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by Jessica Mitford
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by Charlotte Mosley
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by Jonathan Guinness
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by Mary S. Lovell
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by Nancy Mitford
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Once upon a time, in England, Lord and Lady Redesdale had six daughters and one son. All the girls were good-looking but a little out of the ordinary, especially after they grew up. Nancy resided in Paris, lived "in sin" and wrote delicious comic novels, including The Pursuit of Love and Love in a Cold Climate. Deborah married very, very well, becoming the duchess of Devonshire and chatelaine of the great English country house Chatsworth. Unity, alas, got to be an intimate friend of Adolf Hitler, whom she just adored, and shot herself in the head on the day Britain declared war on Germany. The particularly beautiful Diana divorced her first husband to wed her lover, the infamous British fascist leader, Sir Oswald Mosley. Brother Tom was killed during World War II, and sister Pam somehow led a quiet, fairly conventional life, probably just to be different.
And then there was Jessica (1917-96). If you don't know about Decca, as everyone called her, just start reading this terrific collection of letters and hang on for the ride.
During the 1930s, Decca took off to fight on the Republican side in the Spanish Civil War with her boyfriend and eventual husband, Esmond Romilly. Later, the adventurous lovebirds moved to Washington, where they became close chums with the young Katharine and Philip Graham, as well as the crusading civil libertarians Virginia and Clifford Durr. After World War II broke out, Esmond enlisted, returned to Britain, and one day never came back from a flying mission. Esmond's uncle, Winston Churchill, told Decca that there was no hope of her 23-year-old husband being found alive.
By this time, Decca was working for the Office of Price Administration and was happy to leave Washington, with its painful memories, for a position in San Francisco. There, she married a crusading young attorney named Robert Treuhaft. The two almost immediately joined the American Communist Party, tirelessly focusing their efforts on the cause of civil rights. This never changed, even after they quit the party in the late 1950s. Throughout his career, Treuhaft took on myriad cases of perceived injustice, defending the wrongfully accused, agitating for retrials, fighting for prisoners' rights. He even became lawyer to the legendary Free Speech Movement at Berkeley and something of a hero of the times. In the late 1960s, a young Yale law student named Hillary Rodham spent a summer clerking for Treuhaft's law firm.
Meanwhile, Decca, the subversive housewife, reared three children, agitated, protested, and wrote magazine articles, a memoir of the Mitford family (Hons and Rebels) and, as this book shows, lots of letters. Wonderful letters. On every page of this enormous volume, she is right there -- funny, smart, swinging hard, fiercely uncompromising. In 1943, she complained to Churchill ("Dear Cousin Winston") about the Mosleys' release from prison on health grounds: "My personal feeling is that the release of the Mosleys is a slap in the face to antifascists in every country, and that it is a direct betrayal of those who have died for the cause of anti-fascism. The fact that Diana is my sister doesn't alter my opinion on this subject." For the rest of her life, she remained "off-speakers" with Diana, and the two sisters never saw each other again.
But Decca corresponded regularly with Lady Redesdale, Nancy and Deborah (or "Debo"). On June 25, 1950, she wrote to her very proper and conservative mother, in an example of what she sometimes called the "Mitford tease": "Could you possibly ring up the Daily Worker next time you're in London & ask them whether they know of any interesting mass meetings or demonstrations in Paris scheduled for late Sept. or early October; if so, we could arrange accordingly about when to go to Paris." She ends another note to Lady Redesdale with this P.S.: "On re-reading this letter I see it is full of references to jails, sorry, but that is where most of our friends are."
Throughout her life, Decca laughs -- "roars" is her favorite verb -- at the quirks and prejudices of the rich or racist. Here are two anecdotes from a single letter (June 19, 1957), describing a wedding in Montgomery, Ala.:
"The wedding was preceded by innumerable lunches, evening parties with Ladies Home Journal type food (croquettes, creamed asparagus, ice cream in shape of bridal shoes, jellied salads, etc. etc.) where the conversation tended to run in similar channels: 'My, you look lovely.' 'I deaclare [sic] I never did see a prettier bride than Lucy.' 'Well Tilla will be the next one now,' and similar gems of wisdom and erudition. . . . I had an interesting conversation with Lucy's father-in-law. He is a leading light from Birmingham, on the school board etc. We were deploring the state of education all over, lack of provision for bright kids, etc. He asked me what was being done for them in Calif, so I told him about the special group at Washington Grammar School for children with IQ of over 150, and let drop the information that in the group are 1 white child, two orientals, 1 Negro. He said, in genuine amazement, 'It don't seem possible that no Nigra would have no IQ of no 150, do it now?' I answered politely, 'Well, I think it do seem possible, I don't think no race has nothing to do with no IQ.' "
A few years later, Decca found herself back in Montgomery -- locked in a church with Martin Luther King Jr. and other supporters of the Freedom Rides while a mob outside set fire to her borrowed car.
In the early 1960s, Decca started to investigate the gruesome subject of funeral arrangements, which she found bizarre, exorbitantly expensive and emotionally exploitative. The result was her 1963 bestseller The American Way of Death. When the book appeared in England, Evelyn Waugh -- whose novels included The Loved One, about Forest Lawn Cemetery -- reviewed it positively, but, as Decca wrote to Debo, he "said I don't have a 'plainly, stated attitude to death.' So if you see him, tell him of course I'm against it."
For the rest of her life, Decca was widely known as the "Queen of the Muckrakers," publishing a subsequent book about prisons (Cruel and Usual Punishment), a retrospective account of her years as a communist (A Fine Old Conflict) and much else, even a magazine exposé of the Famous Writers School. She wrote to Betty Friedan about women's issues and to Merle Miller about "coming out," to the Black Panther George Jackson in Soledad Prison and to Carl Bernstein about being a "red diaper" baby. Her American "sisters" included both Maya Angelou and the novelist Kay Boyle, but she had friends everywhere. When a restaurant refused her check, she phoned New York Times food critic Craig Claiborne. Vanessa Redgrave inquired into the possibility of a movie about her life. Julie Andrews became a pen-pal, as did her now celebrated editor Robert Gottlieb, and she gradually renewed contact with Katharine Graham. In one note to the San Francisco columnist Herb Caen, she even mentioned doing a piece for Nina King, "the v. nice book editor at Newsday." (Mitford later wrote for King again after the latter became editor of Book World.)
Decca's activism naturally passed on to her daughter Constancia (by Romilly), who joined the Student Nonviolent Coordinating Committee and became the partner of its leader, James Forman, by whom she eventually had two sons. Decca adored the boys, though the couple seemed uninterested in actually getting married. Still, as Decca explained to Nancy, now when a racist asks if she'd want her daughter to marry a Negro, she can answer, "Rather."
Jessica Mitford was once pressed about what kind of funeral she would like, and the author of The American Way of Death replied, with tongue firmly in cheek, "six black horses with plumes and one of those marvelous jobs of embalming that take 20 years off," adding that she also wanted "streets to be blocked off, dignitaries to declaim sobbingly over the flower-smothered bier, proclamations to be issued -- that sort of thing." As it happens, after her cremation, Decca's good friends in San Francisco obliged with just that sort of thing, including the horses, an antique hearse and the 12-piece Green Street Mortuary Band playing "When the Saints Come Marching In."
This is a superb collection of letters, and editor Peter Y. Sussman deserves the greatest possible praise and gratitude. His introduction, connecting essays and extensive notes supply all the biographical and historical information a reader needs. Being witty as well as scholarly, he is precisely the right guide through this life in letters of the most astonishing of the astonishing Mitford girls.
Copyright 2006, The Washington Post. All Rights Reserved.
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