Customer Reviews

Deathtrap

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Having played the part of Clifford Anderson in a local production of Deathtrap, I was fortunate enough to hear the audience's reactions to the plot's twists and turns night in and night out. This show combines terror and humor in a way that really keeps people on the edge of their seat. I very highly recommend this work, and if you have a chance to see it performed live, do so, or if that's not possible, rent the movie. You won't be disappointed!

Possibly Ira Levin's best play, this is up there with "Rosemary's Baby." It is a very suspenseful and surprising story of a down-on-his-luck playwright, his wife, and an amateur writer who plays an important role. Filled with plays within plays within plays, countless "heart-in-the-mouth" shocks, and a surprising amount of dark humor, you will never forget this play once you have read it.

What makes this play superb is captured right in the title: "Deathtrap: A Thriller in Two Acts." This is because the thrill of the first act is replaced by a twistedly different thrill in the second act. In Westport, Connecticut, we find playwright Sidney Bruhl and his loving wife Myra. Unfortunately, the well has run dry for Sidney who desperately needs a hit play and come not come up with anything. But then Sidney shows Myra "Deathtrap." It is, he explains, "A thriller in two acts. One set, five characters. A juicy murder in Act One, unexpected developments in Act Two. Sound construction, good dialogue, laughs in the right places. Highly commercial." With that blatant self-description author Ira Levin gives us the first of many nudge-nudge, wink-winks. You see, the only problem with "Deathtrap" is that Sidney did not write the play. It was written by Clifford Anderson, one of the "twerps" from Sidney's playwriting seminar. But maybe Sidney can find a way of making the play his own, even if it is over young Mr. Anderson's dead body.

Of course, Levin has already told us what is going to happen in the play, but as to who will be the victim of the first act's juicy murder, well, that is just the beginning of the fun. After all, there are still two other characters to be met and one of them is a Dutch psychic. "Deathtrap" is a roller-coaster ride that alternately amuses and terrifies, which is exactly what you want from a thriller. Best of all, you never catch up to the twists and turns. If there is a lesson to be learned here, then it is simply that nothing is more dangerous than a good idea.

Ira Levin is a master of the novel and the stage play. He has brought us ingenious classics like The Stepford Wives, Rosemary's Baby, A Kiss Before Dying, and Veronica's Room to name just a few. Most of his works have translated brilliantly to film and are fun, clever, engrossing reads.

Deathtrap is a wonderful comic thriller, which I wish I had a chance to see play out on stage. It's a fun mystery that is as twisted as a pretzel with a fun and suspenseful climax. The first act ends with the big twist, one I did not see coming, leading the way for a completely different, but just as fun second act. Not many surprises in the second act, but it is just as fun.

To talk about this any more is to give away all the delicious things in store, so I will let you see for yourself how wonderful this play truly is. Read Deathtrap, then do yourself a favor and buy everything Ira Levin has written. You might thank yourself in the morning.

Deathtrap is so much fun to read, I would just love to see it done as a play. It would be so fun to be in it, too! There are rarely thrillers anymore, and this one manages to be twisty, funny, scary and even not seem dated. Ira Levin has crafted something clever and cool here, and I hope I can see it done well someday, so that I can be one of the people screaming in the theater, or one of the actors causing them.

This book was required for a theater class. It came within two days and was brand new.