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| 1. The Lonely Bull - Herb Alpert & The Tijuana Brass |
| 2. Mexican Shuffle - Herb Alpert & The Tijuana Brass |
| 3. Whipped Cream - Herb Alpert & The Tijuana Brass |
| 4. Lollipops And Roses - Herb Alpert & The Tijuana Brass |
| 5. A Taste Of Honey - Herb Alpert & The Tijuana Brass |
| 6. Spanish Flea - Herb Alpert & The Tijuana Brass |
| 7. Tijuana Taxi - Herb Alpert & The Tijuana Brass |
| 8. Zorba The Greek - Herb Alpert & The Tijuana Brass |
| 9. What Now My Love - Herb Alpert & The Tijuana Brass |
| 10. So What's New? - Herb Alpert & The Tijuana Brass |
| 11. The Work Song - Herb Alpert & The Tijuana Brass |
| 12. This Guy's In Love With You - Herb Alpert & The Tijuana Brass |
| 13. Casino Royale - Herb Alpert & The Tijuana Brass |
| 14. Route 101 - Herb Alpert |
| 15. Fandango - Herb Alpert |
| 16. Rise - Herb Alpert |
| 17. Rotation - Herb Alpert |
| 18. Diamonds - Herb Alpert |
| 19. Keep Your Eye On Me - Herb Alpert |
| 20. Making Love In The Rain - Herb Alpert |
It's my gut feeling that Universal is in the process of shrinking their catalog considerably. Over the past few years, they've routinely picked an artist and slashed the artist's catalog back to one or two recent albums (if the artist is still musically active), and a compilation. And like clockwork, every couple of years, we'll get yet another different compilation that they feel will bring more buyers out of the woodwork. Why else would they take an entire body of work and distill it into a single-CD package? Universal has a history of doing this with other artists on other subsidiary labels...A&M is just the latest victim, and Universal's compilations reek of commercial exploitation at its worst.
From a sound quality standpoint, this release is spotty at best. First, a mono version of "The Lonely Bull." Why? Apparently the original masters were lost. (To be honest, my monaural LP copy of this one sounds cleaner than what made it to CD.) But some of the earlier TJB tracks really don't sound all that good. "A Taste of Honey" is still noisy and lacks a clean bass or treble. "Tijuana Taxi" is full of tape dropouts. (You'd have to have cotton in your head NOT to hear this!
... Read more ›One other complaint I have is that this should've been a 2 CD set. Alpert certainly had enough hits in his career to justify a 2 disc set. The TJB hits alone would've filled one CD. But the other tunes that are here a nice representation - albeit too short - of Alpert's long career. It's just too bad that a bad mastering job was done on this collection, because Alpert deserves better treatment.
This CD does a great job at chronicling about 1/4 century of Herb Alpert's career - starting in 1962 and going out into 1987. The CD really covers three distinct phases of Alpert's career. The bulk of the CD (or first 13 songs), cover Herb when he was with his band, the Tijuana Brass. This really covers a period from 1962 to 1968. The second phase is Herb's "solo" period" from 1979-1982 (I assume he laid low while building A&M records in the 70s). The third phase is from the album "Keep Your Eye on Me" which was a phase in which Herb would embark on a collaborative period with established vocalist in a similar manner like Carlos Santana would do a decade later.
In Phase 1, the "Herb Alpert and the Tijuana Brass" period; the CD presents 13 songs that Herb did with his band - The Tijuana Brass. These songs have a very distinct Mexican feel to it and have a lot of horns. This is where you will get to know Herb Alpert's roots. The guy is one heck of a horn player. One thing that did disappoint me is that Herb wasn't a big songwriter and that his songs were all written by others.
... Read more ›As a woman, I can tell you that there is NO sexier love song in existence than Herb Alpert singing "This Guy's in Love with You." So simple, so smooth, so eloquent. Makes me so...tingly...
This is a fantastic antidote to the current stuff that passes for music out there today. With a few exceptions,I find most of today's "popular" music to be more about singers trying to impress us with their vocal gyrations & volume, and producers using their techno toys to fill in where an actual melody might work instead. Even my pop-music-loving kids have listened to this C.D. with me and have asked, "Hey, who IS this?"
The whole C.D. is fun, nostalgic, relaxing, and just cool. Simply stated, listening to this C.D. makes me happy.