Death of a Decade

Ha Ha Tonka | Format: MP3 Music

Product Details

• Original Release Date: April 5, 2011
• Label: Bloodshot Records
• Total Length: 40:36
• Genres:
  • Rock
• ASIN: B004TJWWN6
• Average Customer Review: 5.0 out of 5 stars  See all reviews (26 customer reviews)
• Amazon Best Sellers Rank: #12,352 Paid in MP3 Albums (See Top 100 Paid in MP3 Albums)
  • #28 in MP3 Downloads > MP3 Albums > Rock > Roots Rock

Most Helpful Customer Reviews

10 of 11 people found the following review helpful

5.0 out of 5 stars Great Album April 4, 2011

By muddsnyder

Format:MP3 Music|Amazon Verified Purchase

Ha Ha Tonka continue to define their distinctive sound in this album. They've got a great sound, and they never stray from their Ozark roots. I like their sound because it's driving and upbeat when you want it to be, but they also can scale it back and have more thoughtful, deliberate moments. I think they have shown noticeable improvements since their previous album, Novel Sounds of the Nouveau South, which I'd also recommend. The vocals blend well with the overall sound of the band, and I never feel like one instrument is overpowering/standing out (unless on purpose!). They play well as a unit, and I enjoy the harmonies and rhythms they explore in their songs.

They are a blast to watch live, too!

12 of 14 people found the following review helpful

5.0 out of 5 stars One of the Best of the Midwest! April 4, 2011

By Joe

Format:MP3 Music

For a long time, I've known my friend, Lennon, was the drummer for a band called Ha Ha Tonka. I've had the pleasure of watching them become more and more popular and well-known over the last couple of years. Still, I'm a metalhead, and as talented as they are, their music has never been my style. That is still true, but with this album, their pure talent and skill has overcome my bias for Metal. That isn't easy! If they can do that for me, then anyone can and will love this album! I'm rockin' out it as I type this. Big congrats, Lennon, Luke and the guys! You really killed it. There are those who make it in the bigtime, then there are those who earn a place there, regardless of whether they get it. Ha Ha Tonka is definitely the latter!

9 of 10 people found the following review helpful

5.0 out of 5 stars Recipe for Death of a Decade April 16, 2011

By Jason D. 'Diesel' Hamad

Format:MP3 Music

Recipe for _Death of a Decade_:

1 part Old 97's
1 part Alison Krauss
1 part Akron/Family
1 part Arcade Fire
dash of Ozark Mountain Daredevils

Combine all ingredients in blender. Mix well. Allow to settle one week in historic upstate New York barn. Distill to 100 proof. Present to Bloodshot Records for release.

Sounds like a strange concoction for sure, but the result is a stunningly visionary work that proves what I've been saying for years: that Ha Ha Tonka is THE band to watch on the Americana music scene and will be for a long time to come. The group has undergone a total sonic transformation over the span of their relatively brief collaboration, yet they remain true to their Ozark roots. The result is a sound like nothing you've ever heard before and a dish that will serve the musical tastes of an ever-growing legion of fans.

It all started with the rechristening of the band and the release of their seminal work _Buckle in the Bible Belt_ in 2006-7. The album, a high-energy mix of rock and country drawing alternately from traditional folklore and contemporary experience, still stands as the penultimate work in the entire genre, behind only Lucinda Williams' masterpiece _Car Wheels on a Gravel Road_. Yet for all of its brilliance--much resting on the shoulders of lead singer and budding master lyricist Brian Roberts--the album was still a fairly conventional alt country offering, heavy on the alt.

The group stepped up their game creatively with 2009's _Novel Sounds of the Nouveau South_. Despite the alliterative and vowel-heavy Frenchified title, the concept album was actually a return to their origins, blending more country and bluegrass elements into the songs while maintaining a lyrical reliance on the local Southern Missouri storytelling tradition. Roberts' efforts as wordsmith continued to be strong but the musical tone shifted, with more complicated compositions where Brett Anderson's mandolin began replacing some--though not all--of the power guitar riffs evident on Buckle.

Then came _Death of a Decade_, which folds even more influences into the mix as the band matures toward their own distinct sound. Their base is still the classic alt country of the Old 97's with the bluegrass roots of Alison Krauss underneath, but the wall of sound poppiness of Arcade Fire pervades nearly every song, while chanting vocals à la Akron/Family add an almost hypnotic quality. The intricately woven blend makes this new offering greater than the sum of its parts and gives it a sound that stands out from anything else out there.

The highlights of the album are a trio of songs starting with the first single, "Usual Suspects." Driven by Lucas Long's rolling bass line and Lennon Bone's cymbal-crashing beats, the song also showcases the growing influence of Anderson's mandolin in the structure of the band's music. The next standout is "Made Example Of," again demonstrating the picking skills of Anderson and featuring masterfully blended vocal harmonies. Perhaps more than any other, this track demonstrates the new direction the band is taking as their sound comes to fruition. Finally there is "The Humorist," a powerful song and the standout lyrical composition, which not only demonstrates Roberts' love of Missouri history, but also proves that somebody actually made it all the way through Mark Twain's autobiography and didn't just leave it sitting on the coffee table to impress visitors.

In between these hallmarks are tracks that are not just filler, but which many other musicians would envy. The second offering on the album, the Horace Greeley inspired coming-of-age song "Westward Bound," is a good representation, featuring a two-toned feel due to several tempo changes, impressively harmonic vocal chants, and characteristically pithy lyrics. This song, "Jesusita," and "No Great Harm" also demonstrate some of the best usage to date of Long's gut-shuddering bass vocals, a seasoning underused on previous albums that adds a complex flavor key to the dish as a whole. The lone composition by lead guitarist Anderson, "Dead Man's Hand," is a haunting down-tempo number with plenty of poetic imagery that suggests that he, too, is growing as a songwriter. And the title track combines driving bass guitar and kick drum along with laid-back yet powerful guitar riffs that soar along with Roberts' briefly falsetto voice.

In the final analysis, Death of a Decade is not Ha Ha Tonka's greatest album. That title still firmly belongs to Buckle in the Bible Belt. However, it is their most imaginative, visionary work to date and will be remembered as a turning point in their discography that marks the formation of a sound exclusively their own. It is also the group's most consistent creation, without a single track that fails to hold the listener's attention or fit seamlessly into the whole. Whether or not the early success of Death of a Decade foretells the band's much-deserved breakout to the forefront of the Americana scene, Ha Ha Tonka's skillful studio work and exceptional, raucous live shows make them a genre-crossing force to be reckoned with. And while this album stands above virtually all of their contemporaries' offerings, given the assemblage of talent at their disposal, there's nowhere to go but up.