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4 of 4 people found the following review helpful:
5.0 out of 5 stars
Compelling musical horror, September 22, 2003
If you are digging into the horror novels that Phil Rickman wrote prior to his wonderful Merrily Watkins series, you will meet four of the characters in "December" (1994) who later appear in "The Cure of Souls" (2001): Moira, the folksinger; Simon, the vicar; Isabel, the sex-starved, wheelchair-bound accountant; and Prof Levin, the alcoholic recording engineer.Boy, will you meet them--and like them too, even though Moira is a recluse who might be responsible for the death of her mother; Simon is a self-confessed homosexual necrophiliac; Isabel's first sexual adventure killed her partner; and Prof Levin stays drunk through most of "December" (a very reasonable response to finding oneself in the midst of a Rickman horror novel.) What little sex there is in this novel is very dark, as in corrupted, or sometimes darkly humorous, as in Isabel's aerial deflowering. Loathsome, brown candles are a regular supernatural visitation foretelling death and/or really hellish sex. However, this book isn't really about sex (even though I keep talking about it.) It's about music. I learned more than I thought I ever wanted to know about John Lennon, Jim Morrison, Bob Dylan, and even Simon and Garfunkel--well, Goth horror is something else this book is not--mostly it concerns musicians from the 60's who didn't make it very far into the 80's. One of the main characters, Dave the guitarist, is plagued by the notion that he could have prevented John Lennon's death on December 8, 1980. Dave has some pretty snappy dialogues with Lennon who now seems to be living in his head. Dave isn't the only one with a psychic problem. All of the musicians who attempted to record an album in an ancient abbey-turned-recording-studio on the date of Lennon's death are traumatized by a tragedy that gradually works its way to the surface through the course of this novel. Rickman piles horror upon horror until thirteen years after Lennon's death, the musicians are compelled to return to the abbey to complete the song that had called up an ancient evil. You'll be reading this one through the night--even though you shouldn't.
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