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Decalogue: Complete [VHS]
 
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Decalogue: Complete [VHS] (1988)

Artur Barcis , Olgierd Lukaszewicz  |  NR |  VHS Tape
4.7 out of 5 stars  See all reviews (63 customer reviews)


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Product Details

  • Actors: Artur Barcis, Olgierd Lukaszewicz, Olaf Lubaszenko, Piotr Machalica, Jan Tesarz
  • Format: Box set, Color, Original recording reissued, Subtitled, NTSC
  • Language: Polish
  • Subtitles: English
  • Aspect Ratio: 1.33:1
  • Rated: NR (Not Rated)
  • Number of tapes: 5
  • Studio: Facets
  • VHS Release Date: August 19, 2003
  • Run Time: 584 minutes
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (63 customer reviews)
  • ASIN: B00004KHDU
  • Amazon Best Sellers Rank: #187,958 in Movies & TV (See Top 100 in Movies & TV)

Editorial Reviews

Amazon.com essential video

Superlatives abound when describing Krzysztof Kieslowski's The Decalogue, a series of 10 one-hour dramas originally made for Polish TV between 1988 and 1989 and seen throughout the world in film festivals and cinematheque and museum programs. Though each episode is inspired by one of the Ten Commandments of the Bible, these are not Sunday school fables illustrating some simplistic moral lesson--the connections to the individual commandments are not always obvious and are often downright curious--but powerful, profound stories of love and loss, faith and fear. Kieslowski explores ordinary people flailing through inner torments, hard decisions, and shattering revelations, grounding his stories in the faces of their deeply human characters.

Each episode is self-contained, from "Decalogue I" ("I Am the Lord Thy God"), the touching story of a boy who starts asking the hard questions of life from his rationalist father and religious aunt, to "Decalogue X" ("Thou Shalt Not Covet Thy Neighbor's Goods"), a comic tale of estranged brothers who bond through a winding ordeal involving their father's priceless stamp collection. There are stories of tragedy and triumph, both expansive and intimate, some profoundly moving and others delicately shaded--but all are warmed by Kieslowski's sympathetic direction and his eye for resonant, fragile imagery. Initially drawn together by location--the series is set in a dreary Warsaw apartment complex--a web of associations forms as characters pass through other stories, sometimes only briefly, and themes reverberate through the series. The Decalogue is ultimately a personal spiritual investigation into the soul of man, a work of quiet attention and deep emotion marked by astounding images and vivid characters. Each volume is also available individually on VHS. --Sean Axmaker

From The New Yorker

Another dose of fun from Krzysztof Kieslowski (whose recent "Three Colors" trilogy-"Blue," "White," and "Red"-drew acclaim here): ten hours of cancer, abortion, incest, strangulation, and the thwarting of brotherly love, mostly set amid the rainy projects of an oppressed Polish town. This earlier series was made for Polish television in 1988, when the nation was still under martial law, and comprises ten hour-long films, each devoted to one of the Ten Commandments. Given those factors, the whole endeavor could have collapsed into rusty political parable, but, though Kieslowski's subjects are often parodies of gloom, he picks his way through them with a gathering delicacy and a frowning ironic wit. Anyone who associates art films with monotonous meditation will be surprised to find these movies so packed with stuff; the director doesn't shy away from murder, car chases, or fine-boned blondes, or from the Hollywood hook of a mysterious letter that warns, "To be opened after my death ..." The best of the ten is No. 5, "Thou Shalt Not Kill" (it also exists in a full-length version titled "A Short Film About Killing"): if you thought "Dead Man Walking" screwed you into the clutches of the capital-punishment debate, try the pincer grip of this picture, which derives not so much from a forceful argument as from an overwhelming flourish of style. Kieslowski filters his skies to the color of a bruise, as if fate were bearing down from the heavens; he spies shards of beauty in the rubble of crummy lives, and seems wholly at ease with the random possibility of miracles. Thou shalt not miss. In Polish. -Anthony Lane
Copyright © 2006 The New Yorker


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63 Reviews
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Average Customer Review
4.7 out of 5 stars (63 customer reviews)
 
 
 
 
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128 of 133 people found the following review helpful:
5.0 out of 5 stars Ahhhhhhhh....."The Decalogue"........, September 26, 2003
Amazon Verified Purchase(What's this?)
This review refers to the newly re-released (Aug/19/2003)Special Edition DVD Complete Set(3 discs) of "The Decalogue"......

Ten Hours of Krzysztof Kieslowski's brillant work and Zbiginew Preisner's mesmerizing music...what else is there in life? I know there's more... but for ten hours you can enter the world of Kieslowski and forget any other exists! Now you don't have to watch them all at once, you can take an hour or two at a time and just immerse yourself. In the enlightening introduction by the very insightful Roger Ebert.Roger himself says that these films should be viewed one by one and given a chance to be talked about and absorbed. That's probably best..but sorry Roger, I became hooked after the first one and couldn't stop. Each one I viewed became my new favorite.

"The Decalogue" is a series of ten 1 hour films Kieslowski, together with his esteemed writing partner Krzysztof Piesiewicz,wrote for Polish Television in the mid 80's. Each film is based on the Ten Commandents, but are not relgious or politcal in nature. Each tells the story of modern day people, with modern day moral dilemmas that may fall into the catagories of the Commandments.Orignally Kieslowski had planned for some new and up and coming directors to film each of the series(or as he calls them...a set), but after seeing the final scripts, couldn't resist directing them all himself. What he did however, was to have a different and respected filmographer shoot each of the films. So we get very different looks at each story. And..we are also treated to a score by his illustrious composer Zbigniew Preisner in each one as well.

Here is a little about each film,which by the way are all set in a huge apartment complex, each neighbor with their own story:

DEC I..."I am the Lord thy God. Thou shalt have no other Gods before me".....A father and son are computer buffs. They have figured out the freezing tempature of a nearby lake and how long it will take to thaw....it must be right...the computer said so..but nature steps in and all is not as it should be.

DEC II."Thou shalt not take the name of the Lord thy God in Vain".....A woman's husband lays dying in a hospital, she is pregnant by another man..she puts the Doctor in the unenviable postion of having to tell her whether her husband will live or die..the fate of the fetus rests on his words.

DEC III..."Remember the Sabbath day, to keep it Holy"...A married man spends Christmas Eve driving around with his ex-lover trying to help her make things right in her life.

DEC IV..."Honor Thy Mother and Father"....Anka discovers her father is not her biological father. How will this change their relationship?

DEC V..."Thou shalt not kill"...a much discussed and controversial film of Kieslowski's in which the Death Penalty goes on trial.

DEC VI ..."Though shalt Not Commit adultery"...A young man becomes obssessed with a woman he has been spying on.The consequences are tradgic.

DEC VII.."Thou shalt not steal"..Little Ania is being brought up by her grandmother, but doesnt know that her real mother is actually her sister. Can a mother "kidnap" her own daughter?

DEC XIII..."Thou shalt not bear false witness against thy neighbor"...A Jewish war survivor from America, travels to Poland to talk to the person who refused her a hiding place.

DEC IX..."Thou shalt not covet thy neighbor's wife"....Roman, loves his young wife dearly and she loves him, but he is impotent and encourages her to have an affair.Then is devasted and obssessive when he finds out she went through with it.

DEC X..."Thou shalt not covet thy neighbor's goods"....This one adds a little comic relief to the set. Two brothers have inherited their father's very valuable stamp collection, and go to great lengths to protect it.

If you are a fan of Kieslowski or are looking for something in the way of fine filmmaking..look no further, this is a must own set. And if you already know the style of this great director, don't be surprised if some characters or their stories turn up by happenstance in others of the series.

Keeping in mind that these films were made for Polish Television in the 80's, I would have to say that the transfer to DVD's is very good. You wont find the crystal clarity or lush colors of films done by the big studios, but these films were more than enjoyable to view(DEC V seemed not quite up to the others though)The sound,including the dialouge, music and all background effects were crisp and audible. Along with the introduction by Roger Ebert, you will also find three nice features..."On the Set With the Decalogue", "Kieslowski Meets the Press"..(I felt privileged to be able to listen his views on this one), and a tribute from his colleagues after his death entitled.."Kieslowski: Known and Unknown" There are translators for these. The subititles are nice and clear(and may only be watched with them), and it includes a nice informative booklet which also includes the cast and crew of each film in the set.

Ahhhhhhhh..."The Decalogue"...go for it before it goes out of print(again)....it's wonderful....Laurie

also recommended:
Three Colors Trilogy (Red / White / Blue) [Import](All-region)(Remastered)

Red: Bande Originale Du Film

White: Bande Originale Du Film

Bleu: Bande Originale Du Film
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58 of 61 people found the following review helpful:
5.0 out of 5 stars decalogue review, March 13, 2000
By A Customer
This review is from: Decalogue: Complete [VHS] (VHS Tape)
If you've seen Sopranos on HBO, you will know why people respond so strongly to that television show--it is so deeply rooted in the reality of OUR world while ostensibly being about the New Jersey mafia syndicate. Watching the Sopranos for the first time, I thought about the Decalogue because it created that same sense of recognition and identification for me when I watched it several years ago in college. Being from Eastern Europe, I was used to the dark tone and strong irony of its cinema, however, the Kielowski series presented a much more profound and universal examination of Europeans and their value system than the usual fare. Kieslowski suffuses the series with the spirit of moral and cultural awakening and sophistication that seemed to be sweeping Europe at the time. The series is also seen as a precursor to his much more disingenuous and sardonic colors trilogy that came in the 90's. What upsets me about Decalogue is that it starts out stronger than it finishes. The first few episodes (1,4,5 especially) have an emotional purity and resonance that is matched by few full-length movies I've seen. In later episodes, Kieslowski's technique and writing improve but the themes lack the initial urgency and depth of perspective. In all, though DC is a great series that must be seen to be appreciated. My favorite episode is #4, based on the commandment "honor thy father and thy mother". It is about a college student who discovers a letter from her dead mother informing her, prematurely, that the man she thinks is her father is not. This opens the way to the girl's suppressed attraction to her father figure, which is examined with such frankness and intimacy that you wonder how the director fit it all into 50 minutes. Having said this, I also want to say that I have not given anything away by revealing the initial incident--there are so many reverses in this one that it leaves you guessing and tantalized. What surprises me is the amount of material and all the themes that Kieslowski worked into the episode. Among other things, the story is about the girl finally trying out her acting skills. See it and you'll be amased. I would also recommend seeing Philip Kaufman's "The Unbearable Lightness of Being" concurrently or soon after this series. It introduces some of the same themes as the Decalogue and does it in the framework of the novel by Milan Kundera, which, to my mind, is as sophisticated and as incisive as the Decalogue
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42 of 43 people found the following review helpful:
5.0 out of 5 stars Great film-making, September 3, 2001
By 
Wing J. Flanagan (Orlando, Florida United States) - See all my reviews
(REAL NAME)   
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This review is from: The Decalogue (Complete Set) (DVD)
There are so few films - even ones that I would give 4- and 5-star ratings - worthy of study as literature, that it is a somewhat overwhelming experience to watch Krzystof Kieslowski's The Decalogue and realize that he managed to make ten of them. Yes, they are of varying quality; there are better and worse films in the series. But they are all, without fail, thought-provoking; deeply stirring. In retrospect, I am almost ashamed of the four stars I recently gave Hannibal - but I was applying a vastly different standard to that film. Compared with the usual Hollywood drek, it was quite good, with its cheeky fusion of low-brow grand guignol and smart literary references. Compared with The Decalogue...well, it would deserve negative stars.

Originally seen on Polish television, The Decalogue consists of ten hour-long films that each illuminate one of the Ten Commandments. "Illuminate" is the right word, too. No simple-minded Sunday-school lessons, these. The films of The Decalogue set up the sort of difficult moral dilemmas people face in the real world - the kind of dilemmas that turn seemingly simple choices into profoundly difficult matters of conscience, where every possible path seems shrouded in the gray mist of uncertainty. Big issues like abortion, the death penalty, religious faith, and sexuality are explored with as much frankness as artistic restraint. It is this restraint that makes The Decalogue suitable not only for adults, but for young adults, too. Decalogue Six, for example, would make an appropriately sober introduction for teenagers to the prickly complexities of sexual ethics. I wish I had seen it when I was about fifteen. If and when I have children of my own, I fully intend, when they are the right age, to sit down and watch The Decalogue with them.

Each film seems constructed with an eye toward stimulating deep discussion. Invite some friends and family over. Watch a couple of films in The Decalogue series, then serve drinks and hors d'oeuvres. If the evening does not result in at least two or three hours of meaningful dialogue (and perhaps heated debate), nothing will.

But I don't want to reduce The Decalogue to a mere set of conversation-starters. Like great short stories, the films have a genuine power and profundity that kind of sneaks up on you. Even if you watch them alone, they will reward you with many hours of fruitful contemplation. One needn't be religious to find meaning in them, either. The secular and the scared find common ground in The Decalogue - even in the illustration of such specifically religious concepts as the first commandment's admonition to "...have no other gods before Me." This particular film (the first in the series) is the most heart breaking. You don't have to believe in God to be moved by its story of tragically misplaced faith.

No American studio or network would dare finance and release something like The Decalogue. The "lowest common denominator" philosophy of American culture has led to a shameful dumbing-down of film audiences. Why, in a country such as ours, with its surplus of skilled cinematic craftsmen, can we only rarely produce films with the kind of thematic quality present in the classics of Asian and European cinema? Fortunately The Decalogue is available to us in this DVD set. If you care about cinema - what it CAN be, as an art form - then it belongs in your collection.

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