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21 of 21 people found the following review helpful:
5.0 out of 5 stars
Challenging Music; A Landmark Recording, December 4, 1998
This review is from: Debussy: 12 Etudes (Audio CD)
The Penguin Guide calls this recording of Debussy's endlessly fascinating Etudes "one of the best recordings of the instrument (piano)." They're probably not far from wrong. The difficulties of faithfully reproducing the sound of such a seemingly uncomplicated instrument as a piano are well known to recording engineers. Philips has surmounted those challenges with one of the finest sounding piano recordings I've ever heard. Factor in the effortless-sounding but intellecutally stimulating skills of Uchida and a set of piano works which no less a composer than Stravinsky considered his favorite 20th-century piano music, and you have a hands-down winner of a disc. Buy it today.
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30 of 34 people found the following review helpful:
5.0 out of 5 stars
DEBUSSY THE ALCHEMIST, July 20, 2000
This review is from: Debussy: 12 Etudes (Audio CD)
Hardly the most popular of Debussy's music for piano, these 12 Etudes, his last compositions for the instrument, are the very essence and substance of his art. Everything Debussy ever composed for the piano is literally "distilled" in twelve "studies" that, like magic, form a magnificent primer enabling us to unlock his artistic psyche and gaze even more deeply than ever before into his genius. Each etude is a "key." Music like this, which has virtually languished unrecorded for the most part, aside from "complete" collections of Debussy's piano works, we listen to now, anew, awed, enlightened, humbled. Uchida's performance is nothing less than incredible. Under her fingers, these neglected pieces jump to life, vital and telling, moody and nostalgic. Her musical understanding of these works is so penetrating she melds with Debussy... and, then, resurrects him. It's impossible to listen to these 12 Etudes and deny feeling the tangible "presence" of the composer. This is thrilling, wondrous, utterly captivating pianism fully realized by the Philips engineers. [Running time: 47:12]
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16 of 18 people found the following review helpful:
4.0 out of 5 stars
Mainly for pianophiles, March 11, 2006
This review is from: Debussy: 12 Etudes (Audio CD)
Just to add a caveat to the other reviews for the novice listener exploring Debussy's solo piano music ... If you have seen the many music-press accolades for this "landmark" recording (Penguin 'Rosette' etc) but are newer to Debussy's music, this may not be the best place to start. Debussy composed these works late in life to leave a "framework" of the new musical sounds and techniques he pioneered. For those not familiar with French, "Etude" refers to a lesson or educational excersise. Thus, the structure and intent here is pedagogic and not as much to paint those famous "impressionistic soundscapes" as in much of Debussy's music. As a result, this collection of 12 "lessons" will appeal more to the pianophile, student or true Debussy fan. Mitsuko Uchida plays these pieces with a seamless precision and crystalline clarity, employing impressive velocity of passage work. Her sound is enhanced too by a brilliant Phillips' engineering session. Whether her readings here are considered "overdriven" will depend on how you think the music should best be played. Regardless, its hard not be amazed with her playing here. Additionally, her dynamic range is wide (pp-ff) which might not appeal to the casual listener not familiar with this music. I cannot say I enjoyed this music as much as the other Debussy recordings in my collection. The Etudes are less "accessible" compared to his other piano works and tends to need more study to fully appreciate perhaps (hence, "Etude"). So, those newer to Debussy and looking for those dreamy, "atmospheric" washes of chromatic colour should consider his Images (Book 1,2), Etampes and Preludes instead. There are many fine recordings of these - but Paul Jacobs' famous sets would be one solid, affordable choice.
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