Debussy and His World. [Hardcover]

Jane F. Fulcher (Editor)

Book Description

Series: Bard Music Festival Series | Publication Date: August 1, 2001

Claude Debussy's Paris was factionalized, politicized, and litigious. It was against this background of ferment and change - which characterized French society and music from the Franco-Prussian War to World War I -that Debussy re-thought music. This book describes the complexity of the composer's restless personal and artistic identity within the new picture emerging of the musical, social, and political world of fin-de-si cle Paris. Debussy's setting did not simply mold his style. Rather, it challenged him to define a style and then to revamp it again and again as he situated himself simultaneously via the present and the past. These essays trace Debussy's perpetual reinvention, both social and creative, from his earliest to his last works. They explore tensions and contradictions in his best-known compositions and examine lesser-known pieces that reveal new aspects of Debussy's creative appropriation from poetry, painting, and non-Western music. The contributors reveal the extent to which Debussy's personal and professional lives were intertwined and sometimes in conflict. Belonging to no one group or class, but crossing many, Debussy abjured the orthodox. A maverick who reviled

Editorial Reviews

From Library Journal

Beginning with Brahms and His World in 1990, Princeton University Press has annually produced a collection of scholarly articles on the life and works of major 19th- and 20th- century composers as part of its "Bard Music Festival" series. This latest entry, edited by Fulcher (musicology, Indiana Univ.), contains an impressive collection of writings on France's greatest contemporary composer. There are 11 separate articles (including the introduction), grouped somewhat arbitrarily into three large categories: "The Evolution," "The Context," and "Documents." John Clevenger's lengthy essay on the early Rome cantatas dominates the first section, which also contains Leon Botstein's outstanding piece on Debussy and contemporary painting, as well as Fulcher's own provocative essay on Debussy's intellectual rigor in his wartime compositions. Highlights of the second section include Rosemary Lloyd's take on Debussy and Mallarm and Christophe Charle's view of Debussy's life within the context of fin-de-si cle Paris. Clevenger returns in the final section with an entertaining archival presentation of the young Debussy's achievements as a student in the Paris Conservatoire (complete with his teachers' evaluative comments). All of the articles will appeal to musicologists and students of French cultural history; lay readers, on the other hand, may find them tough to read. Recommended for academic collections. Larry Lipkis, Moravian Coll., Bethlehem, PA
Copyright 2001 Reed Business Information, Inc.

About the Author

Jane F. Fulcher is Professor of Musicology at Indiana University. She is the author of The Nation's Image: French Grand Opera as Politics and Politicized Art, French Cultural Politics and Music from the Dreyfus Affair to the First World War, and Composers, Intellectuals, and Politics in France from the First to the Second World War (forthcoming). She has served as Directeur d'Etudes Associe at the Ecole des Hautes Etudes en Sciences Sociales in Paris and Directeur de Recherches at the Centre Nationale de la Recherche Scientifique in Paris.

Product Details

• Hardcover: 408 pages
• Publisher: Princeton Univ Pr (August 1, 2001)
• Language: English
• ISBN-10: 0691090416
• ISBN-13: 978-0691090412
• Product Dimensions: 9.5 x 6.5 x 1 inches
• Shipping Weight: 1.6 pounds
• Amazon Best Sellers Rank: #5,139,685 in Books (See Top 100 in Books)