Decay Music [Import, Original recording remastered]

Michael Nyman | Format: Audio CD

Product Details

• Audio CD (March 29, 2004)
• Number of Discs: 1
• Format: Import, Original recording remastered
• Label: EMI/Virgin
• ASIN: B0001K2JYO
• Also Available in: Audio CD  |  MP3 Download
• Average Customer Review: 3.7 out of 5 stars  See all reviews (3 customer reviews)
• Amazon Best Sellers Rank: #766,821 in Music (See Top 100 in Music)

Customer Reviews

Most Helpful Customer Reviews

7 of 7 people found the following review helpful:

3.0 out of 5 stars the CD giveth, and the CD taketh away, October 4, 2004

By 

Steve Peters (Seattle, WA) - See all my reviews

Amazon Verified Purchase

This review is from: Decay Music (Audio CD)

This has always been my favorite Nyman recording. I never much cared for his "baroque/minimalist band" stuff, and he only got more mainstream from there. Fair enough, but I've always wanted to hear more of his experimental period, before he became Britain's answer to Philip Glass. As far as I know, this is the only work of his from that era (1970s) to ever be released. (check out Nyman's useful book, "Experimental Music: Cage & Beyond")

This is a perfect candidate for CD reissue, and I've been waiting for it for years. As noted elsewhere, "1-100" is a quiet, sparse piece for multitracked piano chords, gradually working from the high end of the keyboard to the low, with plenty of empty space along the way (he waited until each chord died away completely before playing the next one in the progression). This is a minimalism not of endlessly repeating 16th note arpeggios or drones, but of spare means and silence - a work easily ruined by the slightest bit of LP surface noise. So the CD should be cause for rejoicing for anyone who loves this long out of print recording. Well, sort of...

While the CD takes care of the surface noise issue, it also reveals some problems with the original recording. The opening of "1-100" has some badly distorted reverb on one of the piano tracks. At first I thought the CD itself was defective, but the second track sounds fine. Then I thought perhaps the track was remastered badly, but it improves over time. There is a third track, not included on the original LP, which is the same recording as the first track but heard at its proper speed (the original LP version was intentionally played back at half the recorded speed to make it more languorous). If you compare these two versions, you hear the same harsh distortions in exactly the same places, meaning they are on the original master recording. And thanks to the clarity of digital technology, the tape hiss on the first track, once masked by LP noise, is now plainly audible and somewhat distracting.

On the upside, the percussion piece "Bell Set No. 1" sounds much more crisp and clear than I remember it on the LP, so if you are a fan of that one you're in luck. And it's interesting to hear "1-100" the way it was originally played, though I still prefer the half speed version - it's more spacious and dreamy.

All in all, a mixed blessing, but ultimately worth it to once again have this classic of the gentle side of the British avant garde back in print. It was originally released on Brian Eno's Obscure label, a seminal series of 10 LPs that turned a lot of folks on to important British avant composers of the post-Cage era: Gavin Bryars, John White, Christopher Hobbs, David Toop, Penguin Cafe Orchestra, and Americans John Cage, John Adams, and Harold Budd. A few of them have also made it to CD, but someone really needs to reissue the whole set.

5 of 5 people found the following review helpful:

4.0 out of 5 stars Nyman's earlier work, June 9, 2004

By A Customer

This review is from: Decay Music (Audio CD)

I've been listening to Nyman since I was young; starting with Drowning by Numbers, I moved on to The Cook, The Thief, The Draughtman's Contract, Prospero's Books, even The Piano.

His later compositions are much more melodic: if you listen to Carrington or Wonderland you hear a masterful composer. But even then, occasionally Nyman will produce something like the score to Gattaca which exposes his commitment to expressive minimalism.

I bought this CD because I was intrigued to hear Nyman's earlier work. If I remember correctly, this was composed in 1975 and recorded - well, Hell only knows when.

Tracks 1 and 3 are wonderful. Simple piano notes, repeated and refined over and over. A pleasure to hear.

Track 2 predicts his interest in discordancy. The Cook, the Thief and The Darughtman's Contract both toyed with this, but here it's more open and visible. I haven't yet enjoyed this, although I'd still listen to it some more before I could really judge.

If you've enjoyed any of the Nyman compositions I've mentioned, I'd suggest that you buy this album. It's remarkable.

2 of 2 people found the following review helpful:

4.0 out of 5 stars reissued but not remastered, November 12, 2008

By 

Steve Peters (Seattle, WA) - See all my reviews

Amazon Verified Purchase

This review is from: Decay Music (Audio CD)

I reviewed the 2004 reissue of this (see below). The only difference between that one and this 2006 version is that this one comes in a jewel box and the older one was in a digi-pack. The two sound exactly the same and have the same liner notes. The problems with distortion and hiss mentioned in the earlier review are still present.

Excerpts from my previous review:

This is a perfect candidate for CD reissue...a work easily ruined by the slightest bit of LP surface noise. So the CD should be cause for rejoicing for anyone who loves this long out of print recording. Well, sort of...

While the CD takes care of the surface noise issue, it also reveals some problems with the original recording. The opening of "1-100" has some badly distorted reverb on one of the piano tracks (near the beginning)...There is a third track, not included on the original LP, which is the same recording as the first track but heard at its proper speed (the original LP version was intentionally mastered at half the recorded speed). If you compare these two versions, you hear the same harsh distortions in exactly the same places, meaning they are on the original master recording. And thanks to the clarity of digital technology, the tape hiss on the first track, once masked by LP noise, is now plainly audible and somewhat distracting.

On the upside, the percussion piece "Bell Set No. 1" sounds much more crisp and clear than I remember it on the LP, so if you are a fan of that one you're in luck. And it's interesting to hear "1-100" the way it was originally played, though I still prefer the half speed version - it's more spacious and dreamy.

All in all, a mixed blessing, but ultimately worth it to once again have this classic of the gentle side of the British avant garde back in print.