Review
The Death of Tragedy mixes the best of tribal, dark wave dance, and steam punk with a very genuine Renaissance feel. Seattle's Abney Park bring us their third album, The Death of Tragedy, mixing the best of tribal, dark wave dance, and steam punk with a very genuine Renaissance feel. The album opens up with Stigmata Martyr, which sets the tone for the entire album with its mid-paced heavy beats, electronic and industrial tones, and underpinnings of spiritualistic lyrics. The album from the open is much like the Renaissance running headlong into the dark ages and emerging from the heart and soul of a darkwave tribal dance club. This is best demonstrated by the song The Wrong Side and its descriptions of party districts filled with underground nights and Goth kids sporting glowsticks and fishnets. The lyrics are wrapped in an up-tempo dance beat wrapped in violin snyths, Cathedralesque choruses, and just enough rhythm guitar to make it a well rounded, danceable, yet non-popish tune. The album then does a complete 180-degree turn and the next track turns to Dear Ophelia, which is based on a Shakespearian play. The song opens with an Australian Didgeridoo and dives straight into a slow throbbing dance beat with heavy guitars. From there, the album goes into a series of very tribal sounding dance tracks with combinations of entrancing lyrics, bongo drums, industrial sampling, voice-overs, electronica melodies, and of course classical instruments such as the violin. The album runs the gamut from All the Myths are True, which tells the tale of how science ends up proving the legends and lore of old to be true and how it comes back to haunt man kind in a track that will tickle your intellect with hints of sci-fi fantasy, to Downtrodden, which spills out the utter helplessness and futility of one man's life who has realized that he s sick of life and afraid to pass on to the next world. The album presents diversity in sound, depth in its lyrics, and quality in the production work. Abney Park's first few albums did show promise (From Dreams or Angels and Taxidermy), but this album hands down puts the rest of their work to shame. --ReGen Reviews
Product Description
Abney Park is a Black Sheep of the Black Clad crowd... Evocative of both old-world mystery and futuristic technology, Abney Park is a strong and original musical presence in a genre far too used to formula. Music & lyrics both dark and mystical, Abney Park creates an emotional and cerebral world unlike most anything found in the gothic genre today. Ghost stories & Nightmares, myths & magic float in and out of a music that bounces between industrial dance and symphonic epics - from the dark western forests to the deserts of the far east. Abney Park began in the late 90's, but their popularity exploded with the onset of internet music, with much success through MP3.com in the early 2000's. The band was a regular chart topper, often holding the number 1 - 5 positions in Goth and Darkwave, and Industrial Dance music charts. Abney Park's music has been featured on a number of movie soundtracks, including Insomnis Amour, Goth, and Lord of the Vampires. The band's music has also been featured in many compilation CD's, including Cleopatra Records The Unquiet Grave vol. III, Annihilation and Seduction, Eighteen and many more. Abney Park has performed all over the North America, appearing in Portland, Chicago, Las Vegas, Reno, Hollywood, and countless shows in their home base of Seattle. members of their loyal, cult following have been know to travel from as far away as Mexico City, and New Zealand just to see them perform.