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Most Helpful Customer Reviews
6 of 7 people found the following review helpful:
5.0 out of 5 stars
Blues rock at it's finest,
By Rohit R "greatdoc" (india) - See all my reviews
This review is from: Defender (Audio CD)
Defender is a great from the late Rory Gallagher a great blues rock guitarist from Ireland.He was a fine guitarist in the mold of Hendrix,Clapton,Page and Buchanan.This is a great album from him which was his second last and featured gems like LOAN SHARK BLUES,KICKBACK CITY,FAILSAFE DAY and I AINT NO SAINT.Get this along with all his other albums.Highly recommended.
2 of 3 people found the following review helpful:
5.0 out of 5 stars
Rory = Great Music,
By Bill (Washington - State) - See all my reviews
Amazon Verified Purchase(What's this?)
This review is from: Defender (Audio CD)
Most of the guitar heros out there probably wish they could play as good as this legend. Rory has a diversity and passion that few can match - slight nuances and chance-ups in his playing reveal true genius. He plugs in and plays strait out and honest - no noisy din, trickery or trendy walls of strange sounds that so many others hide behind. This is another fine output of strait-up rock and blues. My favorite tunes are Loan Shark Blues and Road to Hell. It's all good - real good.
0 of 2 people found the following review helpful:
4.0 out of 5 stars
Aged in the Wood,
By
This review is from: Defender (Audio CD)
I have no idea why this isn't thought of as one of the great albums of its time. "Guitar Player" clearly thought it was -- they gave it a cover story. Admittedly, Rory had a long period of churning out AOR rather than sticking with what he did best, but on this one he started returning to his Delta-Chicago roots and integrating them with the more popular biker-boogie format in a way that he wasn't capable of before. Though there are some low points ("Failsafe Day" is tooth-grindingly preachy, for example), the album as a whole shows a dark maturity; I've read on a website that while he was making this he started getting creepy premonitions of an early death, and the best cuts here show it: "Road to Hell" might have been subtitled "A Portrait of the Artist as a Prematurely-Dying Bluesman" -- the Stratocaster guitar-screams sound like Roy Buchanan getting dragged away to the brimstone pits; "Kickback City" shows his control of a multitrack deck; "Doing Time is nearly as much fun as the classic "Bullfrog Blues;" "Don't Start Me Talkin'" is nearly as slick and polished a guitar-harp duet as anything on Butterfield's "East-West;" and "Ain't No Saint" is the only Albert King tribute I can recall that doesn't have one King lick in it!The much-lauded "Live in Europe" and "Calling Card" are his best, no doubt, but this is one the true Rory-cultist will savor like a fine, rare brandy.
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