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37 of 38 people found the following review helpful:
5.0 out of 5 stars
A Satisfying Amelia Peabody Mystery set in England, June 8, 2000
In a nice change of pace, Elizabeth Peters makes England the setting for her fifth novel in the Amelia Peabody Emerson series. Set at the turn of the century, Peters has a great eye for period detail, a good knowledge of Egyptology and Egypt, and a marvelous sense of humour. In this mystery the action is centered around a mummy and a murder victim--both in the British Museum. Radcliffe Emerson is furiously working on his manuscript (under deadline), Ramses is struggling to maintain his composure with two young cousins who are staying for a visit, and Amelia is (as always) writing an academic paper, struggling to control her son, and alternately fending off and succumbing to her husbands amorous advances. However, the whole family soon gets involved in trying to find out more about the mysterious mummy and the Egyptian priest who appears and disappears with alarming frequency. I found this mystery a nice change of pace with its different setting and different cast of characters. I particularly liked the introduction of a wonderful butler named Gargery, who relishes every opportunity to get involved in the Emerson family's many escapades. If you're going to England in the near future and the British Museum is on your list of sights to see, be sure to take this book along. I think that you will enjoy seeing how little the interior of that august institution has changed!
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19 of 21 people found the following review helpful:
4.0 out of 5 stars
A suspensful change of setting, July 20, 2001
By A Customer
This book was indeed a nice change of setting. I'm working my way through the series in order, and after Lion in the Valley (which I enjoyed) I was nevertheless a little tired of sand, Egypt, superstitious villagers, and all that. But Deeds of the Disturber's setting (London) and new characters (including Peabody's--um--"delightful" niece and nephew) really perked up this entry. Also, I found this a significantly darker book than its predecessors--it's never really gloom and doom (this is an Amelia Peabody mystery, after all!) but there's a sense of tragedy around several of the characters that seems more real and more sad than in the previous books. Too, Ramses continues to be the most disastrously endearing child in fiction. I also was pleased to see that, after the events at the end of Lion of the Valley, the tables are turned a bit in this novel. Speaking of Lion of the Valley--in that novel I found Peabody to be insufferably, arrogantly smug. The author, I think, got rather carried away in that one (Peabody is smug, Emerson is angry, Ramses is long-winded, end of story). In Deeds of the Disturber, the characterization is much better: Peabody, especially, is back to her highly intelligent but essentially admirable self. My only real complaint about this book is that "de cat Bastet" is present so briefly!
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18 of 20 people found the following review helpful:
5.0 out of 5 stars
Archaeological Adventures (with cats) meets Woman's Suffrage, May 17, 2000
I was hooked from the first polysyllabic-word peppered sentence. This is real writing! This first-person account exudes the rareified atmosphere of the bowels of museums, bathtub rim-running cats, competing journalists, Egypt and England, spontaneously amorous old-fashioned hubby Emerson, and best of all, precocious young Ramses with his non-school-tainted (today it's called homeschooling) erudite vocabulary and mummification projects, all self-directed and in the vein of his Egyptologist parents. The Deeds of the Disturber was the first Amelia Peabody Mystery I had read. Peters puts me right in that Cairo hotel as Emerson stomps on the blasted newspaper, stands me on the dock in London as the gritty city grime smears my face, and has my feet getting damp in the rain as I follow her walking briskly to The New Scotland Yard a whole lot faster than the fashion-hobbled ladies on the street. Now I'm ordering all of Elizabeth Peters novels including the ones written under another one of her pen names, Barbara Michaels. I wish I knew more people who talked - and wrote - in real life like Peter's dialogue. Meanwhile, I'll escape with a cup of tea or a pint of Stout and her Amelia Peabody books.
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