The unsettling attraction is still strong between them, despite the secrets they hide. But, as the unknown threat grows, they are thrown together in the most intimate of ways. Clio knows there is only so long she can resist her mysterious duke!
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The unsettling attraction is still strong between them, despite the secrets they hide. But, as the unknown threat grows, they are thrown together in the most intimate of ways. Clio knows there is only so long she can resist her mysterious duke!
Clio Chase turned her spyglass toward the ruined amphitheatre, where her sister Thalia rehearsed the lines of Antigone. The crumbling stage was far from Clio's perch atop a rocky hill, yet she could glimpse Thalia's golden hair glinting in the morning sunlight, could hear the despairing words of Sophocles' princess as she was led to her death.
That eternal struggle of life and death, beauty and fate, seemed to belong to this bright day, this land. Ancient Sicily, where so many conquerors had overrun the rocky hills and dusty plains, yet none had ever fully possessed it. It belonged to old gods, far older than even the Greeks and Romans could have imagined. A wild place, slave to no master.
Clio turned her glass, purchased from their ship's captain on the voyage here from Naples, past her sister to the landscape beyond. No London stage director could have imagined such a glorious backdrop! Beyond the steps and stage of the amphitheatre were only mountains, a vast swathe of blue sky. The hills rolled on like a hazy sea, green and brown and purple, until they reached the flat, snow-dusted peak of Etna, cloaked in clouds.
Off in the other direction, just barely seen, were the calm, silvery waters of Lake Pergusa, where Hades had snatched Persephone away to his underworld kingdom.
Between were olive groves, orchards of lemons, limes and oranges, stands of wild fennel, the large prickly pears brought in by the Saracens. Carpets of flowers, yellow, white and dark purple, spread like bright blankets over the meadows, announcing that spring had truly arrived.
'"Enna—where Nature decks herself in all her varied hues, where the ground is beauteous, carpeted with flowers of many tints,"' Clio murmured, an Ovid quote she now truly understood. Enna had once been considered the heart of Sicily, the crossroads of the Trinacria, the three provinces, a sacred spot. The home of Demeter and her daughter.
And now it had been invaded by the Chase family, or part of the family anyway. Clio had come here with her father and two of her sisters, Thalia and Terpsichore, after they had seen their eldest sister Calliope off on her honeymoon. Sir Walter Chase had long heard of the archeological wonders to be found in Enna, just waiting to be discovered by a dedicated scholar like himself. His friend Lady Rushworth had followed, having equally heard of the excellent English society to be found in the town of Santa Lucia, high in the dramatic hills. Society of a most intellectual and stimulating sort, escapees from the endless shallow parties in Naples.
Clio lowered her glass, her eyes narrowed as she thought of Santa Lucia. It was certainly a pretty enough town, with its baroque cathedral and old palazzos, with the ruined medieval castle guarding its town walls. But so often when she was there, except for their Sicilian servants and the shopkeepers of the town, it felt as if she had never left England at all. Receiving callers at their rented house, going to card parties at Lady Rushworth's or dances at Viscountess Riverton's and the Elliotts'—it was all so London-like.
And she did not want to think about England. About what had happened there, what she had left behind.
Clio drew her knees up to her chest, hugging them close, her old brown muslin work dress like a protective tent around her. The warm breeze, scented with scrubby pine trees and fading almond blossoms, ruffled the auburn hair pinned loosely atop her head. She heard the echo of Thalia's voice as she went down to her lingering death, felt the hot sun against her skin.
This was where she belonged, in this wild, ancient spot, alone. Not really in Santa Lucia, definitely not in London. Not the Duke of Averton's castle, so full of its dark, twisting corridors, where secrets and dangers lurked in every corner. Just like the unhappy shades of Hades' kingdom…
Averton. Clio hugged her legs tighter, pressing her forehead to her knees. Could there ever be one day when she did not think of that blasted man? Did not remember what it felt like when he touched her? When he looked at her with those golden-green eyes and whispered her name. Clio…
'He is miles away,' she muttered. 'Eons! You will probably never see him again.'
Yet even as she tried to reassure herself, she knew, deep down inside, that was not true. He might be far away, hidden in his castle, the famously reclusive yet always much sought-after Duke of 'Avarice', but he was never entirely apart from her. The way he looked at her, as if she was yet another Greek vase or marble statue he wanted, needed, to possess.
Well, he still had the Alabaster Goddess, that glorious figure of Artemis stolen from Delos, locked away in his castle. He would never do the same to her! Not even if she had to hide here in the wilds of Sicily for the rest of her days. The Duke was gone, he was past. Just like the Lily Thief.
For yes, once even she, Clio, had held her secrets. Had been the notorious Lily Thief for a few glorious months.
Clio unfolded her legs and stood up, stretching her limbs in the sunlight. How lovely it was to be alone, to be herself with no one to watch her, judge her. To just be Clio, not one of the 'Chase Muses'. Now that Calliope was wed, everyone looked to her to be next. To marry as well as her sister had—an earl!—and to start her own family, her own conventional life as chatelaine of a household, as a society hostess; to take her place in her family's scholarly, aristocratic world.
But Calliope loved her new husband, was happy in the life she had chosen. Clio had certainly never found anyone she could esteem as Cal did her earl. Clio did not belong in such a life. Maybe she didn't belong anywhere at all. Except here.
She lifted her spyglass again, training it on the valley below her rocky perch, the stretch of land between her and Thalia's theatre. It was really this valley that had brought them to Enna in the first place, an ancient Graeco-Roman site buried in a twelfth-century mudslide and only recently uncovered. Much of the site was still hidden beneath hazelnut orchards, but her father and his friends were working hard at exploring what was revealed: the theatre; part of the agora, or marketplace; some crumbling walls delineating shops and small houses; a great villa with almost intact mosaic floors in the atrium, which was Sir Walter's pet project; and a small, roofless temple, probably devoted to Demeter, with its bothros, or well-altar, still ready to accept sacrifices even if the grand silver altar set was long gone.
She could see them through the oval of her glass, her father sweeping off more of the mosaic floor as her fourteen-year-old sister Terpsichore—Cory—sketched the tile scenes of tritons and mermaids. Lady Rushworth, shielded by a giant straw hat, examined some newly found pottery fragments, sorting them into baskets. Other friends and servants scurried around like busy ants. They would not miss her when she crept away. They never did.
Clio snapped the glass shut and tucked it inside her knapsack. Slipping the strap over her shoulder, she turned and made her way up the steep stairs cut into the stony hillside.
When she reached a fork in the steps, with one way leading to Santa Lucia, she glanced up, raising her hand to shield her spectacles from the glare of the sun. The crumbling crenel-lations of the medieval castle's tower stood starkly against the bright sky, eternally vigilant as it stared out over the valley. She was again reminded of the Duke, of his Yorkshire castle that matched his strangely archaic, handsome appearance, his long red-gold hair, his strong hands that gripped her own so tightly, holding her prisoner to that intense light in his beautiful green eyes.
Clio frowned at the memory, unconsciously flexing her wrists. He could so easily have been one of the crusaders who had built that tower, standing between the crenellations, surveying his conquered land while his banners whipped in the wind behind him. Secure in the knowledge that his money, his exalted title, his fine looks would always gain him anything he wanted. The world was his.
But not her. Never her.
Clio turned away from the castle, from the safety of Santa Lucia and its old walls, and hurried up a second, even steeper set of stairs. They wound up and around the hill, and she soon left the noise and bustle of the valley behind. Even the sun grew dimmer here, the shadows longer, deeper, colder.
On the other side of the hill, the stairs suddenly switched back, taking her downwards again. Unlike the sunny valley where her family worked, this place still slumbered. It was a meadow, covered with a blanket of white clover, seemingly undisturbed except for the hum of bees, the distant tinkle of goats' bells in the hills.
She knew people must come here. There was rich fodder for those herds of goats, and wild fennel and oregano for the cooking pots. But she never saw anyone at all. The cook at their hired house, Rosa, had told her this was a sacred spot, a spot where once there had been an altar to Demeter. A crude sheaf of wheat carved into the trunk of a towering hawthorn tree, where offerings of flowers and fruit were often left at its base, seemed to confirm that. As did mysterious holes she found in the ground when she had first arrived, which seemed to indicate previous, illegal excavations.
Demeter never disturbed Clio when she was there. Nor did Persephone and her dark husband. They seemed to know Clio was one of them, that she did their work to bring them back to life.
She passed the tree, giving it a respectful nod. There were fresh lemons piled in a basket in its shade. There was a wide road nearby, a way for horses to get to the village, but she ignored it. Along another path, barely marked in the clover, she hurried her steps until she found what she sought. Her own pe... --This text refers to an out of print or unavailable edition of this title.
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Most Helpful Customer Reviews
4.0 out of 5 stars
Worth the time,
Amazon Verified Purchase(What's this?)
This review is from: To Deceive a Duke (Harlequin Historical) (Kindle Edition)
Before starting this book, I would recommend reading the first in the series, To Catch A Rogue. I started this one first after reading the synopsis of both and thought this sounded like the more interesting of the two. Immediately after I started, finding that the basis for Edward and Clio's relationship is set up in the previous novel, I felt as though I was missing something. I stopped this book and read the other and then came back to this one. My instinct was right for my preferences; I prefer this relationship more than the one between Calliope and Cameron and found myself hanging on to the brief encounters between Clio and Edward in the previous novel. But I recommend reading To Catch A Rogue first as you better feel the intensity of Clio and Edward's relationship from the start.
All in all, it's what I expect from this genre. The writing style is good, the plot is intriguing. I like the fact that it's not set in England during "The Season" as that seems to get played out a little. For those who are fans of Austen, especially Pride & Prejudice, don't be surprised to seem some glaring references to Austen's work. I've noticed several unmistakable "steals" from Austen's novels in the two McCabe books I've read so far. I've enjoyed her work, however. She seems to add a little more imagination than your average Regency period romance. I do recommend it. It's been a good time killer.
4.0 out of 5 stars
Second in the Regency "Chase Muses" series,
By Marshall Lord (Whitehaven, UK) - See all my reviews
This review is from: To Deceive a Duke (Harlequin Historical) (Mass Market Paperback)
This entertaining if grossly implausible Regency romance follows on from To Catch a Rogue (Historical Romance) and is the second in a series of stories about the four "Chase Muses" - the four daughters of Sir Walter Chase, eminent scholar and archaologist, all of whom are named after classical Greek muses. The four sisters are: 1) Calliope ("To catch a Rogue") 2) Clio (This book) 3) Thalia 4) Terpsichore (known as Cory and still a child at the time of the first two books) The first novel in the series told the story of the eldest sister, Calliope, and her romance with Cameron, Lord Westwood. At that stage, the second sister, Clio, had become so angry with those collectors who were looting historic antiquities from their natural settings that she became "The Lily Thief" who stole them back, working with an Italian nobleman, Marco Count di Fabrizzi, to return them to their proper settings. Clio's career as the "Lily Thief" came to an end after she was caught by Edward Radcliffe, Duke of Alverton who she (wrongly) suspected of stealing artworks, and in the process knocked him out by toppling a marble statue on top of him. This event from the previous book is revisited in the prologue of this one. The story continues six months later in Sicily. Calliope is on her homeymoon as the new Countess Westwood, while the rest of the Chase family are on an extended trip to the island where Sir Walter is excavating the ruins of an ancient villa from Greek or Roman times and Clio is excavating those of a nearby farmhouse. And who should turn up but first Marco, and then Edward, Duke of Alverton? Clio soon realises that something suspect is going on: but is the Duke one of the villains, or is he the person who is trying to catch them? Clio finds him to be almost two people in one body: sometimes he is "the Duke," the most arrogant human being on the planet, who drives her into a rage, and at other times he is "Edward" whose company she greatly enjoys - so much that she has difficulty behaving like a proper young lady ... Some serious problems on the credibility front - many of the characters have very modern attitudes to antiquities, for instance, which were unheard of in the Regency period. But this is a very entertaining novel, and I can recommend it if not taken too seriously.
1 of 2 people found the following review helpful:
4.0 out of 5 stars
McCabe Delivers Another Solid Read in the Chase Muse trilogy,
By Helena (Florida) - See all my reviews
This review is from: To Deceive a Duke (Harlequin Historical) (Mass Market Paperback)
Amanda McCabe delivers another solid, entertaining read that follows the adventuring-loving Chase sisters in the sun-soaked Italian countryside in their pursuit of ancient ruins.
To Deceive a Duke seamlessly picks up where To Catch a Rogue left off. Rogue was the story of the oldest Chase - Calliope (Cali) that also introduced her younger sisters Clio, Thalia and Cory - a.k.a. the Chase Muses - a family of educated, aristocratic young women dedicated to the antiquities and addicted to adventure. Readers join the fiercely independent Chase women; Clio and younger sister Thalia accompanied by their widower father, Sir Walter Chase, now temporarily ensconced (from their native England) in Santa Lucia, Italy to excavate and preserve a site of ancient ruins as part of their lifelong quest to unearth and protect Greek and Roman antiquities. Cali, now wed to Lord Westwood, is on her honeymoon. As Clio works to put her past behind her in favor of more acceptable pastimes, Thalia emerges as a talented writer and actress. Both sisters are charmingly brought to the forefront with their own distinctive voices, and personalities and of course, secrets, woven into the plot. While hard-working, determined Clio enjoys the darker side of adventure and mystery, Thalia, an irreverent, creative spirit sparks the interest of Count di Fabrizzi whose mysterious appearance at the side of the Lily Thief in the previous novel, left readers to wonder and wait. As the Chase family settles in, the enigmatic Edward Radcliffe, Duke of Averton, arrives in Santa Lucia in pursuit of antiquities, a nobler principle and Clio. His unexpected appearance creates tension for both Clio and the reader as we try to unravel his purpose and reconcile his eccentric public persona with his private, more refined side. Drawn together by a common passion for ancient artifacts and each other, Edward has traveled from England to protect Clio and his mission both of which become unavoidably intertwined. Mystery mixed with Italian superstition and impending peril are heightened as fellow Britons descend upon Sicily for a brief season, partaking of theatre and all that is Italian. Presented to readers are the flamboyant Lady Riverton and her companion, Ronald Frobisher while the dashing Count di Fabrizzi is re-introduced to readers. McCabe has skillfully blended the first `Chase' book with the second incorporating romance and intrigue with danger while allowing the full development and exploration of the characters of Edward and Clio. Thalia is a delightful contrast to her sister with a seemingly irrepressible soul leaving us wanting to see more of her. (Good news - there's a third book!).
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