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The Decline of Sentiment: American Film in the 1920s (Simpson Book in the Humanities)
 
 
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The Decline of Sentiment: American Film in the 1920s (Simpson Book in the Humanities) [Paperback]

Lea Jacobs (Author)

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Book Description

Simpson Book in the Humanities April 2, 2008
The Decline of Sentiment seeks to characterize the radical shifts in taste that transformed American film in the jazz age. Based upon extensive reading of trade papers and the popular press of the day, Lea Jacobs documents the films and film genres that were considered old-fashioned, as well as those dubbed innovative and up-to-date, and looks closely at the works of filmmakers such as Erich von Stroheim, Charlie Chaplin, Ernst Lubitsch, and Monta Bell, among many others. Her analysis--focusing on the influence of literary naturalism on the cinema, the emergence of sophisticated comedy, and the progressive alteration of the male adventure story and the seduction plot--is a comprehensive account of the modernization of classical Hollywood film style and narrative form.

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Editorial Reviews

Review

"A groundbreaking examination of a pivotal turning point in American cinema. . . . Jacobs' thoroughly researched arguments make her thesis as convincing as it is original. . . . A formidable achievement."--American Cinematographer

From the Inside Flap

"Lea Jacobs's groundbreaking book examines the crucial films, both well-known and until now obscure, that marked a decisive shift in 1920s American cinematic sensibility and taste-from 'hokum' to 'sophistication,' a change that would inflect future Hollywood filmmaking. All serious scholars of American film history will read this book with admiration and find its insights as well as its methods an inspiration."--Matthew Bernstein, author of Walter Wanger: Hollywood Independent

"The Decline of Sentiment is an impressively researched and quite original book. Again and again, Jacobs makes persuasive arguments. This is an outstanding contribution to scholarship."--James Naremore, author of More Than Night: Film Noir in its Contexts

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