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Deathbird Stories Paperback – May 25, 2009


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Paperback, May 25, 2009
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Product Details

  • Paperback: 346 pages
  • Publisher: E-Reads (May 25, 2009)
  • Language: English
  • ISBN-10: 1585867985
  • ISBN-13: 978-1585867981
  • Product Dimensions: 8.5 x 5.5 x 0.8 inches
  • Shipping Weight: 15.2 ounces
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (33 customer reviews)
  • Amazon Best Sellers Rank: #862,871 in Books (See Top 100 in Books)

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Customer Reviews

4.6 out of 5 stars
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See all 33 customer reviews
You'll see what I mean, when you buy this book.
EMAN NEP
And, as expected from Ellison, the collection is masterful work, with even the "worst" stories still being compelling.
Josh Mauthe
Every story in this collection is a gem, some more than others.
"netchild"

Most Helpful Customer Reviews

28 of 31 people found the following review helpful By EMAN NEP on August 21, 2001
Format: Paperback
This is a very black, dark book. This is not a book for kids, nor is it a book for people who haven't read anything by Ellison previously. Harlan Ellison is one of those rare writers that can finish a story so powerfully, that you'll feel like you've been literally stabbed in the heart. Like many of Ellison's short story collections, he deals with a specific theme. In this book, he writes short stories about gods, in all their myriad shapes and forms. Gods of machines, pain, rocks, speed, revenge, among others. Of the 19 stories in this collection, let me tell you what I consider to be the best. THE WHIMPER OF WHIPPED DOGS: Ellison's award-winning retelling of the Kitty Genovese incident. Never heard of Kitty Genovese? Don't worry, after reading this chilling tale, you'll make sure you remember. BASILISK: A traitor to his country comes home and finds that he is not welcome. A little confusing at first, but you'll soon get the hang of it. PRETTY MAGGIE MONEYEYES: Don't let the strange title deceive you. This is Ellison in TOP form. Ever wondered what gods reside at the casinos and what they have in mind. It's not PRETTY, I can assure you. ERNEST AND THE MACHINE GOD: An easy-to-visualize story about a girl in a car-accident and her meetings at a gas station. ADRIFT OFF THE ISLETS OF LANGERHANS . . . : Another award-winning story about a man trying to find the geographical location of his soul. THE DEATHBIRD: Still another award-winner. This one is Ellison's retelling of Genesis. This story has a very innovative structure to it. You'll see what I mean, when you buy this book.
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10 of 10 people found the following review helpful By John Peter O'connor on December 10, 2000
Format: Paperback
This collection groups nineteen of Ellison's stories dealing with subjects such as gods spirits and suchlike. In former times, people created numerous gods and spirits for just about every aspect of their lives. Gods for thunder the moon and the sea. Spirits and Ghosts living in caves, rivers etc. What if we still felt the need to invent and invoke such gods and spirits today? What would they be like? A god for machines? A spirit in a slot machine? A demon ruling over violent crime? These are the subjects that Ellison deals with in this collection of stories.
The book straddles the boundaries between science fiction, fantasy and horror and as such it will not satisfy SF purists but it does contain a number of very powerful stories. The opening tale, "The Whimper of Whipped Dogs" is a shocking and worrying take on the cruelty of city violence. It is followed by "Along the Scenic Route" in which modern day knights in armour fight their jousts to the death on the public highway. Those two, along with "Ernest and the MachineGod", "Basilisk" and "Deathbird" are my favourites but they are not the only stories to leap off the page and grab hold of your imagination. There are some weaker tales here too but they are outnumbered by the good ones.
I'd not recommend this as an introduction to Ellison. The anthology "The Essential Ellison" fills that role perfectly but, if you read and enjoyed that, you will like this book. If you like this book, I'd recommend Ellen Datlow's themed anthology "Alien Sex" though not her rather weak follow up.
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7 of 7 people found the following review helpful By "netchild" on December 20, 2000
Format: Paperback
For those fans of Ellison, you will not be disappointed, for those of you not familiar with Ellison, this one will have you hitting the used book stores in a vain hope of finding more fodder for your mind. (Don't bother looking, I already hit every book store myself.) Reading this book is like seeing Mohammed Ali box or Stevie Ray Vaughn play the guitar, you get the feeling of seeing the best at his best. Every story in this collection is a gem, some more than others. "The Whimpering of Whipped Dogs" is a classic in and of itself. "The Deathbird" is the most amazing story ever created by a fantasy writer and I say this with no hyperbole. Go out and get this book . . . NOW! It will change the way you view the world and yourself. Other books make this promise, Deathbird Stories is the only book I've ever read that actually delivers.
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6 of 6 people found the following review helpful By David Hood VINE VOICE on March 1, 2006
Format: Paperback
Harlan presents some stellar stories here about what modern gods might be like in what one would call a pessimistic, cynical outlook. He moves through such milieus as sci-fi, high fantasy and even urban fantasy through this book.

The best stories are very hard-hitting and emotionally affecting. These include The Whimper of Whipped Dogs, a retelling of the Kitty Genovese episode about the alleged god of New York City, The Basilisk, where the most terrifying aspect of the story is how a small town treats a returning POW and Pretty Maggie Moneyeyes where a manipulative woman continues to manipulate even after death. There are some other good stories, such as the road rage tale, though not as emotionally hard-hitting.

The problems in several of the stories stem from an abundance of cleverness. Rather than letting the story take the forefront, Harlan chooses to favor style over substance in an attempt to showcase his virtuoisity in the various methods of writing. This lessened some of his stories for me. He is most successful doing this in the titular tale, The Deathbird, but it was still distracting even there.

A very good collection though, despite the flaws. It is unapologetic and uncomprimising demanding you take the stories on their own terms.
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