From Publishers Weekly
Like her 2006 debut,
Fireworks, Winthrop's second novel focuses on the turmoil wrought by the loss of a child. Although Wilson and Ruth Carter's 11-year-old daughter, Isabelle, is very much alive, she hasn't spoken in nine months, an elective muteness brought on by no known trauma. Her silence confounds her parents, a series of psychiatrists and her Manhattan private school, which, by December, is losing patience with her. Ruth, a successful lawyer, pores over Isabelle's past actions and sketchbooks for hidden meanings; Wilson, a well-meaning but often bumbling father who still views his preteen daughter as a little girl, is convinced that action, not analysis, will cure Isabelle. Isabelle herself, whom Winthrop introduces skillfully through a shifting third-person omniscient narrative, is most intriguing: keenly self-aware but unable to help herself, alternating between resentment and adoration for her parents, Isabelle is in many ways simply a preadolescent to the nth degree. Like budding artist Isabelle, Winthrop is a master of observation, and her ability to crystallize themes in particular vignettes (fixing a broken phonograph, buying Christmas presents) brings this affecting family drama vividly to life.
(June) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
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From School Library Journal
Adult/High School—Isabelle, 11, has not spoken in 280 days and her doting parents are frantic with worry. The girl enjoys a comfortable life in a Manhattan apartment and a country-weekend cottage and is enrolled in private school. Her silence is not the result of trauma and has no physical cause. Several psychologists have given up on "fixing" her, and her school threatens to cut her loose if she does not return to normalcy. Ruth, a somewhat controlling mother, hangs on to the hope that a new psychologist will unravel the mystery through Isabelle's drawings. Wilson holds on to the hope that action will cure his daughter's silence—hang the swing, clean the garage, cut the Christmas tree, travel to Africa. The plot is at first revealed through the parents' point of view and could almost be considered a mystery, complete with red herrings. (Will the deaf neighbor boy trigger Isabelle to speak? Has she inherited crazy Uncle Jimmy's tendency to mental problems?) Only when the story switches to the protagonist's point of view do readers begin to understand what is going on.
December is a hauntingly quiet domestic drama, full of evocative language and agonizing emotional scenes. The looming demise of an old apple tree and of a cancer-stricken dog hint at the loss of a childhood. Isabelle's quiet, stubborn rebellion should appeal to teens.—
Paula Dacker, Charter Oak High School, CA Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
--This text refers to an out of print or unavailable edition of this title.