Customer Reviews

The Decadent Duke

5 star:		(4)
4 star:		(5)
3 star:		(1)
2 star:		(4)
1 star:		(1)

 

 

PLOT: Newly minted debutante Lady Georgina's four sisters have all married well. Now her eccentric, voluptuary mother is determined that Georgy marry no less than a duke--the rakish, decadent Duke of Bedford, to be exact. But it's the Duke's younger, unhappily married, more serious brother John who intrigues the mischievous Georgina. And soon there may be TWO "decadent" dukes...

MINI-REVIEW: I'd say this is Henley's most spirited and enjoyable offering of the past four or five years. It has two excellent protagonists as well as wit, sass, and heart. I certainly enjoyed it more than the increasingly indistinguishable Regency comedies dominating today's market.

FULL REVIEW: Henley is back in fine form, with a Regency-era historical romance featuring several of her trademarks: a vivacious, devilishly witty heroine; her large and eccentric Anglo-Scottish family; and an authoritarian older hero with a good-natured streak of amused tolerance.

This novel will not likely top the list of anyone looking for traditional Regencies of the sweet and stately sort, or for those hoping for the lighter Regency-era romps that have proliferated throughout the 2000s. Also, readers who expect the same level of historical detail and royal and military history that Henley weaves into her Medievals and Elizabethans might be a bit disappointed: although THE DECADENT DUKE (DD) features a fair bit of Regency politics, the emphasis here is on the social doings of the large cast of aristocratic characters.

But, oh, what pleasures these doings offer!

The book features pages of rapid-fire, amusing banter between various characters, particularly between Georgina and her pithy mother and sisters. (Interestingly, although the family is characterized as unorthodox, they are still conventional enough to demand socially advantageous marriages; this tempered characterization is a shrewd and realistic move on the part of Henley, an author perhaps better known for more starkly delineated character types).

Henley hits a home run with her two leads. Georgina and John are thoroughly enjoyable protagonists that, though superficially different, complement one another to perfection.

Georgina's carefree lust for life; humorous appraisal of the foibles of society; and zesty, mischievous nature are delightful counterpoints to John's sober authority and arch, understated humor. John is a very well-characterized hero of the subtle Alpha sort; he is unfailingly decent to his lush of a brother and vulnerable sons, and exercises far more emotional and physical restraint than Henley's earlier Alpha-lions, delicious though they may be. Georgina also has an appealing undercurrent of vulnerability stemming from her father's neglect of her (though this does lead to some baldly Elektra-type linkages to John as a father-figure).

Their mutual attraction is convincingly presented, and the reader will more than likely be rooting for them along the way. Henley builds up the hero and heroine's acquaintance quite a bit--over 200 pages--before they even share a kiss, much less acknowledge tender feelings for one another. The result is an attraction and, later, a love that feels genuine and not rushed, like those found too often in today's romances. (I do think Henley could have given her lovers more "screen time" together, though).

ON HENLEY: Henley's heroines and heroes are bigger than life, her villains low-down and nasty, her eccentrics delightful and diverting. Henley lovers are more passionate than others, their tensions and traumas magnified to high drama. While she deals in stock characters and archetypes, she does not attempt to disguise this. Rather, she relishes and embellishes it. She paints with broad, bold, colorful brushstrokes; what her books lack in nuance they make up for threefold in vigor and sauce and spit.

ROUND-UP:

What this book doesn't contain: No cheating or outside affairs (by either hero or heroine); no homosexual plotlines; no polyamorous elements in the main romance (other characters have affairs); no abusive male protagonists; no hero-heroine premarital sex

What this book contains: a 15-year age difference between heroine and hero; some salty language of the four-letter kind; and a Happily Ever After.

Sensuality level: mainstream single-title Romance level--3-4 brief heterosexual sex scenes described in detail (though this book has far less sensuality than Henley's earlier, classic works).

TWO WORDS

Heroine: Joi de vivre & Sparkling

Hero: Restraint & Conscience

VERDICT: This is a quick-moving, chuckle-worthy read with some moments of high melodrama and others of vividly detailed emotion. Allow yourself to be swept up amongst the varying currents. Henley is having the devil's own fun and invites you to share it with her.

I picked up this book at the bookstore about a week ago when I was looking for some light reading. I haven't read very much Virginia Henley in the past, but I remembered enjoying what I HAD read, so I thought that this might be an enjoyable book. Now, let me first start out by saying I am not a terrible stickler for EXTREME historical accuracy - I feel as though I am not alone in saying I do not read regency romances in order to learn about early nineteenth century England; however, I feel as though this book really didn't even make an attempt to portray society as it would have been (I feel as though one must at least pay lip service to the social mores of the time). The heroine, for example, engages in activities that would be completely unacceptable for ANY unmarried noblewoman during that era (telling raunchy jokes, kissing gentlemen, flirting absolutely SHAMELESSLY) and the fact that everyone in society seems to adore her seems a bit off. Obviously, one expects some license (I would most probably be equally put off if the heroine were to act exactly as early nineteenth century debutantes would), but I felt that this was a bit too much. In this particular novel, it was especially odd to me, because the author put in a subplot that was heavily political and one that was very faithful to the actual historical events.

***Warning May Contain Spoilers***

More than that, however, I feel that the plot was a bit too muddy. The book was endlessly involved in subplots with the heroine's family (in some cases even involving the heroine walking in on several of her sisters and their faithless husbands in flagrante) as well as the hero's wife (who is still alive in the first third of the book) and brother. These plots don't really go anywhere, and tend to detract from the hero and heroine. By the end of the novel, I still feel as though I do not know the main characters, especially the hero, because so much time is taken up by side stories.

I was not a particular fan of this book, and personally cannot recommend it.

I was very disappointed with both the characters and the historical detail in this book. Regency readers are pretty well acquainted with the history and culture of this period, and should be appalled at the lack of attention to even the most basic concepts of Regency life. Henley has her female lead character using vulgar language as well as acting in a manner that would certainly gotten her blacklisted as "fast" by any proper lady, as well as viewing bedroom escapades in a most unlikely situation. (And the author obviously has not read much about women's clothing of the time, but that's another story.) But the detail that prompted me to write this review was the bathtub with HOT AND COLD RUNNING WATER in the hero's home. In every other Regency I've read, a bath necessitated servants running upstairs with cans of fire-heated water. Heck, most homes didn't even have indoor plumbing until the second quarter of the 20th century.

Aside from the historical details, the thing that bothered me most was the author's name-dropping. Nearly every real Duke and Earl in England is mentioned in conversation, along with their estates, to show off the author's reading of Debrett's. Such as, "Look, here comes the Prince of Wales, along with his brother, Prince Edward." Like anyone in Society wouldn't know that... It's like reading chick lit where the women are all wearing Jimmy Choo shoes, carrying Kate Spade bags, and can recognize a designer suit at 50 yards.

I won't waste my time on Virginia Henley in the future; there are many Regency authors who write true to the period, and make a much better story too.

Nothing short of a duke or an earl is acceptable by the Duchess of Gordon. Her success rate is perfect with one left. Her fifth and youngest daughter Georgiana has no choice in the matter; she will wed the disreputable rouge, the Duke of Bedford, Francis Russell who some insist is the father of the country as he has illegitimate children everywhere and mistresses in every corner of the nation.

To Georgiana's chagrin she is attracted to her intended's kind and caring younger brother John. However, he is unattainable at the moment; besides his sibling being the acceptable one by her family, he is married with children and though his wife is dying, both John and Georgina respect his vows and his spouse. When Francis assaults Georgiana, an ugly scandal explodes while John mourns the death of his wife.

Based on real early nineteenth century persona to include the Gordon and Russell families, Virginia Henley provides her usual superb historical romance. The key characters are fully developed with a strong look into the Ton's hedonistic activities and that of the matchmaking mamas. Fans of well written deep Regency romances will relish the fictionalized account of THE DECADENT DUKE.

Harriet Klausner

Lady Georgina "Georgy" Gordon's sisters have all married dukes or earls. As the last unwed daughter, Georgy knew that her mother, Jane, would now begin a campaign to win an even better match for her. How true! The manipulative matchmaking woman has already picked out Francis Russell, Duke of Bedford, for Georgina. Problem is that Georgy is more interested in the duke's younger brother, John.

**** To quote a sentence from within the book, "There is nothing more hypocritical than the British aristocracy." I have no idea about today, but the author clearly showed how true that was in the past.

During this story, King George is on the throne and slowly slipping into madness. I found myself having to read slowly at first because many named their children after the king. George, Georgina, Georgianna, Georgy, and more variations are found in the story. There are minor characters with the same names as the key characters. Georgina has a niece named after her and Georgianna has a daughter with the same name, but (thankfully) that daughter goes by her middle name instead. Having to keep them all straight took a lot of enjoyment out of the first section for me. As soon as the minor characters faded into the shadows a bit, I had no troubles. The games, scandals, and plots kept me intrigued and John's children were so delightful to read about. Many of the problems faced were due to simple miscommunications or pride though.

For those history buffs out there, the author made sure to include historical people and events. Prime Minister William Pitt entered the spot light a few times as he worked for the Act of Union. This is but one example of why I enjoy books by Virginia Henley.

Reviewed by Detra Fitch of Huntress Reviews.

I am a big Virginia Henley fan. I enjoy historical facts in the novels I read but was very distracted by this book as not all the facts were accurate and It seemed like she was trying to cram in everything going on at once. This is a real life couple who married after the older brother died.

I also hated the thought asides. It feels lazy to me.

If you read or saw the movie the Duchess you will recognize some of the characters.

Let me premise this by saying that I love Virginia Henley and most of her older novels, I don't know what's up with her last few novels but frankly they are eye rollers.

This one is so completely unbelievable that I had to try and not mutter "yeah right" out loud,

Plot Spoilers

*Georgina is some how this wounded creature because of her father and mother being estranged (unconvincing as her parents seem to enjoy their relationship of convenience and position) they still have sex

* Henley uses dream sequences to convey that John Russell is desperately searching for a life partner that will "share everything with him" dream sequences are just devices to try and stick an idea in your head and they work... but show the author couldn't convey this naturally...zzzzz

* nothing connected and everything was predictable, a lot of boring off topic conversations, sisters who want to help in their sisters deflowering, John's married and his wife conveniently dies so he's free to peruse Georgina, John's brother the actual duke dies so that he Georgina can still wind up a Duke and Duchess, Georgina's hurt that John doesn't seem to want to get her with child and then when she is pregnant he says "that's great honey" wow...

* No love/hot scenes until about ¾ way through the book.

I would skip this one and try Dream Lover or Bold Conquest... The plot SOUNDS interesting when as I'm typing this out but it's dragged down by bad dialog, "wounded feelings" and a bit of history and it was down right painful!

Virginia Henley always develops her characters which adds depth to story. Would recommend for readers who just wants to escape and be entertained.

Amazing!!!! Exciting and involving book. Ms. Henley has out done herself in this book. Compelling and alluring. Holds your attention and has a captivating plot. Highly recommend to anyone interested historical romance. Looking for a new author to captivate your attention, Virginia Henley is the author to get involved with.

Lady Georgina Gordon is fun, free-spirited and not a little unconventional. Raised in a family that revels in their baser natures, nonetheless, all her sisters have married titled men. Now, it's her turn, if her matchmaking mother has anything to do with it.

The Duchess has set her sights on the Duke of Bedford, a typical oats-sowing British gentleman, complete with multiple mistresses and no intention of marriage, but a lot of money and a title. And while he doesn't want to marry, that doesn't stop him from coveting the beautiful Georgy.

However, Georgy has no interest in Francis, but that doesn't stop her from flirting with him. All the while, she pictures his brother, John, instead.

John is happy to represent the tenants in the House of Commons, and while his love for his sons is readily apparent, no one knows the misery of his marriage to an opium-addicted witch. At night, he dreams of a woman he can share his love and life with. And despite the awkward circumstances in which he met her, he can't help but think of Georgy.

I did really enjoy the two main characters. John is dark, brooding, but also loving and protective of those he cares about. Georgy is all fun and games, but that hides a shrewd intellect that she puts to good use. The characters remained constant throughout the book, which is good, because the book was full of incredibly detailed and minute changes in plot. Yes, there are other plot changes that make a difference - a suicide, a marriage, a wager. But in order to get to them, you have to wade through the smallest actions and reactions to get to the more understandable events.

I wanted to like The Decadent Duke more than I did. But other than the wonderful characterization, it mostly felt like a Victorian version of Three's Company, complete with misunderstandings and overreactions.

Niki Lee

Reviewed for Joyfully Reviewed