Death at La Fenice [Hardcover]

Donna Leon (Author)

Book Description

Publication Date: February 5, 2004

The twisted maze of Venice's canals has always been shrouded in mystery. Even the celebrated opera house, La Fenice, has seen its share of death...but none so horrific and violent as that of world-famous conductor, Maestro Helmut Wellauer - poisoned during a performance of La Traviata. Even Commissario of Police Guido Brunetti, used to the labyrinthine corruptions of the city, is shocked at the number of enemies Wellauer has made on his way to the top - but just how many have motive enough for murder? The beauty of Venice is crumbling. But evil is one thing that will never erode with age.

Editorial Reviews

From Publishers Weekly

A breathless beginning and an unexpected lack of reference to the lush setting mark this lively launch of a projected series of Venetian mysteries. When legendary German conductor Helmut Wellauer is found dead in his dressing room two acts into a performance of La Traviata , police commissario Guido Brunetti is called in. Among those who might have provided the cyanide poison that killed the maestro, immediate suspects include the vaunted conductor's coolly indifferent young wife and those many in the music industry who are offended by his homophobia. Methodically probing into the victim's past, Brunetti also uncovers Wellauer's Nazi sympathies and a lead to a trio of singing sisters from yesteryear--one now destitute, one dead and the other missing. Though burdened by a dictatorial superior and two lumpen subordinates, Brunetti gets help from his aristocratic wife and her well-connected parents. The narrative's best moments involve Brunetti's wry exchanges with his colleagues and the cunningly masked, obvious solution.
Copyright 1992 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From Kirkus Reviews

Cyanide poisoning during the second-act intermission of La Traviata leaves the eminent conductor Helmut Wellauer dead, survived by a constellation of suspects from prima Flavia Petrelli (whose lesbian liaison with a wealthy American archeologist, Brett Lynch, Wellauer was threatening to expose) to director Franco Santore (furious over Wellauer's refusal to honor a bargain to find a job for Santore's prot‚g‚)--and including of course Wellauer's suddenly wealthy, and much younger, widow Elizabeth. The investigating officer, Guido Brunetti, Vice-Commissario of the Venice Police, brings to his first case tact, persistence, and a useful sympathy with young women--which becomes suddenly pertinent when he unearths Wellauer's prewar involvement with a family of three star-crossed girls. Deftly plotted and smoothly written in the Ngaio Marsh cultural mode, but recommended even for readers who, like Brett Lynch, don't care for Verdi. -- Copyright ©1992, Kirkus Associates, LP. All rights reserved. --This text refers to an out of print or unavailable edition of this title.

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Product Details

• Hardcover: 272 pages
• Publisher: Heinemann (February 5, 2004)
• Language: English
• ISBN-10: 043401253X
• ISBN-13: 978-0434012534
• Product Dimensions: 8.5 x 5.5 x 1.2 inches
• Shipping Weight: 14.1 ounces
• Average Customer Review: 4.3 out of 5 stars  See all reviews (69 customer reviews)
• Amazon Best Sellers Rank: #3,002,161 in Books (See Top 100 in Books)

Customer Reviews

Most Helpful Customer Reviews

67 of 67 people found the following review helpful:

5.0 out of 5 stars Leon debuts with outstanding thriller!, May 4, 2000

By 

Billy J. Hobbs "Bill Hobbs" (Tyler, TX USA) - See all my reviews
(VINE VOICE)    (REAL NAME)   

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This review is from: Death at La Fenice (Mass Market Paperback)

Venice is for lovers, or so they say. It is also the setting in this thriller, the first of a series by Donna Leon, titled "Death at La Fenice."

La Fenice is the name of Venice's famed opera house and in this novel, death is the event de jour, as a well-known German conductor Helmut Wellauer is found dead in his dressing room, shortly before he was to conduct "La Traviata." Of course, the show must go on. Of course, the police must be called.

And we are introduced to Guido Brunetti, vice-commissario of police in Venice. He's also a brilliant detective. With suspects galore, Brunetti finds the early going to be confusing and not all what the "facts" may seem.

In Brunetti, Donna Leon has created the quintessential police detective. He is a man whom we are proud to call an acquaintance as we follow his trail in all the Leon books. She describes him: "He was a surprisingly neat man: tie carefully knotted, hair shorter than was the fashion; even his ears lay close to his head, as if reluctant to call attention to themselves. His clothing marked him as Italian. The cadence of his speech announced that he was Venetian. His eyes were all policeman."

Leon, in addition to being a first rate novelist, has been an American English teacher aboard, and healthy international sales have made her vision of Venice well known. She seems to love the city, but with an attitude that shows her feet are on the ground. She lets Brunetti characterize the city: "And then he was at the water's edge, the bridge to his right. How typically Venetian it was, looking, from a distance, lofty and ethereal but revealing itself, upon closer reflection, to be firmly grounded in the mud of the city."

One of the chief suspects is diva and prima donna soprano Flavia Petrelli, who certainly has motive, and is high on Brunetti's list. Flavia, along with her American archeologist and companion Brett Lynch, present more than a conundrum to Brunetti. (We are re-introduced to them in a later book Acqua Alta.) This is no easy crime for the commissario to solve.

Leon creates, certainly, one of the best police procedurals of the last decade. Her books are hard to come by in the U.S., but she has a large following in international circles, especially in Germany and in England. While it is not necessary to read her books in order, naturally, her progression moves more smoothly when done so. "Death at La Fenice" is pure symphony and not a note is to be missed.

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23 of 24 people found the following review helpful:

5.0 out of 5 stars Waiting For Guido, June 30, 2000

By 

Vincent W. Mooney "vinceplato" (Tulsa, OK USA) - See all my reviews
(REAL NAME)   

This review is from: Death at La Fenice (Mass Market Paperback)

At the start of this story someone dies. Then nothing happens for 278 pages except for an endless series of interviews by police detective Guido Brunetti. We are waiting for Guido to deduce the true facts of the case. This is the kind of mystery that is either excellent or no good at all. It is the kind of mystery that people who don't like mysteries think all mysteries are like. This mystery is in the excellent category. If you love Venice, as I do. I lived for 3 years in Aviano north of Venice and fell instantly in love with Venice.

The hero of this book is Venice. Each page lives and breaths Venice. The smells, the sounds, the language, the fog, the people - it's all in the novel. The book took me back to Venice and I enjoyed every minute. Donna Leon is a fine writer. If she would develop an action hero like Sue Grafton or Judith Van Gieson, I think she would become a best selling author. As it is, she's like an absolutely perfect one-carat diamond: small but exceptional and highly valuable. If you love Venice, you'll enjoy this book even if you don't like mysteries.

27 of 29 people found the following review helpful:

4.0 out of 5 stars What FUN the Brunetti mysteries are!!, February 27, 2001

By 

R. Peterson "I'm worldwide..." (St. Thomas (USVI)) - See all my reviews
(REAL NAME)   

This review is from: Death at La Fenice (Mass Market Paperback)

While I waited for a flight in Venice, I wandered into the bookshop in the little airport there and picked up a handful of Donna Leon's mysteries. I was DELIGHTED! Leon is a University of Maryland professor seconded to a University in the Veneto and she has developed a sweet Venetian detective protagonist, Guido Brunetti. La Fenice (The Phoenix, in Italian) is the famous Venetian opera house and serves as the crime scene for Brunetti's first case. When a famous Austrian orchestra conductor, Helmut Wellauer, is discovered in his dressing room after the second act, dead of cyanide poisoning, Guido must find not only the killer but the motive of course. His search takes him into the sexually perverse past (distant AND recent) of the conductor but also finds him confronting any number of people who are likely suspects including most of the people he worked with and a number of family members. One of the most attractive things about Leon's detective is that he is an amiable, competent family man who is dealing with the quotidian: moody teenaged son, bouncy sure-footed pre-teen daughter, a headstrong and likable wife (an English professor) in addition to an INcompetent power-insecure supervisor who does little but obstruct Brunetti's efforts. The discovery of the murderer is so complicated and the final twist in the end so neatly and tidily closes the case that I was hooked and couldn't wait to read the next one. I have always loved murder mysteries (as one reviewer calls "procedural police mysteries"), and Leon's are among the finest.