Customer Reviews

Definitive Otis Redding

5 star:		(20)
4 star:		(1)
3 star:		(1)
2 star:		(0)
1 star:		(0)

 

 

If Ray Charles is the genius of Soul, James Brown it's godfather, and Aretha Franklin it's queen, then undoubtably, Otis Redding is it's king and Booker T. & the MGs, Soul's crown princes. He's the only singer I've ever heard who sounds like he's in the room with you. If the world was to face disaster and maybe only some would survive, we would have to place Otis's recording of Sam Cooke's "Change Gonna Come", his definitive version of "Try a Little Tenderness" and "I've Been Loving You Too Long", a song he wrote with the legendary Jerry Butler, in a time capsule. This was soul music. It's rare when a box set can be enjoyed by someone who is not familiar with the artist. (Another one being Otis's Stax cohorts, Booker T. & the MGs' Time Is Tight) But Otis's voice, along with the MGs' majesty made some of the greatest music of all time. What set Otis apart from people, and what eludes many artists, was his ability to turn someone's song inside out and make it his own. He frequently covered songs by one of his biggest influences, Sam Cooke. Cooke's "Change Gonna Come" is a perfectly beautiful record. Why would anyone touch it?!? Otis and the MGs with The Memphis Horns make what could be the most gut wrenching and beautiful and "soulful" track ever recorded. Also fun is Otis's cover of Sam Cooke's "Cupid". Cooke's version is again, quite perfect and way ahead of its time. Redding's version is stripped down and playful as can be. And when he sings, "Cupid, please hear my cry", man he's crying. Not to be overlooked is Redding's songwriting talents. Not many black guys are considered when the subject of singer/songwriters are brought up. But he, like Al Green later, wrote many of his best records. Otis wrote many of his songs with Steve Cropper. On the Eddie Floyd/Booker T. Jones written "I Love You More Than Words Can Say", Cropper's and Redding's musical relationship reaches its full potential. Otis sings, "Living without you is so painful", and Cropper's guitar sings one of it's most soulful responses. Another treat is the Redding, Booker T. Jones, and Al Jackson written rocker, "Let Me Come On Home". But the gem of this set is disc four. Twenty three live songs, edited seamlessly, so it is as if you were at an Otis show. The "king" outdoes the "godfather" on "Papa's Got a Brand New Bag", and there's a heartbreaking version of "Just One More Day". It all ends perfectly when Otis Redding and the MGs take you away from everything on a trip to soul heaven with "Try a Little Tenderness" from Monterey Pop. Music didn't die with Buddy Holly. It began a slow demise on December 10th, 1967, when Otis Redding passed away. Today, R&B is laughable, Country seems to come off of a conveyor belt, and there's no such thing as Soul anymore, or Rock & Roll for that matter. Maybe it's because the hippies grew up and began to run things, or technology, but today, there's almost no soul left in music. Now we have people who whoop and holler, Trying to be soulful and show range. All they show me is terrible insecurity or ego. It's like watching an awful actor. It's pretentious. Hopefully, one day we can wade through all the garbage. The material here will stand the test of time.

I've been a fan of Otis Redding's music since I bought a vinyl record of the 1967 Monterey Pop festival with Jimi on one side and Otis on the other. For *two years* I only listened to the Jimi side; one day I just flipped it over to check out Mr. Redding and was shocked.

No, I was stunned. I felt stupid and small. I could've been listening to Otis for TWO WHOLE YEARS LONGER. The effect that might've had on me at that time would've been immeasurable. If I had only started earlier, I could've been smarter, smoother, better looking, with increased vim and vigor. And we all want more vim.

Given the choice between box sets of soul brothers to buy, I'd probably recommend Otis without qualification to anyone. Marvin Gaye has a better voice, Sam Cook is a bigger talent, but with respect to approachability and the elusive emotive feelings you get from listening, Otis really stands apart from the other two. His music is fun but the anguish in his love songs is real. It's hard to describe in mere words, but let me try.

The backup band of Booker T and the MGs is possibly the best in soul music. Coupled with a vocal musician like Otis Redding, the result is the kind of tight song structure that seems fluid and natural until you give it a really good listen. Then, you recognize the talent of the drummer working with the bass and guitar, and just how a horn section is supposed to work in all that. The person to thank ultimately is Otis, who had all this music in his head and managed to team up with musicians as talented and empathetic as himself.

The result is three CDs of some of the finest, most listenable soul recorded. Nevermind the monoaural sound. Delight in the range of happy songs, rockin' songs, soulful songs, and songs that defy categorization. After those three CDs run through, treat yourself to the Otis concert on disc four and wonder, as all his fans must have wondered at least once, what might've been if his plane landed safely...

An astonishing collection. Within seven short years Otis Redding (1941-1967) not only created an inimitable personal style but, almost singlehandedly, gave soul music its texture and vocabulary. He was anguished, tortured, and yet, in his determination to find some basis for carrying on, revealed a tenderness and hopefulness which after his death was never recaptured. His was the great voice of longing and yearning in the face of despair. For the first time, early pre-Stax material, lost songs, and live performances are collected along with the hits. We can hear Otis mature from his raucous Little Richard inspired "Shout Bamalama" through the gradual development of his plaintative style as in "Security", "Pain In My Heart", and "That's How Strong My Love Is" through to the brilliant output from 1965-1967: "I've Been Loving You", "Champagne and Wine", "My Lover's Prayer", "Hard to Handle", "Fa-Fa-Fa-Fa (Sad Song)", "Dock of the Bay", etc., etc. etc. Moreover such lost tracks as "Gone Again", "Pounds and Hundreds", "You Left Your Water Running", and "Cupid" obtain, by being placed within the context of his released oeuvre, the stature that they richly deserve. Except for possibly Dylan no other American singer can claim such a formidable output in such a short time. Otis may have even equalled or surpassed Dylan in several respects - incorporating horn sections in to his songs, adapting standard rock into soul (the way Dylan did into folk), creating a musical persona every bit as distinctive as Dylan - he never let up, the well never ran dry (he didn't live long enough to go into a rut), and his last recordings show him trying to expand his emotional range even further: "I've Got Dreams to Remember" and "Gone Again" are particular highlights in this regard. The "live" CD is staggering in its abundance of energy and excitement. &qu! ot;Otis" is a maginificent collection of a still too underrated artist.

The other reviewers have well documented the greatness of this music-the King of Soul backed by possibly the greatest band of all time (Booker T. & The MG's) on an incredible group of tunes!
One important note is that this CD set features the ORIGINAL MONO 45 RPM recordings (NOT MIXES but DIFFERENT RECORDINGS), As opposed to the other sets such as "The Otis Redding Story". The tunes were either re-cut later for stereo LP releases or they chose alternative takes for those LP's for some reason. The same is true for most of Solomon Burke's hits and a few by Wilson Pickett and Aretha Franklin. (Apparently not for Ray Charles, however, as most of his LP cuts are the same, but in stereo. One early hits collection DOES have recuts on Ray.)I suppose these mono versions are neither better or worse than the more familiar versions, just different and precious in that regard, when you have relatively little product on such a giant! I also do recommend "It's Not Just Sentimental", which has other studio outtakes including some of the hits and a couple of unreleased tunes. There is also a similar CD with a different name and cover but most of the same great music. Whatever you choose, BUY SOME OTIS REDDING!

I can't add much more to what the six (only SIX?) reviewers say about this incredible box set but SOMEONE should at least mention the booklet that comes with the package, with testimonials from Zelda Redding (widow of Otis), Jin Stewart, Alan "Red" Walden, Steve Cropper, Al Bell, Carla Thomas, James Alexander, Jerry Wexler, Al Green, Toots Hibbert, Youssou N' Dour, and Peter Gabriel; three (three!) essays on Otis; tons of photos; album and singles discography; personnel and recording information. If there is a better box set presentation around I've yet to see it.

This box set totally blows away the 3CD Otis Redding Story package, which was a damn good collection to begin with. And I totally agree that although the 2CD set "Dreams To Remember" is a fine package for casual listeners you won't want to return this box set. There's not a bummer to be found; you can probably count on one hand all the box sets that qualify for this status.

Enough babbling. Buy it now!

Peace.

You'll recognize the title of this review as a Rolling Stones single of some note from many years past...and if you buy this set, you can hear another of the Stones' classic songs done through the filter of Otis Redding's own personal "Dictionary Of Soul". The song I'm referring to is "Satisfaction", and it's a shimmering Big O performance that I'm sure you will enjoy. Unfortunately, you will be enjoying it (and every other studio recording presented on this set for the first three of its four discs), in stunning, two-dimensional MONO. For reasons unknown, the collective wisdom among the powers that were in 1993 at Atlantic (or Rhino, or whoever owns the name these days) was that the mono mixes were 'superior' in someone's opinion, so only mono versions of studio recordings were used. Curiously, this is true all the way through "Dock Of The Bay"...which is astonishing, because by that time, a great deal of Stax's recordings were being done in stereo to begin with. In defense of this set, it is true that some of the earlier cuts exist in mono only; also, it is very complete, even including the attempt at a Coca-Cola jingle demo Otis cut, but Coke never used; the liner notes are extensive; and, someone at the record company made a mistake and forgot to mix disc four of the set to mono. Disc four contains nothing but excerpts from Otis's live concert recordings, and somehow, they escaped in stereo. I gave the set three stars above, which is a ballpark average of the five stars I would give it for being so thorough, but the two stars I would give it for someone's technical incompetence during remastering. I wanted Otis's studio recordings in stereo. But like I said...you can't always get what you want. Caveat emptor.

This is one of the greatest collections of music I have had the pleasure to own. I love the fact that it includes many songs I have never heard on the radio. The 4th disc is the best to me. The live faster than fast tempos and wonderful chatter in between songs adds something special. It makes you feel as if you are right there in the audience looking up at him.

Even the best soul music sounds (or any music) sounds rooted in its time - the stylistic cues of the instrumentation say "this is the 60's" or whatever.

Otis is different. Nobody is recording this kind of music anymore, but it still sounds like it could have been recorded yesterday. No cheesey instumentation or vocal cues.

Otis never had to call attention to himself like the warbling moaning R&B superstars of today. He made every song his own just singing it straight. He didn't even make it to the obligatory tragically dead rock star age of 27, but he left a musical legacy that puts other artists to shame.

I'm 30 yrs old and I've been a fan since high school. My best friend's mom had his records and we fell in love! While everyone was listening to new pop, hip hop..we were jammin to Otis and the Eagles! Otis is a musical genius. I would give my left leg to have Otis here today and see him perform! How awesome would that be!!!???
So, if your looking for soulful, feel good music, you will absolutely love this box set of Otis!!! It's great to crank up and clean house or just play while relaxing in a hot bath! I can't pick a favorite because i love them all. The only song that I wish was on here is Champagne and Wine. But overall, I just can't live without it. Hope this helps. :)

This is a four CD collection covering the career of Otis Redding. The first three discs feature the best of his studio recordings, in mono. The fourth disc includes the best version of every song that Otis recorded live, in stereo. This is subtitled "The Definitive Otis Redding" and it lives up to that title. If you are an Otis fan, you will love it.