice thought memories that are at once sharp and vague. There is a pervasive ambiguity that subtly threatens to coalesce into an all too clear knowledge of the truth. It takes the entire book to complete the picture of the inhabitants of this broken world. The characters continue to recede before us dropping only crumbs. We have to be willing to gather these crumbs in order to come up with the complete picture, even though we are able to guess at some of the consequences. In all this is a rewarding, if difficult, book to read. EKW
10 of 10 people found the following review helpful:
5.0 out of 5 stars
A Wonder of Words and Moods,
By Grady Harp (Los Angeles, CA United States) - See all my reviews (HALL OF FAME REVIEWER) (VINE VOICE) (TOP 50 REVIEWER) (REAL NAME)
This review is from: Death in Summer (Mass Market Paperback)
Death in Summer is one of the more appropriate titles for a novel I've seen in a while. William Trevor is a gifted writer, one of characteristic styles that are fascinating, illuminating..yet with a dark view of the world that begs for light. The stories of three deaths, bizarrely interrelated in a strange English place, is only a superficial tease of what lies within and beneath this fine novel. The real passings are about the deaths of life views that occur when indescribable losses alter our lives. Trevor has an uncanny ability to vary his vocabulary/tone/philosophical views/visceral descriptions adjusted according to which of his myriad characters is relating a view of the story. Whether the description of a garden is eloquent when from the mind and mouth of the gentrified owners of the mansion where the story takes place, or the interior of a cafe is puncutated with the glassy views of a declining, bosomy "loose woman", or the stagnation of a squalid orphanage is regarded with acceptance by the ne're-do-well young folks of the street - with each of these disparate voices Trevor allows authenticity beyond the abilities of most contemporary authors. At times his stream of conscious style of writing causes the need to retrace pages to make sure where we are, but that is a glory in and of itself. THAT is how submerged the reader becomes when reading this fine book. It has its own life!
23 of 27 people found the following review helpful:
3.0 out of 5 stars
Well done, but why bother?,
By A Customer
This review is from: Death in Summer (Mass Market Paperback)
Trevor has succeeded in producing a well-written, well-constructed novel about uninteresting characters. Perhaps the book is simply too spare and short. Robert Graves called the verse of D.H. Lawrence "not poems, but rather outlines for poems." DEATH IN SUMMER strikes me as less a novel than the outline for a novel. To win our sympathy, these dry, pale figures would need more flesh, more color, more background. Understatement is sometimes a literary virtue, but here it's exaggerated to the point of dullness.
Share your thoughts with other customers: Create your own review
|
|
Suggested Tags from Similar Products(What's this?)Be the first one to add a relevant tag (keyword that's strongly related to this product).
|
|
This product's forum
Active discussions in related forums
Search Customer Discussions
|
Related forums
|