From School Library Journal
Grade 1-4. A story singular in its originality; its artwork; and its contemporary, multilayered theme that is ultimately filled with joy and peace despite its stark setting. On Christmas Eve, a homeless boy and his mother share their small cardboard-box home with an elderly stranger. The next morning, she is gone. And outside, the child thinks?but cannot believe?he sees an angel like the one on his December calendar page. The story ends a year later, when his situation has changed. His mother has a job and they have moved to a small apartment. It is then he observes that his calendar angel wears a rose just like the one the stranger had put on his Christmas tree. The message of charity as a risk worth taking in a dangerous world is a sobering, thoughtful holiday message. So deft in her writing, Bunting creates a mood or expresses an emotion with a simple sentence or phrase. Diaz's now-familiar angular, almost stained-glass figures dominate illustrations that are set against backgrounds so striking in their creativity and complexity that they would overwhelm a lesser story. The artist uses a mix of media and repetitive patterns to create unusual designs that give each backdrop a multidimensional look. One of a very few holiday books that has both art and writing so strong that they effectively mesh to create a truly unique title.
Copyright 1997 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From Kirkus Reviews
An understated holiday story with dazzling art, by the duo behind Smoky Night (1994) and Going Home (1996). Simon and his mom live in a cardboard box, but they have a scrap of a Christmas tree, some found decorations including Simon's toy soldier, and an angel on the wall, named December, torn from an old calendar. On Christmas Eve, an old woman begs them to share their box, and they let her in, where Simon offers her one of the two cookies he is saving for Christmas day. In the morning, the old woman is gone, and the angel herself, singing softly, seems to fill the doorway before fading away. The next Christmas Eve finds Simon and his mother in a real apartment. She has found a job, and the December angel is on their new wall. Diaz's acrylic, watercolor, and gouache paintings have the monumentality and intensity of stained glass, with their flat planes of color and black outlines. The agitation of some of his work has been subsumed into a gentler and more emotionally resonant style, set against collage backgrounds full of roses and angels. The angel, with the wings of the feathered cloak of a Mesoamerican goddess, is a glorious creation. Seen in almost every spread in a glowing palette of rose and gold, she draws the eye and the heart again and again. (Picture book. 5-8) --
Copyright ©1997, Kirkus Associates, LP. All rights reserved.
--This text refers to an out of print or unavailable edition of this title.